Thomas J. Norton

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Thomas J. Norton  |  Sep 12, 2014  |  0 comments
Elite Screens introduced its DarkStar ambient light rejecting screen. It claims a good balance between gain, contrast, and viewing angle. Available only in fixed frame form, its price was not specified, only that it would be a fraction of the cost of the current market leaders in such screens.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
Here are further details on Pioneer's flagship Blu-ray player. There will also be a BDP-85FD at $1000. It looks almost identical, and offers the same video performance, but has more conventional audio circuitry.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
Pioneer announced the BDP-88FD Blu-ray player, at $2000. Not only is it a universal player, but offers advanced audio and video circuitry--the most advanced Blu-ray player yet from the company. It can also play back DSD, though multichannel DSD is limited to its HDMI outputs, as the analog outs are 2-channel only. It will be available by the end of this year.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
While the JBL Atmos demo remains the champ at the show (at least through the first two days) for shear impact, undistorted output level (in a good way), and immersion from 39 speakers, it's not likely to find its way into too many homes. The Atmos demo from GoldenEar, however, was a more conventional 5.4.4 setup with five conventional channels, 4 true ceiling speakers (no reflective Atmos here), and four subs. It was both impactful and at the same time subtle in a way that will please many audiophiles with at least some interest in home theater. Not that a lot of audiophiles wouldn't covet the JBL (I'll take the JBL for my big room when I win the lottery, and something like the GoldenEar for the smaller!), but the GoldenEar is more practical.

The GoldenEar system used an Oppo Blu-ray player, an Integra Atmos-ready pre-pro, three Pass Labs monoblock amps for the front channels, six other amp channels for the two surrounds and two ceiling speakers (I didn't catch the make for the latter, but it was far more modest and less pricey than the Pass amps). The speakers were the GoldenEar Ones left and right, a SuperCenter XL, GoldenEar Twos for the surrounds, and four Invisa HTR 7000s for the ceiling channels. The four subs were the powered subs built into the GoldenEar Ones and Twos. The levels chosen were loud enough, but sensible, and the experienced convinced me, at least in these fledgling days of Atmos (I remain open minded on this), that true ceiling speakers just might produce the best Atmos results.

Thomas J. Norton  |  Sep 11, 2014  |  0 comments
Bolstering its dedication to OLED, LG announced two new models, both with Ultra HD resolution and both curved, at 77-inches (available in November at $25,000) and 65-inches (October, at $9,999). The company will also be bringing out a wide selection of new LCD/LED Ultra HD models from 40 inches to 65 inches, with the price for the largest model topping out at $3,500.
Thomas J. Norton  |  Sep 11, 2014  |  0 comments
LG launched a wide range of new TVs at a press event on the first full day of the show but the eye-catcher was a 105-inch curved, Ultra HD, LCD/LED set with a 21:9 aspect ratio. The company also showed a flat 98-inch 16:9 Ultra HD LCD/LED model. At $100,000 (OK, it’s actually $99,999.99) for the 105-incher and $40,000 for the 98-incher, they’re not exactly impulse purchases.

But both use IPS panels for better off-axis performance, have full array backlit local dimming, and incorporate 7.1-channel audio systems designed in cooperation with Harman Kardon.

Thomas J. Norton  |  Aug 27, 2014  |  2 comments
Reviewers (who are almost universally inveterate collectors) tend to accumulate more software—videos, LPs, CDs, and soon music and video files, than your average bear. Digital files take up little space, but the others can soon grow to enormous proportions. Not only does this create a storage problem, it also makes it difficult to find that special disc we want to enjoy now. Of course, we all organize our collections in some rational form, don’t we? In a classic line from the (must see) movie High Fidelity, a record store owner is reorganizing his personal LP collection. A friend asks him how he’s doing it: alphabetical, by artist, by label, by genre? His answer: autobiographical.

Thomas J. Norton  |  Aug 13, 2014  |  5 comments
Pioneer's speaker guru Andrew Jones conducting one of the first Dolby Atmos demos in Los Angeles.

Things are moving fast on the Dolby Atmos front. Here's an in-depth look at Dolby Atmos—what it is and how it works—as well as my first impressions of recent demos conducted by Pioneer and Dolby Labs.

Thomas J. Norton  |  Aug 08, 2014  |  2 comments

2D Performance
3D Performance
Features
Ergonomics
Value
PRICE $4,000

AT A GLANCE
Plus
Excellent color
Top-class detail—in both 4K and Full HD
Great blacks and shadow detail
Minus
Typical LCD image fade when viewed off-center

THE VERDICT
A superbly performing—and exceptionally inexpensive—Ultra HDTV that looks great with today’s 1080p content.

Ultra HD is still meandering toward its Happy Place. Yes, it offers four times as many pixels as Full HD does at 1080p (“Full HD” being the industry’s new go-to term for “standard HD”). But source material at this native resolution is still hard to come by in any quantity. Most material viewed on an Ultra HD set, for the foreseeable future, will still be upconverted from Full HD, typically by the set, to “4K” (in quotes, because Ultra HD’s 3840 x 2160 resolution falls just short of true 4K resolution as defined in the cinema world). Can this provide a visible improvement over 1080p displayed on a 1080p set?

Thomas J. Norton  |  Aug 07, 2014  |  0 comments
Picture
Sound
Extras
In the final months of World War II, as Allied armies smashed across Europe and into Germany, an organization called the Monuments, Fine Arts, and Archives program (the MFAA) was assigned the task of recovering and preserving countless art treasures plundered by the Nazis. It included hundreds of art experts from 13 countries, working in small cadres.

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