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Thomas J. Norton

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Thomas J. Norton Posted: Sep 27, 2013 0 comments
Passersby wondered if this was an OLED set (no luck there&mdashSony showed no such product) or a 4K HDTV (despite Sony's clear 4K leanings, it wasn't that either.) Nor was it an XBR; all Sony XBRs are now 4K.

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Thomas J. Norton Posted: Aug 03, 2010 0 comments
With all the fuss about the great images on HDTVs, particularly from Blu-ray, it’s easy to forget that sound is half the experience—maybe even more. Blu-ray offers more than just great video. By making use of its generous data-storage capacity and new ways to encode audio, it offers an audio experience that’s a significant step beyond the digital movie sound formats we’ve lived with. In fact, it’s arguably equivalent to the sound the engineers and filmmakers heard during the mastering session.
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Thomas J. Norton Posted: Jan 08, 2011 Published: Jan 09, 2011 0 comments
The new Speaker Box 5 from Project (the turntable people) sounded ridiculously dynamic for such a tiny feller. Distributed by Sumiko, they will sell for $400/pair in a variety of colors, such as this fire engine red. The electronics shown here are not included!
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Thomas J. Norton Posted: Aug 10, 2007 0 comments
Loudspeakers may not be the hardest things in the world to shop for (cars win by a landslide), but the search hasn't gotten any easier in the past few years, as the decline in dealers offering serious demonstration facilities (particularly the big-box, warehouse stores) has reduced the opportunities for an ears-on audition.
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Thomas J. Norton Posted: Aug 10, 2007 0 comments
Speakers are available in a bewildering variety of styles, sizes, and technologies. On the technical side, the vast majority are conventional box designs using one or more drivers—most commonly a single cone woofer for the bass and midrange, a single dome tweeter for the treble, and a crossover network to divide and route the appropriate frequencies to each. The speaker cabinet, or box, which can be either a sealed or ported design, is not merely a cosmetic touch; it is a key element in the design. Without a properly designed cabinet, even the best conventional woofer would simply flap in its own breeze and produce little or no bass.
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Thomas J. Norton Posted: Mar 21, 2008 1 comments

You're got two displays; perhaps a plasma on the wall for day-to-day viewing and a projection screen that drops down in front of it for serious movie watching. Or you want to feed HDMI video to a small screen on your equipment rack as a monitor. Or…whatever. Up to now, it's been difficult to find an affordable device that will split an HDMI source in two. There are a number of such products on the market from companies like Gefen, Key Digital, and PureLink, but they tend to be expensive solutions to a relatively basic problem, often providing more flexibility than you need.

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Thomas J. Norton Posted: Jun 03, 2010 0 comments
Comes the spring and a young person's fancy turns to thoughts of…3D?
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Thomas J. Norton Posted: May 31, 2010 0 comments
Comes the spring and a young person's fancy turns to thoughts of…3D?
Thomas J. Norton Posted: Apr 17, 2014 0 comments

Performance
Setup
Value
PRICE $1,675

AT A GLANCE
Plus
Excellent picture quality
Competitive with Stewart’s upmarket designs
Minus
Varied sizes and configurations but no custom options

THE VERDICT
Stewart Filmscreen’s Cima lineup offers fewer options than the company’s long-respected but more expensive designs, but it makes Stewart’s pristine image quality now available to a wider range of buyers.

What can one say about a projection screen? Quite a lot, actually. A screen is much more than a bedsheet or the nearest white wall. While it can’t improve the quality of a projector, it can, if poorly designed, most certainly degrade it.

Screens can be solid or (mostly) acoustically transparent. They can be white or various shades of gray (the latter often incorporating special treatments designed to improve performance in a less than ideally darkened room). They’re available in a wide range of gains—1.0 for more or less neutral performance or higher values to enhance brightness from a less than torch-like projector and/or a super-large screen.

Thomas J. Norton Posted: Apr 27, 2012 1 comments

Stewart Active 170 3D
Performance
Setup
Value


Da-Lite High Power
Performance
Setup
Value
Stewart Filmscreen Reflections Active 170 3D
Price: Varies by size, type (see review) At A Glance: Higher gain than popular StudioTek 130 G3 • Good off-axis performance and color uniformity • Noticeable hot spot

Da-Lite High Power
Price: Varies by size, type (see review) At A Glance: High Gain • Picture darkens visibly off-axis • Hotspotting virtually undetectable

We’ve come a long way from the days when screens were an afterthought. I imagine there are still a few enthusiasts who cut their projection teeth on a sheet or a bare white wall, or even an old, beaded, home-movie screen. Today we know better. The screen is a vital part of the projection setup.

Screens now come in a wide variety of sizes and characteristics. Their physical construction—fixed frame, retractable, flat or curved, masked or unmasked, perforated or not—is a subject for another day. There are also rear-projection screens. Here, however, we’re primarily concerned with the characteristics of the screen material itself, as used in front-projection setups, the type most commonly found in theaters, both commercial and home.

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