We’ve learned one thing from our past investigations into the new wave of headphones made by speaker companies: Headphone engineering has little in common with speaker engineering. Because the physics of headphones are so different from the physics of speakers — and because few, if any, speaker companies actually build their own headphones — it’s rare for a company’s headphones to mirror the sonic character of its speakers.
Tougher still for MartinLogan, which built its brand on 5-foot-tall electrostatic speakers.
So many awesome new video games have come out this fall, and there’s so little time. But perhaps the other members of your household don’t share your passion for stabbing corrupt politicians in the neck at three in the morning, or your neighbors don’t want to hear 140 MPH car crashes all evening long. But since you’ve been keeping up with all the newest titles, your wallet’s probably feeling a little light — so you can’t justify dropping $300 or more.
When I attend trade shows, I’m always reluctant to ask for a review sample of a new product. ’Cause who knows if I’ll see something cooler around the corner? But when I saw the Custom One Pro at the recent Rocky Mountain Audio Fest in Denver, I asked Beyerdynamic’s Pete Carini to send me a sample ASAP. After a quick listen to the Custom One Pro, I knew there was no way I’d find a more interesting headphone that weekend.
Over the past few months, we've looked at a whole lot of gaming headsets, from affordable, entry-level models to the cream of the crop - and we've found worthwhile candidates for you at all price points. Even better, we've got three headsets to give away this week, from Skullcandy and Astro.
I'm skeptical of any audio product with a fancy design. In my experience, the more trendy or attractive a product is, the worse the performance. Maybe this prejudice comes from a place of subconscious competition, given that I'm so trendy and attractive.
So I approached the Parrot Zik with caution, not least because I found out that "Design by Starck" was not a misspelling and had nothing to do with Ned or even Robb (What about Tony? - Ed.).
I bet your average dude on the street can’t name a single audio company that’s not in the headphone biz now. For an audiophile, it’s easier. As I look around my listening room, I see lots of them: AudioControl, Canare, Hsu Research, Krell, Rotel, Sunfire, and Sonus Faber, none of which have (yet) entered the personal audio field. But that’s changing. The Pro-Ject RM-1.3 turntable sitting atop my audio rack now shares its brand with two headphones, the $129 Hear It One and the $79 Hear It Two.
A couple of days ago, we listened to the $129 Pro-Ject Hear It One, the larger of two new headphones from the budget turntable specialists. Now we’ll listen to the Hear It Two, a $79 on-ear model that, frankly, looks more like something you’d buy at Target than something you’d buy at Needle Doctor.
Over the past several months I've repeatedly had goo poured into my ear canals. For you, gentle readers - all in the interest of finding out whether custom in-ear monitors make as much sense for serious listeners as they do for musicians and sound engineers.
Noise cancelling and celebrity-endorsed headphones are two of the biggest categories in big headphones. You can thank Beats for that, I suppose. In one hand, I've got the MDR-1RNC which apparently are not endorsed by the Republican National Committee. At least, I don't think. They've got digital noise cancelling (the headphones, not the Republicans) and some great design and build quality.
In my other hand I've got the shiny MDR-X10's which are "unique and powerful headphones designed by Sony and Simon Cowell." Yeah, they're unique all right.
Six ears give a listen to create one verdict (Well, OK, technically two verdicts).
From mixing boards to Blu-ray players to soundbars to saxophones, Yamaha makes just about everything audio. Which is why it’s surprising that in the one field that practically every audio company has piled into—headphones—Yamaha hasn’t done much in the last few years. The Pro 500 represents a re-entry of sorts, a flashy blue bombshell designed to attract both audiophiles and fashion-oriented “listeners.”
To reviewers, accusations of bias are just part of the gig. Commenting readers have insisted we’re biased against certain brands, biased against in-ear monitors, biased against headphones with lots of bass, biased against headphones with flat bass, even biased against headphones from non-California companies.
To reviewers, accusations of bias are just part of the gig. Commenting readers have insisted we're biased against certain brands, biased against in-ear monitors, biased against headphones with lots of bass, biased against headphones with flat bass, even biased against headphones from non-California companies.
Even though I campaigned against California’s Proposition 8, I have to confess that I can’t quite get the whole product positioning and marketing of the Fanny Wang brand. The WangBud increases my confusion, although it intrigues me at the same time.
For its first in-ear headphone, Fanny Wang didn’t just get some generic IEM and slap its logo on. It created a product unlike any other I’ve encountered: a headphone using dual dynamic drivers, with earpieces the size of the old iPod earbuds and oblong silicon tips like those supplied with most Bluetooth headsets.
Even though I campaigned against California's Proposition 8, I have to confess that I can't quite get the whole product positioning and marketing of the Fanny Wang brand. The WangBud increases my confusion, although it intrigues me at the same time.
For its first in-ear headphone, Fanny Wang didn't just get some generic IEM and slap its logo on. It created a product unlike any other I've encountered: a headphone using dual dynamic drivers, with earpieces the size of the old iPod earbuds and oblong silicon tips like those supplied with most Bluetooth headsets.