"The real story here isn't just A/V quality, but how easily the LG BD590 lets you access different media. You'll want to access your stuff all the time because it's always all there and easy to get at, and it's guaranteed to play without hiccups."
At the highest level of execution, building a home theater is an expression of fine art, an engineering as well as aesthetic endeavor that combines technical know-how with inspired interior design, all with the idea of creating a room that wows its inhabitants no matter if the lights are on or off. The end game of a great theater room can be summed up in a single word: impact.
As a longtime observer of the audio/video scene, I can state with confidence that things have changed more in the last five years than they did in the prior 25. I say that with full acknowledgement of the breakthroughs I’ve been lucky enough to report on during my career, including the introductions of the VCR, camcorders, Laserdiscs, Compact Discs, DVDs, high-definition television and its HD disc formats, surround sound in its various incarnations, flat panels, digital music downloads, and others.
Monitor Audio and NAD both showed high-end, high-performance iPod docks at the show that take straight aim at B&W's successful $600 Zeppelin iPod dock. NAD's VISO 1 is a $700 model that has PSB's renown speaker designer Paul Barton behind it and plays music from a mounted iPod or via a lossless Blutooth connection. Meanwhile, Monitor's Technical Director Dean Hartley is the brains behind that brand's new two-model i-deck series.The i-deck 100 ($499) is the more compact unit with a pair of the company's 3-inch C-CAM bass drivers and two 3/4-in C-CAM Gold metal dome tweeters. The iDeck 200 ($599) is the flagship, with a pair each of 4-inch woofers and 1-inch tweeters. Both offer a clever automatic EQ system in which a built-in microphone picks up three bass tones sent out when you first power the unit up, allowing it to detect its proximity to room boundaries and adjust the bass accordingly. Given the engineering talent behind the Monitor and NAD docks, it's no surprise that both sounded pretty good for an iPod dock, even on a crowded show floor.
NAD was at the show with a slew of new products, among them a revamped 4-model AV receiver line: the T 748 (100 watts x 7, $900), T 757 (120w x 7, $1,600), T 777 (140w x 7, $3,000), and the flagship T 787 (shown here, 200w x 7, $4,000). The big news for enthusiasts is that NAD's future-proof MDC design has moved down in the line and now begins with T 757, the lowest price yet for an MDC receiver. MDC stands for Modular Design Construction and allows the unit's input/output circuitry to be user-updated as needed over time to swap in new HDMI versions or introduce new flexibility. Portions of the receiver's jack-pack are on slide-in/screw down modules that can be changed from the rear panel. Home Theater's review of the T 757 is coming soon.
It’s not unreasonable that any regular reader of Home Theater may lust, if only in his heart, for a two-piece projection system that genuinely matches, if only at a smaller scale, the experience we have in our local multiplex.
As the prices of flat-panels keep dropping, the key to survival for rear-projection HDTVs has been their value at screen sizes bigger than 50 inches. So I found it a little strange, not long ago, to be reviewing this 52-inch DLP set at $4,399 - easily $2,000 more than other like-sized 1080p models. Could the NuVision 52LEDLP 52-inch 1080p DLP HDTV possibly be worth it?