Thomas J. Norton

Sort By: Post Date | Title | Publish Date
Thomas J. Norton  |  Sep 13, 2014  |  0 comments
Parasound's new ZoneMaster 1250 12-channel amplifier couldn't have arrived at a better time. Of course the name suggests a custom installation with multiple zones, but it could be used to satisfy the demands of Atmos as well, supporting a multitude of ceiling and surround speakers in a variety of configurations. Any pair of channels can also be bridged. Without bridging, the power is rated at 50W per channel into 8 ohms, all channels driven. A bridged pair of channels is rated at 120W into 8 ohms and 200W into 4 ohms. I can conceive of a user bridging three pairs for the front channels and using the other six unbridged for a 5.2.4 Atmos setup.
Thomas J. Norton  |  Sep 13, 2014  |  0 comments
By now you've likely heard of Dolby Atmos-Enabled speakers, which include an additional driver or drivers firing out of the top at an angle to bounce Atmos' height information off your ceiling if installation of ceiling speakers is impractical--as it will be for most of us. In addition to dedicated Atmos-Enabled speakers, several add-on modules were seen at CEDIA, which are designed to sit on top of your main left and right front speakers and surrounds if you want to add Atmos but don't want to replace your entire speaker system.

The 44-DA from Atlantic technology is designed for this purpose. At $500/pair, it employs a concentric driver (a coaxial woofer-tweeter). While designed to be a perfect fit atop the company's THX-4400 L/R speakers, it can be used on any speaker with a flat top surface large enough to accommodate its approximately 8.4-inch width and 9.5-inch depth.

Thomas J. Norton  |  Sep 13, 2014  |  0 comments
While JVC introduced no new projectors at CEDIA EXPO for the first time in years, it still produced some of the best-looking images at the show. Using a native 4K source, its top of the line DLA-X900 looked particularly striking in low lamp mode on an approximately 130-inch wide screen. For those unfamiliar with JVC's current models, its higher-end designs can accept a 4K input and process it so that can be reproduced by the projector's 2K (1920 x 1080) LCOS imaging chips. Through further processing it then simulates 4K. Though it isn't true 4K, it can look very good.

I'm guessing that in the depths of JVC's R&D facilities they're working on a way to produce an affordable true 4K home theater projector. So far no one has done this--unless you consider Sony's $16,000 VPL-VW600ES affordable (but see the story above).

Thomas J. Norton  |  Sep 13, 2014  |  0 comments
Sony's booth at CEDIA EXPO never approaches its presence at CES, but inside the pillars surrounding its exhibit and announcing its presence it demonstrated a stacked pair of its VPL-VW1100ES 4K projectors using material stored on its media server. I didn't think these projectors were performing at their best (and having reviewed both the VPL-VW1000 (the predecessor to the VPL-VW1100ES and essentially identical in performance if not in features) and the VPL-VW600ES I can vouch that they are competitive with the best home theater projectors you can buy). But on music a Sony ES audio system did extremely well, even if the room was far from optimum for sound.

One piece missing, however, was the new VPL-VW300ES projector Sony introduced recently at IFA (IFA is the European CES--more or less). The VPL-VW300ES is a stripped down and less expensive VPL-VW600ES, eliminating such features as the dynamic iris and lens memory. My Sony contact indicated that the company does not intend to market this projector here.

Thomas J. Norton  |  Sep 13, 2014  |  0 comments
On Friday afternoon a CEDIA panel was convened to discus the subject of immersive audio. And we all thought that immersive sound meant 5.1- or 7.1-multichannel! But with Dolby Atmos there's a new kid in town. And Dolby Atmos isn't alone.

The panel was moderated by industry tech guru Michael Heiss, and consisted of Brett Crockett of Dolby, Andrew Jones of Pioneer and TAD, Dr. Floyd Toole, a consultant with Harman Kardon, and Wilfred Van Baelen, the founder of Auro...

Thomas J. Norton  |  Sep 13, 2014  |  0 comments
Classe introduced its new Sigma line at the show, consisting of the Sigma SSP surround sound preamp processor and two amps, the 5-channel Amp5 and the 2-channel Amp2. The latter are both compact class D designs offering 200W per channel into 8 ohms and 400W per channel into 4 ohms.

The Sigma SSP, shown in the photo (though it looks far, um, classier in real life than my middling photography might indicate. It is loaded with features, including SPDIF and 24-bit asynchronous USB digital inputs, DSP-produced parametric EQ and tone control on all channels, and all of the other modes and features of any competent pre-pro. But it has only one HDMI output, is only HDMI 1.4, and is not yet Dolby Atmos-ready. But it's modular design should make future Hardware updates possible. The Sigma SSP and Amp5 are $5000 each, and the Amp 2 is $3500. All three should be available by the end of the year.

Thomas J. Norton  |  Sep 13, 2014  |  0 comments
SIM2 Multimedia celebrates its 20th anniversary this year. In its demo, the small, LED-lit Nero 2 projector ($14,000) was putting out more than enough light on a huge, nearly 12-foot wide screen. The picture was gorgeous, if just slightly soft, likely due to to the very large screen. The projector's light output is rated at 1400 lumens, which is generous for an LED projector.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
Christie also showed (but did not demonstrate) its DWX 555-G, a 2K, single-chip DLP projector with laser illumination. Rated at 5000 lumens, it can be yours for $17,995.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
Christie Digital, a big name in theatrical digital presentations, made its first appearance at a CEDIA EXPO. Here is the biggest projector they had on display, a 4K, 3-chip DLP. Christie's Josh Kolbeck stands next to it for perspective.

While not on demo at Christie's own booth, it was being used in a Stewart Filmscreen demonstration elsewhere on the show floor. On a 15-foot wide Stewart Director's choice Gray Matte 70 screen, and with 4K sources, it produced what was easily the best-looking images I saw on the show's first day. I didn't catch the price (it took Christie personnel several minutes to find the price on the Christie laser projector shown below), but it definitely falls into the "if you have to ask" category. You'll also need to put it in a separate projection room. It's cooling fans are loud.

Thomas J. Norton  |  Sep 12, 2014  |  0 comments
Audiophiles fondly remember the company Audio Alchemy, which produced a number of well-received, sensibly-priced D/A converters back in the 1990s. They may have been before their time. Today, such separate converters are all over the place, but now include USB connections for the increasingly popular digital downloads, particularly of the high resolution audio variety.

Peter Madnick, who currently heads up design for the extremely pricey electronics from Constellation, has re-acquired the rights to the Audio Alchemy name. While not being shown at a booth (at least not one I've yet seen) I ran into Peter as he was prowling the show floor with a sample of his first new Audio Alchemy product, the DDP-1. It's a D/A converter with optical, coaxial, USB (asynchronous), and analog inputs. With its volume control, it can also function as a 2-channel preamp and a headphone amplifier. While its $1895 ticket is a bit pricier than the Audio Alchemy products of the past, it should be highly competitive in today's D/A market when it ships in December.

Pages

X