LATEST ADDITIONS

Darryl Wilkinson  |  Sep 06, 2007  |  0 comments
Monster has embarked on a full frontal assault against the idea that "all HDMI cables are alike" with combination of education and marketing that will include the introduction of five rating levels for its HDMI cables. The top-end "Ultimate High Speed" HDMI cables will fall under Monster's "Cable for Life" program. HDMI cables with this rating will be "performance guaranteed", and Monster says they will replace the cables if the performance of future sources begin to outstrip what the cable is capable of.
Darryl Wilkinson  |  Sep 06, 2007  |  0 comments
In addition to bribing those members of the press who were smart enough to preregister for the press conference with 30GB iPods loaded with a special message from founder Jeremy Burkhart, SpeakerCraft showed off enough products to fill a mansion or two during one of the first press conferences here at CEDIA. First there was the new wireless MODE Free controller that can be in-wall mounted using a special bracket that allows for the controller to be removed whenever you want to take it for a walk. In addition to multi-room audio distribution, the MODE controllers allow a homeowner to link up to six iPods in the house and share music and metadata. Then came the new Accufit Ultra Slim in-ceiling speaker which is only 1 7/8" deep. It uses what SpeakerCraft calls a "sealed and ported" enclosure which is sealed on the back (the part that hides in the wall) but has a front-mounted prort that fires into the room. Also discussed were the new smaller TIME Mini speakers that descend from the ceiling and can be aimed toward the listening area.
Fred Manteghian  |  Sep 06, 2007  |  0 comments

Optoma is shipping the HD-81LV, a 10,000:1 contrast ratio single chip 1080P projector. The projector is a light saber, achieving 2,500 Lumens and it's ISF certifiable. But the real reason for this projector is the anamorphic lens assembly. For a total of $12,000, you get the projector, the lens assembly and a separate video processor box for easier connection (you route only an RS-232 and HDMI cable to the projector). The system uses Gennum VXP technology and looked outstanding showing a clip of <i>Casino Royale</i> on a large screen.

Fred Manteghian  |  Sep 06, 2007  |  0 comments

Optoma's HD-80, <a href=" http://www.optomausa.com/product_detail.asp?product_id=331" target="new">a single chip 1080P DLP one-piece projector</a> ($2,699) has been shipping since June, so it's not necessarily news, but the $500 more HD-8000, a step-up unit based on the same frame, certainly is.

Fred Manteghian  |  Sep 06, 2007  |  0 comments

JVC was first out of the gate last year with Clear Motion which interpolates an extra frame for each frame its given, clearing up motion blur significantly. I saw it in Japan last year and it was clearly working. I guess Toshiba saw it too, because their ClearFrame technology potentially does the same thing. Of course, JVC is on their second generation and they gave away some information at their press conference that was interesting. Each interpolated frame is created by examing 4,000 pixels in the frames before and after the frame being created. That's a lot of hard math. Toshiba didn't specify exactly how there's works (or if it did as well in the Math section on the SATs), but no doubt, the combination of quicker refresh times and 120 Hz technology has brought LCD panel technology a long, long way in very short amount of time.

Fred Manteghian  |  Sep 06, 2007  |  0 comments

Shane didn't mention it so I will: JVC's new DLA-RS2 / DLA-HD100 projectors have a claimed 30,000:1 native contrast ratio without the use of an auto iris-stopping technology. Contrast that, pun intended, to the new Sony VW200 which they said had a 35,000:1 contrast ratio, but Sony uses auto-iris correction to achieve these ratios. Both are outstanding figures and, in this stratosphere, pretty close numerically speaking, but it will be interesting to see if our golden eyes can detect a difference or develop a preference.

Tom Norton  |  Sep 06, 2007  |  0 comments

As reported on below by Shane Buettner, JVC launched another new pair of video projectors, DLA-RS2 and the DLA-HD100. Both are essentially identical, apart from separate distribution channels: consumer for the RS2 and pro for the HD100. The RS1 and HD1 remain available.

Tom Norton  |  Sep 06, 2007  |  0 comments

Audyssey, the company behind the room compensation system that is appearing in more and more AV receivers and pre-pros, introduced its latest technology: Audyssey Dynamic EQ. it's designed to compensate for the loss of sound quality that results as the volume level, is reduced.

Fred Manteghian  |  Sep 06, 2007  |  0 comments

At the Sony press event, surprise guest Barry Sonnenfeld, <a href="http://imdb.com/name/nm0001756/" target="new">too famous for words</a> (but suffice to say, he was the cinematographer for one of my favorite movies, the Coen Brothers' first, <i>Blood Simple</i>), regaled us with stories of his home theaters, past and present, like the one in Telluride, Colorado which features a Sony VPL VW100 projector. His close ties with Sony's Marc Finer have made him somewhat of a test bed for Sony projectors, going all the way back to the 9" CRT based Sony G90 which some consider the finest CRT projector ever made (along with the Vidikron Visions). I bet he can't wait to get the new VW200 in his home!

Geoffrey Morrison  |  Sep 05, 2007  |  First Published: Sep 06, 2007  |  0 comments
Toshiba had a press conference, which was an hour of graphs, charts, heat, and blown-out sound effects. I’ll give them credit for the Star Trek theme (of course I would), but after the dozenth time of “HD DVD has won!” or “LCD is the best!” I tuned out.

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