LATEST ADDITIONS

Scott Wilkinson  |  Mar 25, 2011  |  8 comments

Performance
Features
Ergonomics
Value
Price: $6995 At a Glance: Gorgeous color • Exquisite detail • Excellent shadow detail • So-so blacks • Exceptional video processing • Stellar optics

Digital Projection International (DPI) might not be a familiar projector company to many home-theater enthusiasts—at least, not as familiar as Epson, JVC, Optoma, and Sony. But commercial users know the name well, because DPI has been supplying high-end, high-priced DLP projectors for broadcast, theatrical, simulation, medical, education, and corporate applications since 1997. In fact, DPI was Texas Instruments' first DLP partner and the original innovator of the 3-chip DLP projector.

Scott Wilkinson  |  Mar 25, 2011  |  4 comments
Price: $6995 At a Glance: Gorgeous color • Exquisite detail • Excellent shadow detail • So-so blacks • Exceptional video processing • Stellar optics

Digital Projection International (DPI) might not be a familiar projector company to many home-theater enthusiasts—at least, not as familiar as Epson, JVC, Optoma, and Sony. But commercial users know the name well, because DPI has been supplying high-end, high-priced DLP projectors for broadcast, theatrical, simulation, medical, education, and corporate applications since 1997. In fact, DPI was Texas Instruments' first DLP partner and the original innovator of the 3-chip DLP projector.

Over the last few years, DPI has been directing more of its efforts toward home-theater applications and now offers seven series of products for that market. The most affordable home-theater model is the M-Vision Cine 230, a single-chip design that offers many of the same features found in the company's more expensive offerings for less than $7000.

Scott Wilkinson  |  Mar 25, 2011  |  10 comments
In my continuing quest to learn about the audio/video systems our readers have in their homes, I now turn my attention to the A/V electronics—specifically, the components that perform the preamp, source-switching, and power-amp duties. An A/V receiver or integrated amp combines all these functions in one unit, while many systems include a dedicated preamp/processor (pre/pro) and one or more separate power amps.

Last November, I asked if you prefer an A/V receiver or separate components, but now I'm asking which you actually use in your main system. Select the item below that most closely reflects your system, and then please leave a comment with the make(s) and model(s) of your A/V electronics and why you chose them.

Vote to see the results and leave a comment about your choice.

What A/V Electronics Do You Use?
Ken Richardson  |  Mar 25, 2011  |  0 comments

Back in NYC - after 9 days and nights of SXSW Music, Film, and Interactive in Austin, Texas - I finally have time to mull over the 21 acts I managed to see during the music portion of the festival.

That perfect 21 might suggest that I had a lucky hand at SXSW this year. But as is the case every year, I heard much that was good and some that was . . . not.

David Vaughn  |  Mar 25, 2011  |  2 comments
A birthday weekend in Southern California goes off the tracks when sunrise arrives two hours early while a mysterious light source draws unsuspecting humans outdoors and are swept into massive alien ships that have appeared over the Los Angeles skyline.

There are a lot of bad movies that come out of Hollywood, but Skyline may be the worst I've seen in years. Character development is non-existent, the dialog is cringe-inducing, and the ridiculous twist ending is the cherry on top of a steaming pile—yes, it's that bad.

Mark Fleischmann  |  Mar 25, 2011  |  0 comments
Apple's AirPlay wireless audio streaming technology is finding its way into an increasing number and variety of products. What next? Possibly video streaming.

An unconfirmed report in the business press says Apple is in talks to license AirPlay to consumer electronics manufacturers for video streaming. AirPlay is already capable of video streaming but so far has been licensed only for audio streaming.

Scott Wilkinson  |  Mar 24, 2011  |  7 comments

As many of you know, I appear as a regular guest on The Tech Guy, a nationally syndicated call-in radio talk show hosted by Leo Laporte. The show airs live on Saturdays and Sundays from 11 AM to 2 PM Pacific time; some stations carry all or part of the show live, while others play the recording at different times. My segment is usually on Sundays right after the 11:30 AM news break, when I talk about home theater and answer reader and listener questions.

On February 5 and 6, I had the incredible opportunity to sit in for Leo as the guest host of The Tech Guy for the entire show. Leo was on vacation for three weeks, and I happened to be in the San Francisco Bay Area during that weekend, so we agreed that I would host the show from his studio, answering phone questions about—what else?—home theater.

Geoffrey Morrison  |  Mar 24, 2011  |  0 comments

Dead Space 2 (Electronic Arts)
Xbox 360; also for PS3

Scott Wilkinson  |  Mar 24, 2011  |  2 comments
Next month, I'm heading to Las Vegas for the National Association of Broadcasters (NAB) convention, which runs from April 9-14. Many people have asked me why I'm going, since the annual event is aimed at professionals in the broadcasting and film industry, not consumers. Well, I believe that some parts of the show are, in fact, highly relevant to consumers, and here's why…
Michael Berk  |  Mar 24, 2011  |  0 comments

Since it appeared in the seventeenth century, the guitar has been a work of visual art in its own right, as well as a powerful influence on artists in other media.

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