LATEST ADDITIONS

Kris Deering  |  Feb 21, 2011  |  0 comments
Video: 4.5/5
Audio: 3/5
Extras: 4/5
Now "Bambi", Walt Disney's beloved coming-of-age story, will thrill a new generation of fans with its breathtakingly beautiful animation, soaring music and characters who will touch your heart - Bambi, the wide-eyed fawn, his playful pal Thumper, the lovable skunk Flower and wise Friend Owl.
David Vaughn  |  Feb 21, 2011  |  0 comments
A grizzled veteran cop (Nick Nolte) is determined to hunt down a couple of cop killers and needs the help of a smooth-talking convict (Eddie Murphy) who's behind bars for robbery. Cates (Nolte) pulls a few strings and gets Reggie (Murphy) a 48-hour furlough to help track down the murderers, but will this odd couple be able to tolerate each other long enough to catch the bad guys?

It's hard to believe it's been nearly 30 years since Eddie Murphy launched his feature film career with this classic buddy flick. He and Nolte have great chemistry and returned to the screen eight years later with Murphy at the top of his career after Beverly Hills Cop I and II and Coming to America. Like most films from this era, it can get a tad campy, but it holds up pretty well due to the two stars.

Scott Wilkinson  |  Feb 18, 2011  |  9 comments
A multichannel surround system is essential for the full enjoyment of most movies, but it can also provide an enhanced musical experience. I've always been bummed that DVD-Audio and SACD weren't more successful, because I love listening to multichannel music recordings—in fact, I tend to sit and listen to them much more than 2-channel CDs. Yes, early attempts were laughable in their gimmickry—who wants a cowbell clanking at them entirely from one surround speaker?—but as mixing engineers have gained more experience, the soundfield has become more integrated and cohesive. One of the best labels in this regard is AIX Records, whose multichannel releases are models that other engineers would do well to emulate.

In addition, multichannel recordings offer more options than 2-channel—in particular, a choice of perspectives. Mixing engineers can put you in the audience with ambience (room reverb, audience noises during live shows, etc.) in the surround channels, or they can put you in the middle of the ensemble, what AIX calls the "stage perspective." On the other hand, the sweet spot for multichannel is much smaller than for 2-channel—a point in the middle of the speaker array instead of a line perpendicular to the plane of two speakers.

Which leads me to ask: When you sit down to listen to music, do you prefer 2-channel or multichannel recordings? If multichannel, do you prefer the audience or stage perspective?

Vote to see the results and leave a comment about your choice.

Do You Prefer 2-Channel or Multichannel Music Recordings?
Scott Wilkinson  |  Feb 18, 2011  |  0 comments
It seems that 3D channels are starting to make a few significant inroads in the broadcast landscape. Last week, I reported that DirecTV rolled out 3net, a 24/7 3D channel co-founded by Discovery Communications, Sony, and Imax. Now, Comcast, the country's largest cable provider, is getting in the game with its Xfinity 3D channel, which debuts on Sunday, February 20, 2011.
Ken C. Pohlmann  |  Feb 18, 2011  |  0 comments

You might not know this, but I’ve dabbled in the screenwriting of commercial motion pictures. Perhaps you’ve heard of some of them: The Usual Suspects, Fargo, Titanic, Gladiator, No Country for Old Men, The Hurt Locker. Well, okay, so I didn’t write any of those, but if I hadn’t been so busy surfing the Web every day, I probably could have.

 |  Feb 18, 2011  |  0 comments

Going Ultra: Klang Ultrasonic speakers Industrial designer Adam Moller'concept speakers are cut from a different billet. The idea behind the Klang Ultrasonic speakers came from an invention by Lemelson-MIT Prize-winner Woody Norris. Norris's HyperSonic Sound generates ultrasonic waves - as in, above the range humans can hear - that are modulated in very specific ways to create an audible sound.

Mark Fleischmann  |  Feb 18, 2011  |  0 comments
A little while ago we reported that Redbox was contemplating the launch of a streaming service to supplement its ubiquitous rental kiosks. No, the company still hasn't announced its streaming partner, but it has said a little more about its plans.

And it looks as though the strategy will be subscription, not a la carte.

David Vaughn  |  Feb 18, 2011  |  0 comments
Expectant father Peter Highman (Robert Downey Jr.) is flying home from Atlanta in order to bear witness to the birth of his first child. When he encounters Ethan Tremblay (Zach Galifianakis), a socially retarded wannabe actor at the airport, things get off on the wrong foot when they inadvertently exchange bags and Peter gets stopped in security for carrying drug paraphernalia. Sadly, that's the highlight of his trip because he's soon kicked off the plane, put on the no-fly list, and is forced to take a cross-country car trip with the man responsible for his troubles.

My expectations were pretty low going into this, and for good reason. The trailers made it look like a complete rip-off of Planes, Trains, and Automobiles, and unfortunately it isn't as funny as the classic John Candy/Steve Martin movie. The first act sets up the scenario pretty well, but then it quickly falls apart when the two protagonists hit the road.

Brent Butterworth  |  Feb 17, 2011  |  0 comments

I can tell you in one paragraph how to set up a pair of small speakers, but I could write a book about setting up subwoofers. It’s the most challenging aspect of home audio because the resonances in a room tend to stress certain bass frequencies and strangle others. The effects of those resonances change from place to place in a room, so the sound may be perfect in one seat and a mess the next chair over.

Scott Wilkinson  |  Feb 17, 2011  |  3 comments
Carbon fiber seems to be the cabinet material of choice for many speaker makers these days, including Austrian Carboton, whose designs are described as "a sensual experience for your eyes, too."

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