It’s an intriguing concept: Get a number of recordings artists who made their initial impact in the 1980s to record new music in the style of that decade for Fly: Songs Inspired by the Film Eddie the Eagle (UMC), an album to accompany a movie directed by Matthew Vaughn (X-Men: First Class, Kingsman: The Secret Service) and starring Hugh Jackman and Taron Egerton about the titular, underdog British ski-jumper who gave his all at the 1988 Calgary Winter Olympics. Among those up for the challenge were Andy McCluskey and Paul Humphreys of OMD, a.k.a. Orchestral Manoeuvres in the Dark, who collaborated with project coordinator Gary Barlow on a vibrant throwback track, “Thrill Me.” McCluskey, 56, called from across The Pond to discuss the genesis of “Thrill Me,” why electronic music continues to thrive and how OMD get modern/retro synth sounds, and wrestling with the concept of streaming. It’s the ultimate discovery.
AT A GLANCE Plus
Excellent build quality
Gloss finish needs careful handling
Paradigm achieves affordable high-end in the Prestige 75F towers thanks to a beautiful design with furniture-grade finish and reference-quality sound.
With its tall-and-narrow rectangular cabinet, front-mounted drivers, rear-firing port, and cloth grille, Paradigm’s Prestige 75F is the quintessential tower loudspeaker. Fans of new driver types, exotic cabinet designs, the rarest of rare-earth metals, and de rigueur built-in powered woofers might be tempted to pass by (especially when the grille is attached), much as I did figuratively when a pair of the towers arrived.
AT A GLANCE Plus
Three gain settings
Heavy build and discrete components
No touchscreen or apps
No input for DAC use
Although short on some bells and whistles, the Questyle QP1R is a dedicated music player that offers four-figure sound and build quality at a three-figure price.
If you had chucked me into a time machine a decade ago, freed me today, then handed me the Questyle QP1R, naturally I’d mistake it for an iPod on steroids. With that clickwheel, it’s got to be an iPod, right? You’d have to explain to me that what Questyle calls the steering wheel isn’t identical to Apple’s clickwheel; here, the functions are divided differently among the wheel, its big central button, and the four vibrating touch-sensitive buttons around it.
If the rumors hold true, the next iPhone, iPhone 7 or whatever Apple calls it, will not have a headphone jack. As Chicken Little noted, "The sky is falling!" Or is it? Is it possible, just possible, that losing the headphone jack could net us a nice step forward in audio playback quality?
It’s been no secret up to now that calibrating a display for high dynamic range (HDR) is a work in progress. But the recent release of an HDR10 workflow for CalMAN 2016 (the newest software from SpectraCal) promises to change that. CalMAN is widely used by calibrators and reviewers to optimize display setup.
HDR10 is one of the two most prominent HDR formats (though there are others lurking around looking for a niche). Both of these formats require specialized, and different, calibration techniques. A CalMAN workflow for the other format, Dolby Vision, has been around for several months.
But most UHD/HDR sets offer HDR10, as do all UHD Blu-rays to date, making an HDR10 calibration perhaps even more significant...