Darryl Wilkinson

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Darryl Wilkinson Posted: Apr 07, 2014 0 comments
I spent a tense 30 minutes the other night huddled on the floor in the hallway outside my father’s hospital room. The National Weather Service had issued a tornado warning for the area, and the hospital had gone into “Weather Plan 2” mode. Everyone in the building—even the patients who couldn’t get out of bed—had to gather in the hallways. My father was one of those temporarily bed-ridden patients, and I’m sure that the mind-twisting aftereffects of anesthesia coupled with post-op morphine made the hurried, bumpy rush from his room to a hall full of two dozen other patients seem even more surreal than it was for me. It became even more surreal after all the patients were returned to their rooms following an “all clear” announcement when, within minutes, the whole process was repeated (albeit with significantly more grumbling from the patients and staff.)

As I was busily texting and tweeting about the collective predicament we were in (it’s actually not true that I caused a small riot when I ran through the hallway yelling “Morphine for all!”), the flickering of the hallway lights during the height of the storm started me thinking about how incredibly dependent we are on technology - technology that most of us take totally for granted until it doesn’t work anymore...

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Darryl Wilkinson Posted: Sep 23, 2010 0 comments
T he rest of the industry may not be ready to abandon dome tweeters, but Sandy Gross and his new company, GoldenEar Technology, are using accordion-like High-Velocity Folded Ribbon (HVFR) high-frequency drivers in place of the ubiquitous domes found in 90-some-odd percent of the speakers currently on the market. The HVFR drivers work in a manner similar to an accordion and generate sound by squeezing a folded diaphragm from the sides rather than in an up-and-down motion. The result is a dramatically open, sublime sound free of any listening fatigue you might get from a lesser, standard driver – at least, that’s what I heard in the GoldenEar Technology booth earlier this morning. The HVFR tweeters are in the $1,249/ea floor-standing Triton Two Towers, the$499/ea SuperSat satellites , and the $249/ea SuperSat 50 satellites. GoldenEar Technology is also introducing a pair of powered subwoofers (ForceField 3 - $499, ForceField 4 - $699).
Darryl Wilkinson Posted: May 04, 2008 0 comments
The fine art of disguise.

No one likes to look at speakers. (You and I don’t count.) Thus the quest by many manufacturers to find the Holy Grail of speakers: the totally invisible wall-o’-sound. Unfortunately, the invisible stuff I’ve seen so far has been pretty uninspiring and by no means anything you could call close to high performance. At present, short of an acoustic miracle, we’re stuck with speakers that are going to be seen, be they in-wall, on-wall, floorstanding, or whatever.

Darryl Wilkinson Posted: Oct 28, 2011 0 comments
Build Quality
Price: $6,003 At A Glance: Discrete center-channel drivers built into main speakers • Grilles custom-sized to match flat panel • Can also be mounted on the wall

One of the more interesting things I overheard during this year’s CEDIA Expo in Indianapolis was an offhanded comment that “the sound quality of TVs today is worse than it was with TVs 20 years ago.” Think about that for a minute. A new, George Jetson–style, 50-inch flat-panel HDTV hanging on the wall makes one of those old, 50-inch, three-CRT, rear-projection (analog) TVs look like something even Fred Flintstone would pass on. But put those two sets side by side, close your eyes, and give a good, long listen to a movie, a football game, or even the nightly news running on each one of them. Despite the 20 years of technological “improvements” between them, my highly educated (I am a professional, after all) guess is that most people will pick that hulking behemoth 50-inch console rear-projection TV as the one they’d rather have if sound quality were the only concern.

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Darryl Wilkinson Posted: Feb 08, 2010 0 comments
Price: $1,100 At A Glance: Built-in keyhole brackets • Triple-voice-coil side-firing surround drivers • World’s first seven-channel soundbar

Seven Channels Plus

When you hear that we can now add a seven-channel soundbar to the list of the many technological wonders in the world today, your first inclination might be to ask, “Dude, it’s a flippin’ soundbar. What’s the point?” And I might respond, “Uh, marketing?” So you can imagine that when the new Atlantic Technology FS-7.0—the world’s first seven-channel soundbar—arrived, I wasn’t terribly enthusiastic to set it up. After all, I would need to remove my current in-wall center-channel speaker, replace it with a blank panel on which to mount the new all-in-one system, and then run seven speaker wires across the floor. I don’t know whether it was the titillation that comes with undressing a new piece of gear or the surreptitious sniffing of Styrofoam packaging, but for some reason, I began to warm up to the idea of a seven-channel soundbar. After all, I’ve never known Atlantic Technology to be the kind of company that would do something simply because it would make good copy in an ad, so the thing just might sound good. If nothing else, it certainly would have plenty of cool drivers scattered all over the cabinet and lots of settings to fiddle with.

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Darryl Wilkinson Posted: Oct 12, 2012 1 comments

Price: $899 At A Glance: H-PAS bass enhancement technology • Multichannel DSP for two-, three-, or five-channel soundfield simulation • Switchable display for top or bottom orientation

Frank•en•bar [frang-kuhn-bahr]: noun 1) a soundbar with parts and pieces taken from traditional home theater systems—processor, switcher, amplifier, remote control, speaker drivers, etc.—which are bolted together into a single cabinet and shocked into life with one power cord. The typical Frankenbar has a dual purpose: a) to provide much-improved sound quality over that produced by the speakers built into modern televisions (such an easy task, by the way, that it could seemingly be accomplished by a couple of tin cans and a string); while at the same time b) significantly reducing the number of boxes in the system, as well as dramatically simplifying the installation process. 2) The ultimate example of an all-in-one integrated system, except for the fact that virtually every Frankenbar—or any soundbar, for that matter—usually requires a subwoofer in order to sound acceptable to the human ear. This mandatory subwoofer, by virtue of being a physical object that takes up floor space, is more often than not considered both an eyesore and may in some areas be legally acceptable grounds for divorce.

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Darryl Wilkinson Posted: Jan 24, 2005 0 comments
Not content to rest on their laurels (laurels can be so uncomfortable at times), Atlantic Technology has upgraded their well-regarded System 4200 THX Select home theater speaker system by adding an "e" to the model number. Well, in all honesty, Atlantic Technology has done more than simply reprint brochures with the new nomenclature. (Although it is a great, money-saving idea...) The new improvements include permanently attached finishing panels on the front- and center-channel speakers and a couple of improvements to the system's subwoofer.
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Darryl Wilkinson Posted: Jan 14, 2012 0 comments
Sometimes you wonder how some companies get involved in seemingly unrelated product categories. Amidst more traditional iPod/iPhone/iPad add-ons, accessory manufacturer Griffin was showing off a pair of IR-controlled helicopters that you pilot using your iOS touchscreen device. The $49.95 current model (HELO TC) will be joined soon by a $59.95 version (HELO TC Assault) that was shooting small plastic “missiles” at unsuspecting CES booth gawkers. Although a little tricky to fly at first, the helicopters were a lot of fun to fly using the included iOS app. Movement is controlled either with a virtual joystick or by tilting the iOS device. When asked how Griffin got involved selling remote-controlled helicopters, I was told the “unofficial” story: the staff all like flying them at the office.
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Darryl Wilkinson Posted: Jan 14, 2012 0 comments
Las Vegas was built, in large part, on the acquiring and spending of golden nuggets. Today, of course, golden nuggets (in the form of dollar bills) are handed over to the casinos in enormous quantities. There was a huge golden nugget, however, to be found in the GoldenEar suite at the Venetian - and this one didn’t get put on the closest gaming table. Sandy Gross and team have put together an absolutely unbelievable LCR soundbar that’s so flipping good, it was THE most exciting audio product I heard the entire Show. Somehow this amazing 49-inch wide soundbar sounded as if it were more like 15 feet wide; and combined with two of GoldenEar’s ForceField 3 subwoofers ($499/each), the $999 SuperCinema 3D Array was easily one of the best sounding soundbars I’ve ever heard in just about any price range, especially when it came to reproducing two-channel music - a task most soundbars fail abysmally at. Thankfully, in this case, what happens in Vegas isn’t staying in Vegas - and we’ll be getting one of the first samples for review in the next few months. Stay tuned...
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Darryl Wilkinson Posted: Jan 11, 2006 0 comments
Aural Acoustics is a speaker company with roots and attitude from the old days of hi-fi before anyone ever thought of pairing speakers with a TV - but the new company has a decidely modern, music-and-home-theater sensibility. They debuted their first speaker (the Model B) at the 2005 Home Electronic Show in New York City to great reviews. This year, the company used a hotel room in the Alexis Park during the 2006 Consumer Electronics Show (CES) to unveil the new Model P50. Although the low-key venue was less well attended than either of the two main convention centers, almost everyone who braved the long shuttle bus lines and made the trek to the Aural Acoustics room were extremely impressed with what they heard.


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