<IMG SRC="/images/archivesart/robinhood.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Hollywood legend Errol Flynn stars as Robin of Locksley, better known as Robin Hood. He and his band of Merry Men rob from the rich and give to the poor to offset the heavy taxation imposed by the Sheriff of Nottingham (Melville Cooper). He also woos and wins the heart of the lovely Lady Marion (Olivia de Havilland), who in turn spies for Robin on the goings on of Price John (Claude Rains), usurper of the throne.
While on a romantic retreat in Sweden, master assassin and gunsmith Jack (George Clooney) barely escapes with this life but his lover isn't so fortunate. Emotionally scarred from the experience, he retreats to the Italian countryside and accepts one last assignment from his handler to construct a deadly weapon for a mysterious contact. The slow-paced country lifestyle starts to grow on him as he becomes friends with a local priest and falls in love with a beautiful woman, but can he escape his past and forge a better future?
My wife and I are both George Clooney fans and I was really looking forward to watching this. While it isn't a bad film, per se, its measured pacing tried my patience and I couldn't form an emotional connection to the main characters, especially Clooney.
Last year’s Best Picture, The Artist, embodies a simple enough idea: a silent movie about silent movies, told in the classic style. Set in the waning days of the era, the story introduces us to aging matinee idol George Valentin (Oscar winner Jean Dujardin) who meets the wide-eyed ingénue Peppy Miller (nominee Bérénice Bejo) outside one of his premieres. Seldom does the screen see such an intoxicatingly attractive couple, and yet their relationship is a complicated smolder of admiration and respect that has its share of ups and downs across years of drastic change.
When Marvel Comics’ gang of superheroes—Captain America, Thor, Iron Man, The Hulk, Black Widow, and Hawkeye—get together after the first four of them starred in their own movies, you know something big is up. And it’s no surprise that Loki, Thor’s adopted brother, who teamed up with an army of nasty aliens, is behind it.
The Best Years of Our Lives is the best film ever made about war veterans. That’s not exactly an alluring endorsement, so let me add that it’s a nearly three-hour film without a moment of mind-drift. It’s funny, moving, wrenching—a total tear-jerker that earns its emotional wallop.
The Dude (Jeff Bridges) gets involved in a case of mistaken identity when some thugs show up at his place to collect a debt owed by another man who shares his last nameLebowski. To add insult to injury, the goons pee on his favorite rug and he seeks out compensation from the other Lebowski, a well-healed wheelchair-bound millionaire who's willing to help The Due as long as he does one little favor.
The Coen Brother's have a unique perspective on the world and they definitely don't "go with the flow." While I don't consider this to be one of their best films, it does contain their most interesting characterThe Dude. At the time of its release in 1998, it wasn't as critically acclaimed as Fargo or O Brother, Where Art Thou? but over the years it has obtained cult-like status with its fans and Bridge's portrayal of the iconic character set his career on an upward path.
Teenager Michael Oher (Quinton Aaron) is living on his own when he is spotted on the street by the Tuohy family. Learning that the young man is one of her daughter's classmates, Leigh Ann (Sandra Bullock) invites him to stay at their home for the night. What starts out as a gesture of kindness turns into something more as Michael becomes part of the family despite the differences in their backgrounds.
In the 2009 NFL draft, Michael Oher's rags-to-riches story reached new heights when he was drafted in the first round by the Baltimore Ravens. I love inspirational sports stories, and this is one of the best I've seen in years. The performances are outstanding, especially by Sandra Bullock, who won her first Oscar for the role, and by young Jae Head, who provides a lot of comic relief in an otherwise dramatic subtext.
<IMG SRC="/images/archivesart/eli.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Eli (Denzel Washington) walks alone in post-apocalyptic America. He heads west on a mission he doesn't fully understand but knows he must complete. In his backpack is the last copy of a book that could become the wellspring of a revived society or in the wrong hands, the hammer of a despot.
I knew Jason Bourne. Aaron Cross (Jeremy Renner), you’re no Jason Bourne.
The first Bourne movie not based on an actual Robert Ludlum novel, Legacy gets quite a lot wrong, frankly. The story brings us back to the era of 2007’s The Bourne Ultimatum, when extreme measures were being taken to maintain the secrecy of the covert, overly ambitious super-soldier program that created Jason. A whole new crop of men has become the subject of some risky new behavior/performance-enhancing experiments, and as one of these lethal lab rats, Aaron is desperate for answers—and the necessary meds to keep his edge—despite the nasty opponents pursuing him at every turn.
<IMG SRC="/images/archivesart/bourne.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>After being pulled from the sea with two bullets in his back, Jason Bourne (Matt Damon) awakens on a fishing boat with no memory of his involvement in a top-secret, black-ops arm of the CIA called Treadstone. The only clue to his identity is the number of a Swiss safe-deposit box in which he discovers an array of passports, weapons, and cash. As he struggles to unlock the secret of his own identity, Bourne has to deal with his past in order to ensure his own future.
<IMG SRC="/images/archivesart/bourne1.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>After being pulled from the sea with two bullets in his back, Jason Bourne (Matt Damon) awakens on a fishing boat with no memory of his involvement in a top-secret, black-ops arm of the CIA called Treadstone. The only clue to his identity is the number of a Swiss safe-deposit box in which he discovers an array of passports, weapons, and cash. As he struggles to unlock the secret of his own identity, Bourne has to deal with his past in order to ensure his own future.
What happens when you take a jock (Emilio Estevez), a stoner (Judd Nelson), a geek (Anthony Michael hall), a prom queen (Molly Righwald), and a psychotic teenage girl (Ally Sheedy) and place them in detention for nine hours on a Saturday? Inquiring minds want to know.
John Hughes capture the teen mind, dialog, and spirit unlike any other writer/director in my lifetime. As a product of the 1980s, I can watch any of his films from the era and it's like reliving my youth. This film delves into the philosophical realm of existentialism and although each kid is part of a different clique, they each face the same struggles in school, at home, and in life and after a long day of detention end up becoming friends.