LATEST ADDITIONS

Adrienne Maxwell  |  Mar 23, 2007  |  First Published: Jun 23, 2006  |  1 comments
Video: 4
Audio: 4
Extras: 3
Pixar has spoiled me. Thanks to films like Monsters, Inc. and Finding Nemo, I don’t just want an animated movie to appeal to my inner child—I also expect it to engage me as a grownup. Chicken Little has all of the elements of a good animated feature: The story is fast and fun, the main characters are memorable, the animation is outstanding, and it’s got a high warm-and-fuzzy quotient. It just lacks that intangible quality that will inspire the same loyalty and repeat viewings in pre- and postpubescents.
Mike Prince  |  Mar 23, 2007  |  First Published: Jun 23, 2006  |  0 comments
Video: 4
Audio: 3
Extras: 2
The Dying Gaul is an interesting little movie, written and directed by playwright Craig Lucas, in his feature-film debut. It tells the story of Robert (Peter Sarsgaard), a gay screenwriter who’s just sold his extremely personal script “The Dying Gaul” to studio executive Jeffrey Tishop (Campbell Scott). Jeffrey is married to Elaine (the always lovely Patricia Clarkson) but desires Robert, and they begin an affair. Elaine finds out, and soon deception and betrayal are afoot among the three, with Elaine pretending to be Robert’s recently deceased lover, whom his script is based on. The actors are all very good, if the story is a bit strange and the ending a tad unsatisfying.
Krissy Rushing  |  Mar 23, 2007  |  First Published: Jun 23, 2006  |  0 comments
Video: 3
Audio: 3
Extras: 3
Viewing audiences and critics generally dismissed Jarhead when it rolled into theaters last year. That was a mistake—it’s one of the better unconventional war films ever made. This subgenre is championed by masterpieces such as Full Metal Jacket, Dr. Strangelove, and Apocalypse Now. These flicks actually explore the essence of war and its inevitable impact on the core of humanity. Jarhead measures up to the best of them specifically because the purported negatives critics hurled at it (cold, distant) is exactly the reason why it is great.
Adrienne Maxwell  |  Mar 23, 2007  |  First Published: Jun 23, 2006  |  0 comments
Video: 4
Audio: 5
Extras: 5
As I watched The Lion, the Witch and the Wardrobe and made my way through the new Special Two-Disc Collector’s Edition DVD, there was something so familiar about it all. Maybe it was the fact that I’ve read C.S. Lewis’ book several times in my life, and director Andrew Adamson (Shrek) wisely chose to remain faithful to the original story, fleshing out certain details but never embellishing. Maybe it’s the archetypal good-versus-evil theme or perhaps the Christ allegory: A powerful but gentle hero chooses to sacrifice himself to fulfill the law and save others. Or maybe it was just so darn similar to The Lord of the Rings in its themes, music, locales, special-effects artistry, and even its DVD packaging.
Mark Fleischmann  |  Mar 23, 2007  |  1 comments
What's the latest cinematic sensation? The New York Metropolitan Opera! The Met struck a deal with exhibitor chain National CineMedia for high-def theatrical telecasts of six operas. The first four--The Magic Flute, I Puritani, The First Emperor, and Eugene Onegin--sold out 48 of 60 houses, making Mozart, Tan Dun, Bellini, and Tchaikovsky more popular than Prince, Bon Jovi, and The Who. The fact that people are paying $18 per ticket, versus $10 for rock acts, brings even wider smiles to exhibitors. Next up are The Barber of Seville (Rossini) and Il Trittico (Puccini, set model by Douglas W. Schmidt pictured). While the telecasts have prospered in big cities like Los Angeles, Chicago, Boston, Miami, and Washington, they're also drawing crowds in smaller markets including Huntsville, Alabama; Pueblo, Colorado; Boise, Idaho; and Dayton, Ohio. The Met will continue its longstanding Saturday-afternoon FM radio and more recent Sirius broadcasts. Its public-TV exposure had dwindled in recent years due to union pressures, but thanks to a new profit-sharing plan with the unions, the same half-dozen productions listed above will air on public TV, in HD, with Dolby Digital 5.1 surround. There is, however, a window between theater and television. So if you just cannot wait for Rossini--or just like the social ritual of enjoying opera in the presence of fellow music lovers--check your local theater listings.
Shane Buettner  |  Mar 22, 2007  |  First Published: Mar 23, 2007  |  6 comments

The first bitter disappointment associated with moving into my new home and reconfiguring my AV system came to fruition earlier this week when it was discovered that I can no longer use DirecTV as my source of TV and HDTV programming. While the southern exposure at my new place is good, a beautiful little patch of fir trees across the street blocks one of the satellites critical for HD programming. Looks like Comcast is the only game in town for me now. Ugh. Can't say I'm looking forward to it. Let me tell you why.

 |  Mar 22, 2007  |  First Published: Mar 23, 2007  |  0 comments

If you follow up a great sci-fi movie with two increasingly inferior sequels, how do you keep selling all three titles? You bundle all of them together so no one can skip out on the sequels, of course! OK, I know I'm being cynical. I love <I>The Matrix</I> and am as excited as the next to snatch this title up on HD DVD when it hits stores on May 22nd. And I'll even go so far as to say that I thought its sequel, <I>Matrix Reloaded</I> had some cool fight sequences and stunts. But I wouldn't watch the incomprhensible <I>Matrix Revolutions</I> again on a bet. Even George Lucas thinks it's whack that I have to buy all three movies to own the first.

HT Staff  |  Mar 22, 2007  |  First Published: Feb 22, 2007  |  0 comments
Even more 1080p goodness.

It's big, it's back, and the results are—well, pretty similar to last year's RPTV Face Off, actually. What was surprising, though, was how much closer the competitors were in this year's quasi-annual Face Off compared with last year's. When watching HD, most of the panelists said they wouldn't be too disappointed with having any of these TVs in their living rooms. Of course, by the time we had gotten to watching HD, several of the sets had fallen well behind.

Mark Fleischmann  |  Mar 22, 2007  |  First Published: Feb 22, 2007  |  0 comments
Tubular chic meets comforting conformism.

KEF's KHT5005.2 speaker system and Onkyo's TX-SR674 surround receiver are an odd couple. The KEF speakers are slim, tubular, and chic, the latest thing in décor-friendly sub/sat sets. And the Onkyo receiver? It couldn't be more conventional, conservative, even conformist. It's a plain black box with a very good features set for the price. But could it be that the two complement one another? Could this, in fact, turn into a long-term relationship?

Mark Fleischmann  |  Mar 22, 2007  |  First Published: Feb 22, 2007  |  0 comments
Multinational speakers meet American amps.

On the battlefield of speaker design, I am the triage nurse. I walk into speaker demo rooms at trade shows, my badge sometimes inadvertently turned inward, listen for a moment, and quietly mutter to myself, "This one's a keeper," or, "He's dead, Jim." Or occasionally just, "Hmmm," because good speakers may sound iffy under bad conditions, and I respect the potential buried within an ambiguous first take. But, if my instincts tell me to pursue a review, I whip out a business card and start making arrangements on the spot.

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