AV Receiver Reviews

Audio Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Modularity allows upgrades
Dirac room correction
BluOS audio streaming
Atmos 7.1.4 capable with external amplification
Minus
Only three HDMI inputs
No DTS:X (yet)
Dirac execution more complex than most auto room EQ

THE VERDICT
NAD’s modular-upgrade strategy endows V3 of the T758 with bleeding-edge room correction and audio streaming without impairing its excellent sound.

Why on earth would a magazine devoted to the latest and greatest in surround sound review a receiver that made its debut in 2011? Seven years in receiver years is—well, a lot of years. But the NAD T758 V3 is not some old wheezer on its way out. The company’s Modular Design Construction allows the addition or swapping of slide-in modules offering new connections or features. “Instead of planned obsolescence,” the company says, “we have planned evolution.”

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Impressive dynamics and clarity in both stereo and multichannel
Quick-response onscreen interface
Four-zone multiroom capability plus wireless MusicCast
Excellent, responsive streaming-audio client
Minus
Remote control is crowded and not illuminated

THE VERDICT
Fully competitive with other flagship AVRs in basic performance, the Yamaha RX-A2070’s proprietary DSP music listening modes are an added attraction that could win over even the most serious listeners.

Once, receivers used to receive (radio waves), and amplify, period. They still do, but those are almost beside-the-point functions. Receivers nowadays are more concerned with decoding, casting, wireless-connecting, virtualizing, surround-formatting, multi-room-extending, auto-analyzing, and more. In fact, I don’t know why we still call these things “receivers,” but, whatever.

Audio Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Satisfying power for both two-channel and multi-channel modes
3.1.2-channel Dolby Atmos/DTS:X setup option with phantom surrounds
Surprisingly responsive home-network streaming
Basic auto-setup/EQ on board
Minus
Five-channel power requires choice between height or rear channels
No analog multiroom capability
No audio outputs other than HDMI

THE VERDICT
Good five-channel power, 4K/HDR readiness, excellent streaming responsiveness, and phantom-rear-channel Atmos give this affordable AVR its distinct attractions.

Everybody knows what to expect from a flagship or cruiser-class A/V receiver: top-bracket power of 120 watts per channel or more, with nine, 11, or even 13 channels ready for latest-generation surround technologies like Dolby Atmos and DTS:X, as well as hightech auto-setup routines and DSP on board. And then there are the deluxe extras, such as extensive multiroom capabilities, 4K/HDR passthrough and 4K scaling, and plenty of internet- and computer-audio streaming options. But what can you expect from the other end of a brand’s AVR fleet? Not so much, right?

Audio Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
App-driven HEOS eco-system
Up to 5.1 channels
Wireless HEOS surround and sub options
Minus
Nearly no front-panel controls
No low-volume mode
No Dolby Atmos or DTS:X

THE VERDICT
The Denon HEOS AVR reimagines the black-box receiver as a sleek, shapely, app-driven beauty that leverages the home network to provide wireless sub and surrounds.

Having successfully developed their own wireless ecosystem under the HEOS brand, Denon is using it to reinvent the audio/video receiver. What the company calls the HEOS AVR departs from the black-box norm by offering suave dove-gray aluminum as an optional alternative to the usual black. It isn’t a box, either, or at least not a pure rectangular solid, thanks to a diagonally split, convex front panel. Whereas other A/V receivers wear lots of buttons or conceal them behind a flip-down door, the HEOS AVR has a front panel that’s pointedly devoid of any controls except a large metal volume dial. And in lieu of a front-panel display, it has only a large horizontal LED stripe in the HEOS style for volume and status. This isn’t just another receiver. It’s a deliberate provocation.

Audio Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Nine amp channels
HEOS multiroom compatibility
Audyssey, ISF, Control4, Crestron
Minus
No PC-friendly USB jack

THE VERDICT
The Marantz SR7011 is a state-of-the-art receiver with excellent room correction, fine overall sound, and the potential for HEOS multiroom extension.

The D+M Group was formed in 2002 with the merger of Denon and Marantz, each a powerhouse in A/V receivers and other audio categories. Through several changes of ownership, the two brands have remained distinct, with different cosmetic looks, slightly different feature sets, and slightly different voicings; each team has its own sound-tuning engineers and expert listeners. But as a reader once pointed out, popping the lid on comparably priced models from the two brands may reveal a close kinship in circuit layouts, suggesting certain economies of scale. And the new top-of-the-line AVR from Marantz further mimics its sister brand by adopting HEOS multiroom connectivity, a feature previously associated with Denon. Our review sample of the receiver arrived with Denon’s HEOS 7 and HEOS 1 speakers, and we put them through their paces together.

Audio Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Nine amp channels, 11.2 (7.2.4) pre-outs
Automated angle and height calibration
Minus
No Auro-3D

THE VERDICT
Yamaha’s new flagship receiver packs nine amp channels into a well-built package.

Buying an A/V receiver has always been a challenge, even to the well informed. Incoming technologies add still more complexity. Sometimes, however, they also generate new priorities and narrow your choices. Sure, Dolby Atmos and DTS:X require you to add more speakers and make your system more elaborate. But if you want to run those formats in their most effectively enveloping configurations, your shopping expedition for a receiver has suddenly become a lot simpler.