Tom Norton

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Tom Norton  |  Sep 05, 2008  |  0 comments
This is the multi-point microphone provided with the new Sherwood flagship AVR (above) for setup.
Tom Norton  |  Jan 08, 2008  |  0 comments

The new Sherwood R-972 AV receiver ($1800) has the usual features expected in today’s flagships, including HDMI 1.3 and decoding for both Dolby TrueHD and DTS HD Master Audio. But it also has a unique audio processor. Many of today’s newest receivers use the Audyssey equalization system. Sherwood is going with Trinnov room compensation. Far too complex to explain in a short blog, this processor is based on a $13,000 pro unit with a design goal to “recreate the 3-dimensional soundfield of the original performance.” The Trinnov processing was outboard at the show, (the second box in the photo), but will be built into the receiver itself in production units.

Tom Norton  |  Sep 14, 2009  |  0 comments
Optoma decided to forgo its usual huge demo booth this year (there was a lot of that going around) for a more modest setup, but its new HD8600 projector kept up the excitement quotient. It offers full lens shift and three interchangeable lenses, both of them firsts for the company's projectors. It also incorporates TI's latest DarkChip3 DMD, DynamicBlack, Pixelwork's DNX MotionEngine technology, a claime4d output of 1600 ANSI Lumens, and ISFccc calibration features. The projector comes with the standard zoom lens as part of its $7499 price. Prices were not yet settled for the long and short throw zoom lens options.
Tom Norton  |  Jan 15, 2012  |  2 comments
I remember CESs of long ago—that's about five to ten years, an eternity in CES time— when all of the literature handed out was in print form. Now it's typically on a flash drive, a disc (and even they are getting thinner on the ground—particularly the tiny ones that can't be used on Mac computers) or a simple card with directions to a news-release website. But not always; there's still a pile of paper to deal with, like the 6-inch stack I brought home with me. Luckily I drive to the show.

One of the realities of blogging at CES is that we here at Home Theater cover the video news first, which means that most of the video-related entries end up at the bottom of the blog pile, with the later, heavily audio-related entries at the top. That's why the blogs here are front-loaded with audio. Much of the serious high-end audio is at the Venetian Hotel, well removed from the of the circus atmosphere at the Las Vegas Convention Center where just about everything else, including the video, resides.

You may see a lot of audio entries below and wonder why? Well, for my part, I can't escape my roots of a dozen years or more writing the Stereophile. But more importantly for our present purposes, speakers are speakers, and I spent most of my time at the Venetian scoping them out. While many speakers that you'll see here will be inappropriate for home theater, largely because their manufacturers don't see fit to make matching center channel speakers for them, the technology involved is still fascinating. To me, anyway.

Tom Norton  |  Sep 16, 2016  |  1 comments
Screen Innovations (SI) showed their Transformer screen last year, but it’s only now being readied for full production. It can service films of varying aspect ratios, primarily 2.40:1 and 16:9.
Tom Norton  |  May 12, 2007  |  Published: May 13, 2007  |  2 comments

Silverline was demonstrating two different speakers, the floorstanding Prelude ($1200/pair) and the small Minuet ($600/pair). I heard the Preludes ($1200/pair). One attendee remarked that the Preludes sounded better than a lot of more expensive speakers at the show. Apart from a trace of aggressive brightness, which could well have been due to a completely untreated room, I have to agree. The speakers sounded more dynamic, and bigger, than their size might suggest. Silverline makes a wide range of speakers, including a center channel (which at $1200, may be a little pricey to mate with the Preludes).

Tom Norton  |  Sep 08, 2007  |  0 comments

SIM2's demo used three new projectors from that company. The first, and the one that impressed me most from a price/performance
aspect (though at $16,000 it isn't cheap by today's projector standards) was the HT-3000E. Incorporating TI's BrilliantColor technology, and SIM2's new Unishape lamp technology that can vary both the color of the lamp and its brightness in a dynamic, nearly instantaneous way, it presented a superb image with excellent deep blacks. Oddly, SIM2 was using a Firehawk screen-8' wide for the 3000E, 10' wide for the other two projectors, the C3X ($20,000) and the C3X 1080($30,000), both of which were demonstrated with anamorphic lenses. (There was a lot of anamorphia going around at this year's show.)

Tom Norton  |  Sep 06, 2012  |  0 comments
No price was announced for it today, but SIM2's Multimedia's Cinemaquattro must be that company's most pricey offering. Offering a full 4K resolution and a 3-chip DLP engine, it claims a brightness of up to 10,000 ANSI lumens from its 2kW Xenon lamp. As with all pro-derived projectors, its chassis is sold separately from its long list of available lenses. SIM2's PR maven, Lucette Nicoll, stands by to give you an idea of its size. It weighs 251 lbs.
Tom Norton  |  Sep 07, 2012  |  0 comments
At its Friday press event, SIM2 Multimedia featured its M.150 single chip DLP projector with LED illumination. Normally, LED-based projectors aren’t very bright, but this one lit up the screen. It might have helped that the 125-inch diagonal screen was a DNP Supernova with a gain of 2.4. Surprisingly, this screen had no perceptible hot spot and little fall off in brightness at off-axis angles, making it a viable alternative for LED-lit projectors like the M150.

SIM2 also launched, but did not demonstrate, its SIRIO high Brightness 3D projector (shown in the photo above). Its single-chip DLP dual lamp design (2 x 300W) is claimed to offer higher brightness than other dual lamp projectors. The projector body by itself is $25,000, and a variety of lenses are available at extra cost. The projector will go on sale in late October.

The company also announced a $1000 drop in price for its base line, single-chip DLP models. The Crystal 35 is now $5000, the Crystal 45, $7000.

A price was also announced for the Cinemaquattro 4K projector mentioned in an earlier blog: $158,000, not including lens, of which there will be a variety available. Just in case you were hovering on the edge of your seat before writing that check. The projector is based in a professional Christie design; the light output also mentioned earlier will depend on the chosen lamp configuration and lens.

Tom Norton  |  Sep 06, 2008  |  0 comments
Sim2 demonstrated three of its DLP projectors, but their big launch was the D60, a single-chip 1080p DLP at $6000--a new low price point for the company.

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