Monitor Audio and NAD both showed high-end, high-performance iPod docks at the show that take straight aim at B&W's successful $600 Zeppelin iPod dock. NAD's VISO 1 is a $700 model that has PSB's renown speaker designer Paul Barton behind it and plays music from a mounted iPod or via a lossless Blutooth connection. Meanwhile, Monitor's Technical Director Dean Hartley is the brains behind that brand's new two-model i-deck series.The i-deck 100 ($499) is the more compact unit with a pair of the company's 3-inch C-CAM bass drivers and two 3/4-in C-CAM Gold metal dome tweeters. The iDeck 200 ($599) is the flagship, with a pair each of 4-inch woofers and 1-inch tweeters. Both offer a clever automatic EQ system in which a built-in microphone picks up three bass tones sent out when you first power the unit up, allowing it to detect its proximity to room boundaries and adjust the bass accordingly. Given the engineering talent behind the Monitor and NAD docks, it's no surprise that both sounded pretty good for an iPod dock, even on a crowded show floor.
NAD was at the show with a slew of new products, among them a revamped 4-model AV receiver line: the T 748 (100 watts x 7, $900), T 757 (120w x 7, $1,600), T 777 (140w x 7, $3,000), and the flagship T 787 (shown here, 200w x 7, $4,000). The big news for enthusiasts is that NAD's future-proof MDC design has moved down in the line and now begins with T 757, the lowest price yet for an MDC receiver. MDC stands for Modular Design Construction and allows the unit's input/output circuitry to be user-updated as needed over time to swap in new HDMI versions or introduce new flexibility. Portions of the receiver's jack-pack are on slide-in/screw down modules that can be changed from the rear panel. Home Theater's review of the T 757 is coming soon.
It’s not unreasonable that any regular reader of Home Theater may lust, if only in his heart, for a two-piece projection system that genuinely matches, if only at a smaller scale, the experience we have in our local multiplex.
As the prices of flat-panels keep dropping, the key to survival for rear-projection HDTVs has been their value at screen sizes bigger than 50 inches. So I found it a little strange, not long ago, to be reviewing this 52-inch DLP set at $4,399 - easily $2,000 more than other like-sized 1080p models. Could the NuVision 52LEDLP 52-inch 1080p DLP HDTV possibly be worth it?
AT A GLANCE Plus
Intuitive, engaging, easy interface
Excellent sonics when mated with good speakers
Limited streaming music options
No desktop controller
Though its wireless system isn’t as built out as the popular Sonos system, NuVo delivers a worthy competitor and a foundation for the future.
Back in Sound & Vision’s July/August 2013 issue, my colleague John Sciacca favorably reviewed the NuVo Technologies Wireless Audio System, a multiroom music solution that goes after the popular Sonos system head on, delivered by a company with an even longer history in distributed audio. (Read John's review here.) About 10 years ago, when Sonos didn’t exist and companies like Russound dominated the multiroom industry with traditional pushbutton wall pads that blindly operated hidden CD players, radio tuners, or other analog sources using flaky infrared signals, NuVo had another way.
The accompanying OLED stories mark our first up-close look at a display technology that goes by an acronym best pronounced as “Oh-lead,” and one that stands for the future of television. That’s a bold statement, and the time line should perhaps be qualified as “near-future” inasmuch as anything can happen in the developing world of display technology, and taken in its entirety, the future is known to be a very, very long time. But I dare say we’ve waited a long time to this point just to see OLED’s promise, and having now witnessed it firsthand, I’m having a hard time guessing what could better it short of a holographic display with equal image quality or something that does just what OLED does for a whole lot cheaper.