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Mark Fleischmann Posted: Oct 17, 2014 4 comments

Imagine XB Speaker System
Build Quality
SubSeries 125 Subwoofer
Build Quality
PRICE $1,846

Clarity and evenness
Compact, tuneful sub
Affordable price
Dynamic limits of small sub

PSB’s Imagine X series refreshes a popular speaker line with reliably excellent sound.

A small but growing number of my younger readers care more about headphones than loudspeakers—but might eventually want to own both. That’s why I’m about to use headphones as the starting point in a speaker review.

There are names that evoke loudspeakers: Bowers & Wilkins, GoldenEar, KEF, Klipsch, MartinLogan, Paradigm, Wilson, Definitive Technology. Then there are names that evoke headphones: AKG, Audeze, Beyer, Grado, Koss, Sennheiser, Stax. However, though several speaker manufacturers have dabbled in headphones, it’s hard to think of many brands known equally well in both categories.

Mark Fleischmann Posted: Aug 09, 2010 0 comments
Price: $2,350 At A Glance: 41-inch-wide soundbar contains three front channels • Remote-controlled sub with presets • A smooth, warm, unhyped, high-fidelity sound

Genius Bar

Quad is one of those great speaker companies whose pedigree encapsulates some of the fascinating and significant parts of audio history. The name is an acronym for Quality Unit Amplifier Domestic. Born in London in 1936, the company first produced publicaddress equipment, then moved into hi-fi after World War II. It eventually became known for producing relatively thin electrostatic floorstanding speakers that are considered classics—heirlooms, even—and are still produced today. That our sister publication Stereophile named the Quad ESL-2805 Product of the Year for 2007 should indicate how much Quad’s current owner, IAG, venerates this Anglo-Chinese brand. It produces its products at a state-of-the-art factory in Shenzhen and ardently defends its historic reputation. Have I mentioned that Quad also produces both tube and solid-state electronics for the two-channel market? Now get ready to change gears.

Brent Butterworth Posted: Dec 26, 2011 0 comments

Emotiva made its name by offering high-end audio electronics that look like they cost thousands but actually cost hundreds. With the X-Ref line, it’s trying to do the same in speakers. The company has offered speakers in the past, but X-Ref is its first concerted effort to deliver a broad line of speakers at prices low enough to attract budget-minded-yet -serious home theater enthusiasts. The line includes two tower speakers, two LCR (left/center/right) speakers, two bookshelf speakers, one surround speaker, and two subwoofers.

Brent Butterworth Posted: Dec 20, 2012 1 comments

KEF made the LS50 minispeaker for lots of reasons. It’s a celebration of the company’s 50th anniversary. It’s the first affordable application of the technology developed for the $29,999/pair Blade. It’s a throwback to the LS3/5a, a beloved, BBC-designed minimonitor for which KEF made the drivers.

Brent Butterworth Posted: Jul 03, 2013 1 comments

In my career as a reviewer, I've always focused totally on home and portable products, because other speaker categories seemed so different and I figured I couldn't be good at everything.

Brent Butterworth Posted: Oct 11, 2012 0 comments

The surest way to future success is to repeat your past successes. Like that line? I made it up. If you think it’s a lot of B.S., I present as irrefutable evidence the careers of Andy Warhol and Roy Lichtenstein. Also the Paradigm Millenia CT, a 2.1 speaker system based closely on the MilleniaOne, our 2011 Product of the Year.

Brent Butterworth Posted: Aug 16, 2011 0 comments

Since time immemorial (or at least the late 1980s), designers of compact subwoofer/satellite speaker systems have struggled against The Hole.

The Hole is the gap between the lowest note the satellites can play and the highest notes the subwoofer can play. The Hole can make voices sound thin, and can rob gunshots and other sound effects of their dynamic impact. But the usual methods for filling The Hole can cause worse problems than The Hole itself.

Brent Butterworth Posted: Dec 22, 2011 0 comments

It’s been a dream of audio engineers and enthusiasts for decades: Create a compact speaker system that performs like a big one.

Daniel Kumin Posted: Jul 19, 2011 0 comments

As a lazy musician (redundant, yes) with a bad back, it have nurtured an enduring fantasy, that of discovering a 3-inch-cube loudspeaker that weighs less than a kilogram but delivers the output of a 15-inch JBL D-130.

Mark Fleischmann Posted: Dec 29, 2011 9 comments

Build Quality
Price: $2,075 At A Glance: Compression Guide Technology enclosure • Top-to-bottom ease and authority • Sub controls in separate remote-controlled box

Longtime readers know I often revisit the same manufacturers in loudspeaker reviews. I like to see how speaker lines from the same crucible evolve and grow. The downside is that returning to the same brands cheats me (and you) of new experiences. So for this review, I found myself placing a call to Howard Rodgers of RSL Speaker Systems. I dialed his West Coast number at 10 in the morning East Coast time with the intention of leaving a voicemail—only to roust him out of bed, to my surprise and embarrassment. He told me a little about the company and the 5.1-channel speaker package I was about to review.

Darryl Wilkinson Posted: Oct 22, 2005 0 comments
Feed your hungry eyes and ears on an attractively entertaining meal of lean on-wall speakers and tender, choice electronics.

Whether by nature or nurture, I'm a speaker guy. I'm more captivated by speakers than any of the associated electronics in a home theater system. As a result of this singular infatuation, I've always believed, as a general rule of thumb, that you should allocate at least half of the total cost of the audio portion of your system to the speakers. I don't know why the math seems to work out that way, but, in my mind, it just does. So what am I to make of a system in which the Primare electronics cost twice as much as the Sequence/REL speaker package?

Mark Fleischmann Posted: Nov 08, 2014 Published: Nov 07, 2014 2 comments

Build Quality
PRICE $1,748

Versatile with movies and music
Superb build quality
Addictively listenable
Needs sub reinforcement

Like David in a world of Goliaths, Silverline Audio’s Minuet Supreme Plus is the kind of small speaker that makes listening to music an addictive pleasure.

Every January, I find myself walking down a hotel corridor lined with audio exhibitors. Sounds like the dream sequence from an audiophile movie, doesn’t it? I’m talking, of course, about the Consumer Electronics Show in Las Vegas. Pretty much every year, I pay a visit to Silverline Audio, and pretty much every year, the reward is sweet, involving sound. This year, that sound was coming from Silverline’s Minuet Supreme Plus. Remarkably, it was powered by one of those tiny Class T amps you can buy on Amazon for $30. Having reviewed the original Minuet in 2008—and having loved it—I was eager to hear what its successor would sound like in my system with a better amp.

Mark Fleischmann Posted: Feb 19, 2008 Published: Jan 20, 2008 0 comments
Don't underestimate the little guy. Guys.

One of the annual highlights of my career as an audio/video scribe is the Home Entertainment Show. The 2007 edition took place at the Grand Hyatt in New York, practically on top of the gorgeously renovated Grand Central Terminal. It was there that I became interested in Silverline, a California-based speaker maker that was displaying both their Minuet mini-monitor (say that ten times fast) and the slender, floorstanding Prelude. The temptation to try five Minuets in a surround system proved to be overwhelming.

Mark Fleischmann Posted: Jul 06, 2011 3 comments
Price: $1,398 At A Glance: Silk-dome tweeter with thermal protection • Race-car-inspired woven-fiberglass woofer • Sub’s passive radiators kill port noise

From Canada with Love

Canada has traditionally been a cornucopia of loudspeaker manufacturers. That isn’t exactly an accident. The Canadian government maintains a research facility in Ottawa with an anechoic (non-echoing) chamber that lures speaker designers like a garden lures honeybees. But Sinclair Audio’s roots are in Montreal, as is its Canadian distributor, Jam Industries, which began manufacturing, importing, and distributing musical instruments and other equipment in 1972 and expanded to include consumer electronics shortly thereafter. The company’s scope subsequently expanded to include lighting and audio equipment for concert, broadcast, and recording use. Sinclair is distributed in the U.S. by American Audio & Video. It’s sold via the same dealer network that handles Arcam, whose audio/video receivers and other products have attracted well-earned rave reviews in these pages.

Steve Guttenberg Posted: Jul 20, 2005 0 comments
Born in the U.S.A., Snell would love to build a set just for you.

Snell's new LCR7 speaker system stopped me in my tracks at last year's Consumer Electronics Show in Las Vegas. The look was so new and fresh, yet elegant, and there was just something about the way their aluminum ends set off the speakers' curves that spoke to me. Yeah, I'm a sucker for style; but, when I learned that the legendary speaker designer Joe D'Appolito had a hand in creating these snazzy Snells, I was hooked. I doubt there's another designer with more name recognition—he lent his name to the ubiquitous woofer-tweeter-woofer arrangement—a.k.a. D'Appolito array—way back in the early 1980s. His goals for this new generation of Snells were disarmingly straightforward: to have them play loud with low distortion, provide an amplifier-friendly load, and produce razor-sharp imaging. Even a cursory audition of an LCR7 speaker will prove that Joe D'Appolito isn't resting on his laurels.


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