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3D BLU-RAY MOVIE REVIEWS

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Kris Deering Posted: Dec 24, 2010 0 comments
Vying for the title of "World's Greatest Villain", Gru - along with his hilarious crew of mischievous minions - plots to pull off the craziest crime of the century: steal the moon! But when Gru enlists the help of three little girls, they see something in him nobody else has ever seen: the perfect dad.

So far this is the only 3D Blu-ray that has been a bit troublesome with playback. While the image has plenty of punch in contrast and rich color, it has ghosting issues that are prevalent throughout the movie. I have over a dozen other titles in 3D and none exhibit anywhere close to the amount of ghosting problems I see with this disc. I even checked it on a few other 3D displays with the same results. While this doesn’t make the film unwatchable, it can be a distraction in an otherwise solid HD presentation. The DTS-HD Master Audio soundtrack is also quite fun with inventive sound design and plenty of great surround effects.

Thomas J. Norton Posted: Jul 26, 2010 0 comments
1010sdsoft.cloudymeat.jpgFlint Lockwood has been obsessed with science and inventing since grade school. He lives on an isolated island that has long since lost its vitality when the sardine trade, its major industry, went under. But Flint has a plan that could change all that, with the Flint Lockwood Diatonic Super Mutating Dynamic Food Replicator, or, as Flint puts it, FLD SM DFR (flid sim difur) for short. It turns water into food.

The invention accidentally rockets into the stratosphere, where it remains fixed over the island, soaking up the plentiful water from passing clouds. Soon hamburgers begin to fall from the sky, complete with all-beef patties, special sauce, lettuce, cheese, pickles and onions on a sesame-seed bun. And that’s just the beginning. At first it’s manna—or at least Big Macs—from heaven, but things quickly spiral out of hand. The town’s ambitious mayor starts living large in more ways than one and turns the town into an all-you-can-eat cruise ship buffet.

Thomas J. Norton Posted: Jul 26, 2010 0 comments
1010sdsoft.monstersaliens.jpgEarth is threatened. Galaxar, a four-eyed, tentacled, interstellar bad guy, is headed our way in search of his lost Quantonium, which it seems is even more valuable than Unobtainium. To make things worse, the Quantonium has landed on earth, struck a bride-to-be named Susan, and turned her into the proverbial 50-foot woman, much to the horror of her groom and wedding guests. She is thrown into an Area 51–like prison, where other monsters have been squirreled away from the public for decades. Out of options, the U.S. president recruits the monsters as Earth’s best hope for survival.

If all of this seems to be straight out of the usual Bruckheimer-Bay-Emmerich mold, it isn’t. Instead, it’s one of the funniest computer-animated films of recent years. Galaxar is a hoot. “People of Earth, I mean you no harm,” he proclaims. “But you’ll all be either dead or enslaved in 24 hours. Don’t be angry; it’s just business.” Susan discovers that she can do better than her egotistical fiancé, and the other monsters prove to be both endearing and fascinating.

Thomas J. Norton Posted: Jul 26, 2010 0 comments
1010sdsoft.coraline.jpgCoraline Jones is a lonely little girl. She has just moved into a creepy old house, has no real friends, and her parents are so preoccupied with their work on a gardening catalog that they have no time for her. But she soon discovers a small, papered-over doorway in the living room. It leads to another universe—similar to her own but different in important ways. Her “other” parents in that universe are devoted to satisfying her every whim. Her only new friend there doesn’t talk much (actually, not at all), the neighbors who share the old, subdivided house are fascinating rather than merely eccentric, and everything is colorful and fun.

All is not what it seems. Coraline is, at its core, a bloodless horror story. Much like the recent computer-animated film 9 (the first post-apocalyptic sock-puppet movie, and another dynamite audio/video transfer), it gets under your skin in ways that animated fare rarely does and could seriously frighten young children. It also uses stop-motion animation as refined by stop-motion expert Henry Selick (The Nightmare Before Christmas, Monkeybone, James and the Giant Peach).

Thomas J. Norton Posted: Jul 26, 2010 0 comments
1010sdsoft.iceage.jpgAs the third installment of the Ice Age franchise, you’d expect the latest adventures of our odd herd of prehistoric mammal friends—Sid the sloth, Manny and Ellie the wooly mammoths, Diego the saber-toothed tiger, Crash and Eddie the possums, and (off on his own as usual) everyone’s favorite latter-day Coyote, Scrat, the squirrel-rat. Scrat’s role has grown with each entry in the series, and here he gets a love (or rather love-hate) interest in Scrattle, a challenge to his acorn obsession.

The main attraction, and what makes this film the best of the three Ice Age movies, is clear from the title. It’s hard to make a bad movie featuring dinosaurs (although the recent remake of Land of the Lost took its best shot). Dinosaurs disappeared long before wooly mammoths walked the glaciers, but as they appear here in a sort of lost-world environment, we can forgive this bit of creative license.

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