Mark Fleischmann

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Mark Fleischmann  |  Sep 05, 2008  |  0 comments
Matthew Polk wanted to design the kind of outdoor speakers he would like to use in his own house. One of the more inspired things he came up with is the Atrium Sat30 ($150/each), a teardrop-shaped speaker that can dangle from the eaves or sit on the ground. If rain gets in, I was told, it evaporates.
Mark Fleischmann  |  Jan 09, 2013  |  1 comments
A lot of compact wireless audio systems have crossed our desk over the last few years but the forthcoming Polk Woodbourne, named for a neighborhood in the company's native Baltimore, is different. It has a fiberboard (not plastic enclosure) and the enclosure is sealed (not ported). Wireless options include both AirPlay and Bluetooth apt-X. Power is 70 watts RMS for each woofer and 20 for each tweeter. The demo was impressive for its spaciousness, thanks to the outward-aiming mounting of tweeters on the far sides of the curved baffle. We could close our eyes and imagine we were hearing a larger system. Pricing will be $599 when it arrives between April and June. Polk also showed the new TSx series which replaces the TSi. There are three towers, two monitors, and two centers in cherry or black. Woofers are polypropylene impregnated with other materials so that the intrinisic resonances of any one material are canceled out. Their size has increased in the towers and the larger center from 5.25 to six inches for bigger bass. Pricing ranges from $199 for the smallest center to $999/pair for the biggest tower.
Mark Fleischmann  |  Mar 30, 2006  |  2 comments
High-performance audio's long, slow decline is officially a crisis. The latest figures from the Consumer Electronics Association say that portable audio devices now outsell components—"for the first time in history," as This Week In Consumer Electronics reported. Put portable, home, and car audio together and the audio industry grew a total of 29 percent in 2005. But that includes an 85 percent hike in sales of portables, four percent growth in car audio, and a decline of 16 percent in the good-sounding stuff that sits on your rack, if you still have a rack. You can blame paradigm shifts, generational changes, i-everything, blabbity blabbity blah, but there's a smoking gun here, and I'll talk about it tomorrow.
Mark Fleischmann  |  Jun 07, 2006  |  2 comments
The Home Entertainment Show—affectionately known among old-timers as the Stereophile Show—blossomed near LAX last week from June 1-4. This was the first year at a new location, the Sheraton Gateway. Far from the madding crowds of CES and CEDIA, HES does a great job of bringing manufacturers together with dealers, press, and public in a friendly context. That includes live music, reminding everyone present why we got into this business in the first place. The show has been extensively covered by our sister publications Ultimate AV and of course Stereophile. Their reporting skills and, in particular, their monopod-steadied photo prowess shame me. But then, I see this show differently than they do, with an eye for monitor-sized speakers that can be multiplied by five in a surround system, and a more jocular view of the show's historic two-channel orientation and some of the oddities that entails. Following are a few impressions. I'll post the least awful of these pictures to the Gallery plus a few extras.
Mark Fleischmann  |  Jun 06, 2006  |  3 comments
The show was full of fridge-sized speakers but none of them sounded as good as the Totem Acoustics Dreamcatcher ($450/pair), driven by much pricier Plinius electronics. This was the most immediately appealing, and possibly the most accurate, sound at the show. It was utterly free of the grotesque coloration that marred dozens of larger speakers on display elsewhere. This picture looks good because I did not take it.
Mark Fleischmann  |  Jun 06, 2006  |  2 comments
HSU Research is best known for its affordable high-performance subwoofers, but Dr. Poh Ser Hsu is also a dab hand at speaker design, as generously illustrated by the HB-1 "bookshelf" (to sensible people, that means stand-mounted) speakers. They had all the efficiency of horns with, to my ears, none of the beamy feeling that affects other horn designs. The sound remained consistent as I moved up and down and around the room. At only $125 each, this speaker may become the underground bestseller of 2006.
Mark Fleischmann  |  Jun 06, 2006  |  2 comments
Onkyo, a speaker company? Don't laugh. These two monitors were among the best things I heard at the show. The neat cube-shaped monitor at the left, the D-312E, threw out a highly natural and realistic soundstage with orchestral music. Unfortunately it's available only in Japan. The D-TK10, at right, is slightly smaller, curvier, and features a cabinet made by guitar maker Takamine. It will be available for maybe $1600/pair though the price was not finalized at presstime.
Mark Fleischmann  |  Jun 06, 2006  |  2 comments
Lukas Lipinski poses with the L-707 ($4950/pair). Even in a room full of people this chunky stand-mount speaker had something that made a voice in my head say "let me review it pleeeease." Maybe it was the amps built into the 3601 stand ($2595/each) that did it. The company has its roots in pro audio but now sells bleeding-edge gear to the high-end market.
Mark Fleischmann  |  Jun 06, 2006  |  3 comments
Here is Barb Gonzalez, author of The Home Electronics Survival Guide Volume 1—I like the Volume 1 part!—flanked by two chimps. Ken Kessler, left, author of Quad: The Closest Approach, drew the most traffic with his world-class charisma (sorry about the flash). At right is the unedited original of my blog pic, with lovely pink and blue background, shot at the Paradox Coffeeshop in Amsterdam, a moment of bliss captured for posterity. Have you heard about my annually updated home theater guide? Just checking.
Mark Fleischmann  |  Jun 06, 2006  |  0 comments
Dave Wilson's venerable Watt Puppy is now available in baby blue for $27,900. Having heard it with a recording of the Mormon Tabernacle Choir, I think I may have to spend more time in Utah. Even in an acoustically imperfect room, the massed vocals were so beautiful, they tax my powers of description. You just had to be there. This is why events like the HES are so precious—and why high-end dealers with good demo rooms deserve the big bucks.

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