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Thomas J. Norton Posted: Jan 07, 2011 0 comments
Sony's ultra wide fully LED media wall may have been bigger than this, but Samsung's, made up of individual LCD/LED 3DTVs was plenty impressive running 3D sports images.
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Thomas J. Norton Posted: Apr 07, 2015 3 comments
Last week Samsung held a launch party for its new SUHD Ultra HDTVs (forgive the redundancy!) in New York City. They kindly flew me from my new digs in northwest Florida to attend. New York based S&&V Editor Rob Sabin was there also, along with most of the consumer electronics press.

Two of the new Samsung SUHD LCD sets are the first consumer sets to support the new high dynamic range (HDR) technology that, along with a wider color gamut, a deeper color bit depth, and (of course) 4K resolution (3840 x 2160 pixels) are all central to a complete picture of what Ultra HD is all about...

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Thomas J. Norton Posted: Jan 07, 2016 0 comments
We got a back-room briefing and did a little nit-picking on the technology behind Samsung's 2016 SUHD TVs. Here's what we learned...
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Thomas J. Norton Posted: Jan 07, 2011 0 comments
Inverted HDTV waterfalls are always in style, and Samsung's was no exception. I'd like to have seen it under construction!
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Thomas J. Norton Posted: Sep 16, 2016 0 comments
Samsung’s booth was very small (the same was true of both Sony and LG—common at CEDIA as the big TV makers guard their piggy banks until CES). While nothing was truly new, they did effectively demonstrate their sound-bar based Atmos audio system, and lined up three of their flagship KS9800 curved SUHD sets to wow the crowds.
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Thomas J. Norton Posted: Jan 07, 2016 4 comments
I speculated a few months back that what the world needs is an Atmos soundbar. The industry must have been listening, because we now have at least two such products, one from Samsung and the other from Yamaha. I haven’t heard the Yamaha, but the Samsung HW-K950 was being demonstrated at this year’s CES...
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Thomas J. Norton Posted: Mar 20, 2005 0 comments

With its fold-down front panel and uninspiring plastic case, the Sanyo PLV-Z3 suggests nothing so much as a large (okay, very large) clock radio. In a world where, not so very long ago, video projectors were expected to require three or four strong longshoremen to deliver and set up, the newest digital designs still generate a sense of wonder. Even now, audiophiles continue to equate size and mass with quality, and "longer, lower, wider" are still the watchwords with car enthusiasts (though it's no longer politically correct to actually say so in polite company).

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Thomas J. Norton Posted: May 18, 2009 0 comments
Price: $3,295 At A Glance: Impressive resolution • Good blacks and shadow detail • Oversaturated color • Excellent value

Sanyo has long been a big player in the business projector market. However, while it has a serious presence in home projectors in many markets, it has remained relatively low key for U.S. consumers. This is especially true when you compare it with manufacturers who are more aggressive at beating their own drums. But the PLV-Z3000 proves that the company knows its way around home theater projector design.

The Sanyo lacks the Ferrari-like curves that many of its competitors sport. Still, its relatively plain, boxy shape is functional and well executed. All mechanical operations (horizontal and vertical lens shift, focus, and zoom) are manual. This isn’t necessarily a bad thing, since these are usually set-and-forget operations. The zoom lens has a throw-distance range of 9.8 to 20 feet for a 100-inch (diagonal) 16:9 screen.

Thomas J. Norton Posted: Mar 27, 2006 0 comments
We last wrote about the explosion of science fiction TV shows on DVD in a two part feature that appeared in the November 2004 and January 2005 print issues of Ultimate AV. Those features, which covered the gamut from Star Trek to Babylon 5, will be posted on the website in April. Watch for it.
Thomas J. Norton Posted: Mar 13, 2013 2 comments

Price: $2,899 At A Glance: viewable with ambient lighting • Works best with carefully planned lighting • Image dims significantly from center screen to the side

The best projection quality has always required a completely darkened room. This takes the edge off that Super Bowl party, with guests stumbling around in the dark spilling their buttered popcorn and drinks in your lap.