When I reviewed the Astro A40 MLG edition headset and wireless mixamp late last year, my complaints were minor. Since then, they've become my go-to cans; I even use them for transcribing interviews. It's overkill, I know. I've used them exclusively for the past eight months because I haven't heard another gaming headset that sounds anywhere near as good. That is until I spent quality time with Astro's new model, the A50.
One of the most interesting success stories of the new wave of headphone audiophila is Audeze. The company, which specializes in planar magnetic headphones with wooden ear cups, luxurious appointments, and you're-got-to-hear-it-to-believe-it sonics. We got a chance recently to spend some time with their flagship, the LCD-3 ($1,945), a headphone that's become the top choice for many of today's personal audio enthusiasts. Obviously, we needed to hear why.
In the unlikely event I ever again decide to pick a fight, it’ll be with someone who looks weaker than me. Obviously, Audio-Technica has a lot more guts than I do.
Audiofly is a cool new brand with a retro look. Its website is filled with pix of recent-vintage tattooed hipsters, but its IEMs have molded-plastic perf grilles reminiscent of the 1960s portable radios I grew up with.
When I’m asked to pick my favorite headphones for S&V’s Editor’s Choice awards, it’s always easy. I just make a list of the ones I kept using after the review was done—the ones I listened to even when I didn’t have to. After our test of affordable audiophile headphones last year, the headphone I kept on using afterward was the AudioTechnica ATH-AD900. It’s a big, comfortable, spacious-sounding, tonally neutral open-back headphone. Just the thing for streaming Internet radio for hours while I’m writing, or to use for an all-night-long Netflix binge.
That’s why I was so happy to find a successor to the ATH-AD900 at the January CES show. The ATH-AD900X has the same list price, pretty much the same specs, and similar looks.
There are speaker companies better-known than B&W, but I doubt any has a more enviable reputation. B&Ws have been a fave of audiophiles and recording engineers for decades. But the best indicator of B&W’s rep would probably be a walk through an audio show in China, where you’ll see no other speaker brand so brazenly copied.
Nowadays, though, B&W seems focused on compact and portable products, such as its Zeppelin Air and P5 and C5 headphones. Can’t blame B&W for wanting to surf the market trends, but headphones, especially, are so different from speakers that a company’s expertise in one is little indicator of skill in the other.
All three of the products I just mentioned have received rave reviews, though. That praise gives us great hope for the P3, a smaller, more portable, $100-less-expensive version of the P5.
Has there ever been a headphone brand so controversial as Beats? It's undeniably popular; just walk around any downtown or airport in any industrialized country and you're almost sure to see a set. Yet audio enthusiasts-including the ones at Sound & Vision-often deride Beats' sound quality.
When Bell'Oannounced that they were getting into the audio business, I fully expected them to come out with a line of speakers that matched some of their home theater furniture.
When I attend trade shows, I’m always reluctant to ask for a review sample of a new product. ’Cause who knows if I’ll see something cooler around the corner? But when I saw the Custom One Pro at the recent Rocky Mountain Audio Fest in Denver, I asked Beyerdynamic’s Pete Carini to send me a sample ASAP. After a quick listen to the Custom One Pro, I knew there was no way I’d find a more interesting headphone that weekend.
To reviewers, accusations of bias are just part of the gig. Commenting readers have insisted we're biased against certain brands, biased against in-ear monitors, biased against headphones with lots of bass, biased against headphones with flat bass, even biased against headphones from non-California companies.
To reviewers, accusations of bias are just part of the gig. Commenting readers have insisted we’re biased against certain brands, biased against in-ear monitors, biased against headphones with lots of bass, biased against headphones with flat bass, even biased against headphones from non-California companies.
As someone whose life seems to revolve around the outdoors, I’m all ears whenever I hear about a new “active” piece of electronics gear. The new BlueAnt PUMP HD wireless waterproof sportbud promised to deliver audiophile-grade performance in a rugged, IP67-waterproof rated Bluetooth-compatible package.As soon as it arrived, I charged it up and hit my favorite bike trail.
This is an article I never thought I’d write. I sold hi-fi (well, Circuit City’s version of “hi-fi”) within sight of The Mountain. I developed early an audiophile’s distain for the four-letter marketing juggernaut. When I began reviewing audio, I couldn’t imagine a situation where I’d review a Bose product. Certainly not something like the market-leading QuietComfort 15 noise-canceling headphone, Not without heavy doses of irony, snark, and derision.
And yet, it is my fiduciary duty to give credit where credit is due.
So behold — not only my first review of a Bose product, but a positive one at that.
If you’re sick of trying to choose among dozens of lookalike IEMs in the racks at electronics stores, you’ll find the C5 to be welcome relief. This IEM resembles nothing else on the market. The back of each titanium earpiece holds B&W’s Micro Porous Filter, a layer of hundreds of tiny steel balls that the company says works as a sonic diffuser.
When you’re going truly wireless, your only option is to use Bluetooth, so it has to be the best quality that Bluetooth affords. The new Cleer Ally earphones use Bluetooth 5.0 with aptX, so for the moment, they're pretty much as good as it gets.