Brent Butterworth

As I stood chatting with the pilot of a B-1B Lancer supersonic bomber at Edwards Air Force Base recently, I realized that audio geeks have something in common with military aviators. "This air- plane is older than I am," the pilot mused. I thought to myself, "So are some of the speaker designs I review." Like the military, audiophiles don't reflexively throw stuff out if it still works. See?

There’s some debate among vinylphiles about whether USB phono preamps need to exist, but I for one am glad they do. When I bring home my latest haul of vinyl from Amoeba Records, I love being able to plug a laptop straight into my NAD PP 3 to make quick MP3s of albums I like so I can listen to them on my smartphone. (Sacrilege!) It’s easier than making an analog connection, and it bypasses the lousy analog-to-digital converter built into my laptop.

With the Zphono-USB, Parasound brings new versatility and features to the USB phono pre concept.

It’s a ritual. You hear audiophiles claim how great vinyl sounds, but you never quite buy into it. Then you finally hear your first good turntable, and you’re hooked. In my case, it was a Rega Planar 3, demo’d by Sound+Vision contributing writer Ken Korman. Back in 1991, I spent an evening at Ken’s checking out old sides by the likes of Miles Davis and Todd Rundgren, in each case marveling at how different the sound was from the CD.

The reason many audiophiles get their start with a Rega is that Regas deliver above-average performance at below-average prices. The new RP6 is a great example.