The room-correction band-wagon is already rolling across the home theater plain, and it's rapidly gaining momentum with each new batch of model releases. Several products, from the highest-end pre/pros to the lowest-end receivers, are touting room assistance these days. This is hardly surprising—in fact, the more-surprising part is that it's taken this long for the broader run of electronics manufacturers to embrace the idea. After all, room interaction will always be the single most important factor, by far, in making an audio system sound right in its particular listening environment. Naturally, it's in the manufacturer's best interest to provide as much help as possible. Fair or not, the vast majority of users are going to blame the product, not the room, when they hook up their system and it doesn't sound good. Considering the challenges that the vast majority of users' listening environments are going to present, it's easy to see why even a little correction could go a long way.
In March of 2003, we had a plasma Face Off that featured eight displays. What surprised us all was that the clear winner was not the brightest, nor the one with the most resolution. In fact, of the mix of budget and midlevel 42-inch plasmas, the winner was an enhanced-definition set with the second lowest price of the bunch. It was a Panasonic, and it won for the same reason that this plasma is so good: black level.
As the transition from analog to digital TV chugs along, there have been some significant advances in the design and performance of set-top receivers. The earliest models, from 1997 to 1998, including RCA's DTC-100 and Panasonic's TU-DST50W, were fairly large, heavy boxes painted an imposing dark gray that had a limited amount of functionality and weren't all that sensitive to terrestrial 8VSB digital TV broadcasts.
The sleek, silver LST-3410A offers an attractive combination of performance, functionality, and features, including both ATSC and NTSC OTA tuners; a QAM tuner for unencrypted cable channels (not tested); a 160GB hard-disk recorder; and the easy-to-navigate, feature-packed TV Guide On Screen program grid.
TacT is a company with a mission. Their amps are all digital, and their 2-channel and AV preamplifier-processors are dedicated to solving the single biggest puzzle in home audio reproduction: the effect of the room.
Ever since they first appeared, I've been a big fan of DVD recorders. You can jump to any point almost instantly, and the discs take up much less shelf space than VHS tapes. The only problem is the limited amount of material that will fit on one disc: At the highest-quality setting, you can record only one hour on a single-layer DVD.
Of all the subwoofers I've reviewed over the years, the one I remember as being the most satisfying overall is the Bag End Infrasub-18. It went lower than any sub I've had in my system, and its integration with the main speakers was the most natural. At any level that I could tolerate, the low bass had an authority that left other subwoofers sounding just a bit strained.
Canadian speaker manufacturer Paradigm Electronics is but a 90-minute drive from Niagara Falls, New York, home of the classic heart-shaped-tub honeymoon suite. The few months I spent with the Paradigms were a honeymoon of sorts. An Armenian and a sextet of Canadians—and they said it wouldn't last! Now, after two months, the honeymoon may be over—but will the magic go on?
New Acoustic Dimensions, aka NAD, has been building reliable, affordable, good-sounding audio equipment for well over a quarter of a century. Anecdotal evidence: My NAD 7225PE receiver, 20+ years old, is still working perfectly as the heart of my garage workshop audio system.