BOOKSHELF SPEAKER REVIEWS

Our not-too-expensive Center-Channel Face Off centers on Phase Technology, NHT, and Acoustic Research.

Slowly but surely (and sadly, in many ways), we've become an overly centric society. Think about it for a minute: Companies (and entire industries, for that matter) are more centralized now than they've been since the days of the robber barons. And our government—let's not kid ourselves, friends: This ain't exactly Cold War Soviet Union, but it's not the sprawling, decentralized (and power-limited) federal structure that the Founding Fathers envisioned, either. Apparently, states' rights went out of fashion with the stagecoach and the stovepipe hat. Even from a cultural standpoint, our focus seems to have shifted dramatically toward the glorification of the individual over the good of the whole. But centralization certainly has its good points, as well (sure, it's an odd segue, but hopefully I got your attention). One need look no further than one's home theater system—that bountiful refuge from the madness of unchecked bureaucracies, hostile corporate takeovers, and me-me-me self-indulgence—to realize that a little centralization can go a long way in enhancing your movie-watching experience.

PRICE $1,614

AT A GLANCE
Plus
Highly compact steel sphere enclosures
Transparent sound quality
Big soundstage with no restrictive sweet spot
Minus
On-wall or near-wall placement well advised
Tricky subwoofer mating
Likes a lot of power

THE VERDICT
A sub/sat system whose great strengths are its midrange clarity, wide dispersion, and décor-friendly form factor.

The interaction between speaker manufacturers and the public they serve has changed markedly since the days when I was a longhaired college kid buying my first speakers. Back then, design ideas flowed in one direction, from the top down, from the drawing board to the sales floor—and if you bought a speaker, you nearly always bought a box speaker. Now speaker-design imperatives flow in both directions. With a greater variety of beckoning form factors, speaker buyers influence the design process simply by choosing the products that fit into our lives.

• 5.1-Channel System Price As Reviewed: $4,320
• 6020A L/R/LS/RS: Two-way bi-amplified active speaker with one 4" woofer and one .75" tweeter, $545/ea.
• 5050A Subwoofer: 70-Watt powered sub with one 8" woofer and two 8" passive radiators, balanced and single-ended line-level inputs, $1,595

Genelec is a big name in the pro side of the business and is hoping to make a name in the consumer world with small, self-amplified systems like this one. The 6020A monitors are Genelec's smallest speaker yet, but still carries an amplifier for each driver in these two-ways. The 5050A sub fills on the low-end, but does so with a footprint that's just 13" around. Check our December issue to find out how it sounds.

Price: $3,000 At A Glance: Broad dispersion • Good power handling • Powerful subwoofer

A review is more interesting when it tells a story. How should the story of the GoldenEar Aon 2 begin? There’s the technology angle: The Aon 2 is among the few speakers on the market with an unusual pleated tweeter design that uses a squeezing motion (as opposed to a piston motion) to generate the changes in air pressure that we hear as sound waves. Because the benefits—wide horizontal dispersion and vivid imaging—are easy to describe, that would be a good way to begin. And then there’s the human interest angle: GoldenEar is the third brand to be cofounded by Baltimore-based loudspeaker impresario Sandy Gross, whose genuine love for audio is balanced by his love for gourmet food, Expressionist canvases, and ancient statuary. The only thing wrong with these angles is that reviewers hither and yon have used them so often in the past. That leaves the musical angle. Here I believe I have a variant that might qualify as an exclusive.

Price: $999 At A Glance: Sleek, simple-looking satellites with removable pedestals • Small, sealed sub with 8-inch driver

Undercover Operative

When agents for the federal government’s most secretive intelligence agencies take up their sensitive duties, they are outfitted with trench coats and fedoras so that they can blend in with the general population. That’s what I thought of when I uncrated the Harman Kardon HKTS 30 satellite/subwoofer system. To look at these speakers, you’d hardly suspect that they form a package that retails for just a buck shy of a thousand dollars. The look is strictly utilitarian, like something you’d see packaged with a less costly system. Yet under the metal grilles there lurk some nice silk-dome tweeters. And the speaker terminals aren’t the flimsy plastic-tab wire clips you’ll find in the cheapest speakers. Instead, Harman Kardon opts for a sturdy all-metal terminal, a spring-loaded cylinder of a type often seen in better-quality sat/sub sets. Clearly, there’s more to this system than meets the eye.

Trappist ale on a beer budget.

I admired the HSU Research HB-1 horn-loaded loudspeaker when I first heard it at the Home Entertainment Show in Los Angeles in June 2006. Nearby demo rooms were stuffed with megabucks two-channel gear, much of which simply didn't approach the directness of this $125 budget wonder. I blogged my first response, and it's a good thing I still feel that way, because now it's printed right on the HB-1's carton: "This speaker may become the underground bestseller of 2006." Make that 2007. Aside from the year, I stand by my original impression.

Flat and fit.

How would you feel if you woke up one day in a perfect body? You'd pull back the blanket and look down on a perfectly flat tummy (something I haven't seen in years, although heaven knows I'm trying). Combination skin is a thing of the past—you seem to have been remade in some wonderful material. Eager to check yourself out in a mirror, you cross the room to find yourself resculpted in new and slimmer proportions. And, when you open your mouth, depending on your gender, you have either the purest soprano or the noblest baritone. In fact, you have both. I think this metaphor may be getting a bit perverse.