Adam Audio is a virtual unknown in the home theater world, but their monitors grace a good many recording studios across the land. The company came to CEDIA with their new GTC (Grand Theatre Components) speaker line, which features an unusual modular construction. Look closely at the picture and you'll see that the driver pods are modular and on their own screw-down plates. This allows the mid/tweeter cluster to be reoriented for L/R or center channel duties, insuring that the proprietary Heil-style ART (Accelerating Ribbon Technology) planar tweeter is always optimal for the application. The design also allows the plate to be physically moved from the top of the speaker to the center location for center channel use. Likewise, in situations where the speakers are mounted into a faux wall (as they are here) or behind wall fabric, the mid/tweeter can be repositioned to better ensure ear-level placement. The three models are all ported cabinet designs but only the top two, the GTC77 and GTC88 (just a bigger versioin of the 77) feature the modular construction. All three cabinets average about a foot deep. The GTC77, with an X-ART tweeter, 4-inch midwoofer and two 7-inch subwoofers is expected to start shipping soon at around $1,500 to $2,000 retail.
NAD was at the show with a slew of new products, among them a revamped 4-model AV receiver line: the T 748 (100 watts x 7, $900), T 757 (120w x 7, $1,600), T 777 (140w x 7, $3,000), and the flagship T 787 (shown here, 200w x 7, $4,000). The big news for enthusiasts is that NAD's future-proof MDC design has moved down in the line and now begins with T 757, the lowest price yet for an MDC receiver. MDC stands for Modular Design Construction and allows the unit's input/output circuitry to be user-updated as needed over time to swap in new HDMI versions or introduce new flexibility. Portions of the receiver's jack-pack are on slide-in/screw down modules that can be changed from the rear panel. Home Theater's review of the T 757 is coming soon.
Monitor Audio and NAD both showed high-end, high-performance iPod docks at the show that take straight aim at B&W's successful $600 Zeppelin iPod dock. NAD's VISO 1 is a $700 model that has PSB's renown speaker designer Paul Barton behind it and plays music from a mounted iPod or via a lossless Blutooth connection. Meanwhile, Monitor's Technical Director Dean Hartley is the brains behind that brand's new two-model i-deck series.The i-deck 100 ($499) is the more compact unit with a pair of the company's 3-inch C-CAM bass drivers and two 3/4-in C-CAM Gold metal dome tweeters. The iDeck 200 ($599) is the flagship, with a pair each of 4-inch woofers and 1-inch tweeters. Both offer a clever automatic EQ system in which a built-in microphone picks up three bass tones sent out when you first power the unit up, allowing it to detect its proximity to room boundaries and adjust the bass accordingly. Given the engineering talent behind the Monitor and NAD docks, it's no surprise that both sounded pretty good for an iPod dock, even on a crowded show floor.
Sanus showed off a revision of its value-priced ready-to-assemble Basics Series furniture line with an attractive new feature: tool-less construction. Really, not even a screwdriver. The screws and screw cams/posts of yesteryear have been replaced with a combination of internally hinged parts (such as drawers) that are already partially constructed and simply fold out to their final shape, and easy-to-use lever cams that pull the final pieces together and hold strong. The new designs both speed and simplify construction—something to celebrate if you've ever pieced one of these together the old way.
Manufacturers of control systems and many other products have embraced the iPad in a big way, building apps that turn these small flatpanel computers into easy-to-use, high powered touchscreen controllers. But the iPad's (or iPhone's) strength as a do-it-all device is also a weakness if you're going to use it as a remote control. The reality is that these multipurpose machines can be quite inconvenient if at the moment you need to switch an input on your receiver or press the Pause button for your disc player your tablet isn't woken up, unlocked, and running the correct page of the control app in its open window. And that assumes the device hasn't walked away altogether with another family member who needs it for web browsing or a round of Fruit Ninja. RTI's solution, believe it or not, is a second inexpensive remote to keep around as a backup. The new SURFiR ($149, shown next to the iPad) is an option for anyone using one of RTI's controllers and the company's RTIPanel app for Apple iDevices. Unlike the company's usual remotes, the SURFiR requires no programming, and system commands you execute with it automatically update the RTIPanel display—the two track each other. Apps are great, but if you're busy looking at email and just want to make a quick volume adjustment, the SURFiR companion remote is intended to provide quick, easy, tactile control at low cost.
Canadian audio manufacturer Bryston Ltd. was showing off its soon to be released SP3 surround processor at CEDIA 2011. Taking a purist approach, there's no video processing to potentially muck up the audio signal, but the unit provides convenient HDMI v1.4 video pass through from each of seven HDMI inputs, and should a higher HDMI version ever be required, modular construction insures that a factory upgrade can do the trick. The prototype on display was a 7.1-channel model that decodes all the latest Blu-ray codecs and steers the audio to either balanced or RCA outputs. There's also a pair of AES/EBU inputs and a USB input along with the usual mix of analog and digital stereo inputs. Bryston sales VP James Tanner said the SP3 uses all discreet Class A circuitry in its analog stages for optimal sound quality, and great care was taken in the circuit topology to keep incoming video signals away from the audio, including dedicated power supplies for the video and audio circuits with no shared common grounds. Price is expected to be $9,500 when the SP3 ships at the end of September.
Have you been throttled lately? If you have, Home Theater wants to hear about it.
Okay, I'll explain.
In this brave new world where streaming media from the likes of Netflix, Vudu, and Hulu have virtually eliminated video rental stores and threaten to carry away our beloved reference-qualty Blu-rays on a river of rushing bits, the notion of "internet access" takes on new meaning. The capacity of the data pipeline running into our homes affects both the quality and quantity of the video content we can download, not to mention our ability to upload, store, and share our personal media in the Cloud.
And on this front, I'm afraid all is not well in Streamville...
Take a deep breath and inhale that acrid air, my friends. No, it's not the wildfires burning out west this season, but the stench of fuming Netflix customers as they cancel their subscriptions in droves following the announcement Tuesday of a startling 60% rate hike for the company's popular streaming/DVD combo plan.
Like most Home Theater readers, I’ve known SRS Labs primarily as the company that does virtual surround sound and other audio solutions for HDTVs and soundbars—features largely dismissed by serious enthusiasts as lightweight hocus-pocus. So it was with some skepticism that, back in March, I rolled into the firm’s Santa Ana, California, headquarters for a private demo of some new surround sound technology.
It’s a given that most readers of Home Theater are that guy—the one friends and family call when they need a new HDTV. But it doesn’t stop there. Because after your 82-year-old grandmother finally tosses out that old Sylvania console and buys a 52-inch LCD on your expert recommendation, you still have to help with the picture settings. We can’t have nana blowing out her sensitive retinas on the factory torch mode, now can we? Oh, what those eyes have seen...