On my very first visit to Costco, I saw something that burned itself into my brain: a shopping cart loaded with baby formula, junk food, and a 23-inch flat-panel TV set. I felt the same way a fashionista would watching someone use an Armani shirt as a dust rag.
With hundreds of new headphones coming out last year, S+V got so wrapped up in product reviews that we never got around to covering what I think is probably 2012's most important audio story: a recent research project that should augment the audio world's spotty understanding of how headphones should be voiced.
What's the most popular audio evaluation tool in the world? It's RadioShack's model 33-4050 sound level meter. What's the most controversial audio evaluation tool in the world? That same little $45 meter.
I almost did it myself. I was listening to "King Contrary Man" from The Cult's Electric, through Phonak Audéo PFE 232 in-ear headphones while sitting in a 757 somewhere over Colorado, trying to get an idea of how well Phonak's PerfectFit design blocks out airplane noise.
I predict that 2011 will be for audio what 1962 was for the art world. In 1962, Andy Warhol's first solo shows in Los Angeles and New York swept away the prevailing aesthetic ethos of the era, demonstrating to the world that a Brillo pad box could be a work of art.
I predict that 2011 will be for audio what 1962 was for the art world. In 1962, Andy Warhol’s first solo shows in Los Angeles and New York swept away the prevailing aesthetic ethos of the era, demonstrating to the world that a Brillo pad box could be a work of art.
I predict that 2011 will be for audio what 1962 was for the art world. In 1962, Andy Warhol’s first solo shows in Los Angeles and New York swept away the prevailing aesthetic ethos of the era, demonstrating to the world that a Brillo pad box could be a work of art.
Even if you live in a studio apartment, you have at least two listening rooms. Well, in a sense. Every listening room is, in essence, two listening rooms when you look at it from the perspective of sound.
In part 1 of this article, we discussed the Schroeder frequency — a frequency above which your listening room works primarily as a sound reflector and diffuser, and below which your room works primarily as a resonator.