Rob Sabin

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Rob Sabin  |  Sep 09, 2017  |  0 comments
The Norwegian high-end audio manufacturer Electrocompaniet was at CEDIA this year with something a little different: the North American launch of the company's EC Living wireless multiroom music system.

Rob Sabin  |  Mar 27, 2013  |  5 comments
Putting together a home theater can seem like a daunting task. So many pieces to think through and connect up! But if you care enough to do your homework and educate yourself, you’ll find it’s not as complicated as it looks. Here’s what goes into your typical viewing room.

Rob Sabin  |  Jun 17, 2015  |  2 comments
Emotiva, the popular Web-only supplier of “affordable high-end” audio gear, will be Web-only no more.

Company founder Dan Laufman has announced that, after 11 years online, the brand will move into select brick-and-mortar specialty retailers, with somewhere between 30 and 50 dealers signed before the end of this year.

Rob Sabin  |  Feb 18, 2013  |  18 comments
As a consumer electronics editor and reporter, I’ve never been a big fan of company profiles. We are frequently contacted by public relations reps who think their client has a good backstory worth telling consumers. But I usually prefer to let those company’s products speak for them in the Court of Test Reports, believing that hands-on feedback about the equipment is what readers really want, and that positive observations we might report in an article do a disservice if the gear fails to live up to it. Matters are complicated further when the company is one that advertises in our magazine or on our Website. Any upbeat comments naturally become suspect, and might cast doubt on a good product review arrived at independently and fairly. We never want to look like we’re in bed with any manufacturer, so why even go there?

Such was the case with Emotiva, a Web-based direct-sale audio company out of Nashville, TN that has carved a niche for itself delivering what’s best described as “affordable high-end.”

Rob Sabin  |  May 13, 2020  |  0 comments

Performance
Features
Ergonomics
Value
PRICE $1,600

AT A GLANCE
Plus
Easy, app-driven automatic setup
Good audio quality via hi-res wireless WiSA platform
Simple and intuitive control app
Minus
Lack of A/V switching may be an issue for some systems
No included remote control or learning feature
No decoding or full-resolution transmission of DTS-HD or Dolby TrueHD bitstreams

THE VERDICT
Enclave's THX-certified wireless system delivers highly dynamic and enjoyable surround sound in an easy-to-install and use package...though it comes at a price.

When I was a trade reporter many years ago, I wrote an article about the skyrocketing sales of packaged home theater audio systems. Inside each box was a rudimentary A/V receiver, five or six speakers (typically compact satellites in plastic cabinets), color-coded speaker cables, and graphic instructions to get things hooked up. The article's big takeaway was that the brands selling these (Sony, Panasonic, et. al. ) had discovered that many buyers either left the rear surround speakers in the box or wired them up and placed them on top of the front left- and right-channel speakers.

Rob Sabin  |  Aug 05, 2015  |  2 comments
Cost-conscious home theater enthusiasts still waiting patiently for a projector with a bright image and decent blacks for under a thousand bucks could be celebrating this summer with the release of Epson's latest 1080p entries.

Rob Sabin  |  Apr 01, 2017  |  0 comments
As night settled in with hours left to drive, I pulled off the highway in Barstow to tap the Wi-Fi at Starbucks and download the Audible version of Fear and Loathing to my iPhone. That’s when I saw him, working behind the counter, his wild gray hair dancing in the overhead lights...
Rob Sabin  |  Jun 27, 2014  |  Published: Jun 28, 2014  |  13 comments
The Dolby Atmos surround-sound format for home theaters made its debut this week with product announcements from several manufacturers and live demos in New York City at the Consumer Electronics Association's CE Week trade show. The technology that Dolby first introduced to theaters in 2012 offers the potential for a far more immersive audio experience than the traditional 5.1- and 7.1-channel systems that are still mostly employed today, and having experienced Atmos in the cinema, I admit I was pretty pumped heading into the demos.

And I wasn't let down. Atmos in the home environment seems to work—surprisingly well, in fact. Caveats? Yeah, there are a few worth watching out for that I'll get to later. But overall, I'll go on record that this is probably the most discernable advance in home theater sound since the introduction of lossless digital audio in the Dolby TrueHD and DTS-HD Master Audio formats on Blu-ray. And it's one that leaves all the pre-existing height- and width-channel surround formats— including Dolby Pro Logic IIz and DTS Neo:X—in the dust. Finally, this may be one that will truly make it worth the trouble of adding those extra speakers. Maybe...

Rob Sabin  |  Mar 29, 2018  |  5 comments
For decades, the cartoons of Charles Rodrigues poked fun at us and the hobby we otherwise take all too seriously.

In the very first issue of HiFi & Music Review in 1958, the magazine that became Stereo Review and then Sound & Vision, a gifted 31-year-old artist named Charles Rodrigues contributed the first in a string of cartoons that both celebrated, and made fun of, that odd bird known as the audiophile. It ended up being a long run that lasted more than 40 years.

Rob Sabin  |  Apr 26, 2018  |  5 comments
Julian Hirsch’s review of the Bose 901 in 1968 helped set off one of the greatest and longest-lasting audiophile debates.

There may be no singular product in modern audio history that has generated more accolades, derision, or pure controversy than the Bose 901 loudspeaker. Introduced in 1968 by a then four-year-old concern named after its MIT-educated founder, the 901 neither looked, nor sounded, like any speaker that had come before it. With its pentagonal cabinet that faced eight of its nine identical 4-inch, full-range drivers at the reflecting wall behind the speaker, its designer Amar Bose sought to have it mimic the way we hear in concert halls and imbue its sound with a giant soundstage and spatial realism that was unsurpassed.

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