Mark Fleischmann

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Mark Fleischmann Posted: Jun 06, 2006 3 comments
The show was full of fridge-sized speakers but none of them sounded as good as the Totem Acoustics Dreamcatcher ($450/pair), driven by much pricier Plinius electronics. This was the most immediately appealing, and possibly the most accurate, sound at the show. It was utterly free of the grotesque coloration that marred dozens of larger speakers on display elsewhere. This picture looks good because I did not take it.
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Mark Fleischmann Posted: Jun 06, 2006 2 comments
HSU Research is best known for its affordable high-performance subwoofers, but Dr. Poh Ser Hsu is also a dab hand at speaker design, as generously illustrated by the HB-1 "bookshelf" (to sensible people, that means stand-mounted) speakers. They had all the efficiency of horns with, to my ears, none of the beamy feeling that affects other horn designs. The sound remained consistent as I moved up and down and around the room. At only $125 each, this speaker may become the underground bestseller of 2006.
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Mark Fleischmann Posted: Jun 06, 2006 2 comments
Onkyo, a speaker company? Don't laugh. These two monitors were among the best things I heard at the show. The neat cube-shaped monitor at the left, the D-312E, threw out a highly natural and realistic soundstage with orchestral music. Unfortunately it's available only in Japan. The D-TK10, at right, is slightly smaller, curvier, and features a cabinet made by guitar maker Takamine. It will be available for maybe $1600/pair though the price was not finalized at presstime.
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Mark Fleischmann Posted: Jun 06, 2006 2 comments
Lukas Lipinski poses with the L-707 ($4950/pair). Even in a room full of people this chunky stand-mount speaker had something that made a voice in my head say "let me review it pleeeease." Maybe it was the amps built into the 3601 stand ($2595/each) that did it. The company has its roots in pro audio but now sells bleeding-edge gear to the high-end market.
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Mark Fleischmann Posted: Jun 06, 2006 0 comments
Dave Wilson's venerable Watt Puppy is now available in baby blue for $27,900. Having heard it with a recording of the Mormon Tabernacle Choir, I think I may have to spend more time in Utah. Even in an acoustically imperfect room, the massed vocals were so beautiful, they tax my powers of description. You just had to be there. This is why events like the HES are so precious—and why high-end dealers with good demo rooms deserve the big bucks.
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Mark Fleischmann Posted: Jun 06, 2006 1 comments
If there is a god, and he has a drawer full of headphones, this is what it would look like if the contents of that drawer were strewn along a very long table. I got in some face time with the new Grado Reference 1000 ($995) and it was like wearing a concert hall on my skull.
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Mark Fleischmann Posted: Jun 06, 2006 1 comments
This could be one of those large jars of formaldehyde in a mortician's lab, or a really cool fish bowl, but in fact is the first liquid-cooled power amplifier: the Von Gaylord Uni Signature. Mustering 200 watts per channel, each mono-block comes with a separate boxy power supply. The four pieces retail for $59,000 (goldfish not included).
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Mark Fleischmann Posted: Jun 06, 2006 1 comments
The largest meter at the show belonged without question to the McIntosh MC2KW power amp. It costs $30,000 but think of the money you'll save on lighting.
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Mark Fleischmann Posted: Jun 06, 2006 3 comments
Here is Barb Gonzalez, author of The Home Electronics Survival Guide Volume 1—I like the Volume 1 part!—flanked by two chimps. Ken Kessler, left, author of Quad: The Closest Approach, drew the most traffic with his world-class charisma (sorry about the flash). At right is the unedited original of my blog pic, with lovely pink and blue background, shot at the Paradox Coffeeshop in Amsterdam, a moment of bliss captured for posterity. Have you heard about my annually updated home theater guide? Just checking.
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Mark Fleischmann Posted: Jun 06, 2006 3 comments
At this moment in the Anthony Wilson Nonet's performance, the guitarist and bandleader had just triggered a guitar sample, over which he then soloed. It was eerie and moving and that's why I've chosen this ludicrously out-of-focus picture—because it was the greatest moment of HES 2006. If you want to share moments like this, you'll just have to come to HES 2007.

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