Sort By: Post Date | Title | Publish Date
Mark Fleischmann Posted: Jun 28, 2010 0 comments
Price: $2,396 At A Glance: Left and right speakers include concealed phantom center • Flat-panel form factor is ideal for wall mounting • Fabric wrap comes in black, gray, or cream

Hide the Center

What’s wrong with this word picture? A sexy flat-panel TV hangs on the wall. On either side of it are some almost equally sexy on-wall speakers, and the screen has a center speaker below it. Let’s assume that surround speakers and a subwoofer are elsewhere in the room. Surely this is a recipe for great audiovisual entertainment.

Mark Fleischmann Posted: Sep 14, 2006 0 comments
Speak of the devil.

In the Faustian struggle for the soul of the audio industry, Mephistopheles mans the sales floor, giving the public what it wants, namely on-wall speakers. The beckoning demon's proposition is irresistible. If you're hanging a flat-panel display, why not hang speakers there, too? All other things being equal, on-walls are at a sonic disadvantage when it comes to soundstage depth. But, as any competent demon knows, all things are rarely equal. So, let's restate the proposition: If on-walls are what you want, why not buy the best-sounding ones you can find? If they sound good in the space and look good on the wall, you might find yourself handing the demon your credit card.

Filed under
Mark Fleischmann Posted: Oct 14, 2008 0 comments
Whenever the federal government tries some dubious stunt, fails miserably, and decides to fail on an even bigger and more embarrassing scale, it creates a "czar." After all, as a democracy, don't we need to maximize the number of Russian-monarch-like job descriptions in Washington? Those were the thoughts of consternation racing through the minds of electronic libertarians this week as President Bush signed the PRO-IP Act. That stands for Prioritizing Resources and Organization for Intellectual Property.
Mark Fleischmann Posted: Jul 14, 2006 0 comments
One tuner to free them all.

Back when our ancestors lived in caves, when storytelling was the main form of entertainment around the evening fire, the biggest alpha male would designate the storyteller and club to death anyone who interrupted. This social arrangement has survived well into the age of the remote control.

Filed under
Mark Fleischmann Posted: Jan 08, 2010 2 comments
The BLX 200 is not only Anthem's first Blu-ray player but its first source component. Price $799. Also new were two LCOS projectors, the LTX 500V ($8499) and LTX 300V ($5799). The difference between them is that the step-up model has 120Hz refresh and ISF certification. Sister brand Paradigm is now shipping the products we saw four months ago at CEDIA.
Filed under
Mark Fleischmann Posted: Sep 23, 2010 2 comments
The Anthem 700 ($1999), 500 ($1499), and 300 ($999) receivers all have the company's proprietary ARC auto setup and room correction, Dolby Volume low-volume listening mode, Dolby Pro Logic IIz height listening mode, power rated with all channels driven, linear power supplies, and discrete output devices. The top two models have USB inputs that can support a large external drive, generating a full content list with ease. Not all competing USB-equipped receivers can support a large drive. Shipping in 30 days, except the 300, shipping in 60 days.
Filed under
Mark Fleischmann Posted: Jul 28, 2011 5 comments

Price: $999 At A Glance: Homegrown room correction and listening modes • Rated 60 watts into 8 ohms with five channels driven • 3D ready via software upgrade

An Anthem A/V receiver? AVRs were Anathema to anthem, I mean anathema to Anthem, until recently. This company’s heart has always been in surround separates—bleeding-edge surround processors, muscle amps that live on steak and steroids. The quintessential Anthem product—to digress from the main subject for a moment—would be the P5 five-channel amplifier, basically five 325-watt monoblocks in a single gut-busting enclosure.

Filed under
Mark Fleischmann Posted: Jul 29, 2014 42 comments

Audio Performance
Video Performance
PRICE $1,999

Advanced build quality
Subtle room correction
Crisp, dynamic sound
No wireless anything
A tad analytical

The top model among Anthem’s second-generation receivers omits needless features and splurges on performance.

“From Canada with love,” says weatherman Mr. G of WPIX New York every time a sinister polar vortex is about to sweep down from the frozen north. That cool Canadian breeze can be a trial in winter. In summer, however, it’s a breath of fresh air—and that’s also a good description of AV receivers from Ontario-based Anthem. They’re built like tanks, obsessively performance-oriented, and shorn of (what some might deem) frivolous features.

Filed under
Mark Fleischmann Posted: Sep 26, 2013 0 comments
Three new surround receivers from Anthem include the MRX 310, MRX 510 (shown), and MRX 710. The 310 has five channels while the 510 and 710 are seven-channel products. Power is 60, 75, and 90 watts times five (and kudos to Anthem for not merely quoting two-channel figures and calling it a day). Anthem has all the control angles covered including AMX, Bitwise, Control 4, Crestron, and Savant. The ARC 1M room correction has been improved, approaching the quality of that in Anthem's pre-pros, with more options and better filtering. The receivers boast the Dolby Volume low-volume listening mode to make movie sessions more painless. And 4K is supported for both pass-through and upscaling. Pricing is $1200, $1600, and $2000. The two upper models will ship this fall while the bottom model will ship in early 2014.
Mark Fleischmann Posted: Jan 10, 2008 0 comments
The new room correction in Anthem's D2 and D1 pre-pros is billed as the only full commercial implementation of principles developed by Canada's National Research Council 15 years ago in Project Athena. Improved thermal design adds stability--in fact, the model we heard had a lamp sitting on its top vent holes, as you can see.


Enter your Sound & Vision username.
Enter the password that accompanies your username.