Video projectors keep getting smaller, lighter, and better looking—especially from companies like <A HREF="http://www.infocus.com">InFocus Corporation</A>. InFocus choose the recent INFOCOMM show in Las Vegas, held June 13–15, to debut the new LP530 digital video projector, which incorporates Sage's FLI2200 deinterlacer. The FLI2200 is the world's first 10-bit single-chip motion adaptive deinterlacer, with Faroudja's deinterlacing and post-processing algorithms to convert standard interlaced video signals into progressive scan signals. The resulting image is said to be among the best available, with an absolute minimum of motion artifacts, flicker, or color irregularities.
Sony's XBR series TVs have a devoted following, but some of the sets in the line tend to be priced higher than models with similar features from other set-makers. So if you're an XBR fan who is in the market for an HDTV with a really big screen, you'll be pleasantly surprised by the price of Sony's new 65-inch rear-projection HDTV monitor.
Stroll through any large store that sells audio and video equipment, and it's mind-numbing how similar the products in each category look. If you close your eyes, point to any receiver or DVD player, and guess "black and boxy," you'll almost certainly be right.
Conventional wisdom dictates that there are good reasons why A/V design is so homogeneous.
Convergence has taken another step forward with the newest offering from Princeton Graphics Systems. On June 13, the display and monitor maker introduced its Ai3.2HD, a 32" flatscreen CRT with HDTV compatibility and interactive television features.
Many home theater fans use in-wall speakers for rear/side channels. Some even use them for the front channels as well. It's a space saving strategy, but one fraught with acoustic problems, the most prominent being the unpredictable nature of the "bay" into which the in-wall speaker is installed. Is it big or small, empty or stuffed with insulation? These factors make a huge difference in the performance of typical open-back in-walls.
Backward-compatibility can come at the expense of innovation, as we learned from the failure of the Digital Compact Cassette in the early '90s. The DCC format enabled a new generation of hardware both to record digital tape cassettes and to play standard analog cassettes.
"Point and click" may be the World Wide Web's catch phrase, but it could just as well apply to Canon's ES8200V Hi8 camcorder. Thanks to its six programmed auto-exposure modes, capturing the action isn't much harder than aiming and pushing a button.
The first time I heard Everyday, I thought it was terrible, a train wreck of Led Zeppelin, fusion, and grunge. The material seemed contrived, formless, and prickly. And then I kept listening, adapted to it, and rather grew to like it.
Film director John Waters will lead off the <A HREF="http://www.dvdconference.com">DVD Entertainment 2001 Conference & Showcase</A>, to be held August 22 & 23, 2001 at the Hilton Universal City & Towers, in Universal City, CA. Conference organizers announced on June 5 that Waters would give a keynote presentation entitled "From the Lens to Plastic: A Typically Unorthodox View of DVD," detailing how the format has brought his work to a new audience.