Don't buy this receiver if you have a bad back, a rickety rack, or a bulging credit limit. Because Denon's latest flagship, the AVR-5805, is as tall as many receivers are deep, as deep as many are wide, as heavy as a pair of many other flagship models - and as expensive as a two-year-old Kia.
As seems usual for Onkyo, the TX-SR605 showed just how technically accomplished mass-produced electronics can be today, with perfectly flat frequency response and perfect D/A linearity to -90 dB (and beyond). Both are as good results as I've measured, and while my memory isn't infallible, I believe this to be the first time these two particular aces have been drawn by the same unit.
Quick, name a Canadian A/V receiver maker! Yeah, I couldn’t either — until now. Anthem, the north-of-the-border firm best known for its “Statement” Series reference-grade A/V preamp (and power amps), has finally merged the two forms into a single new element: the MRX family of A/V receivers.
It’s a fact of modern life. The higher you climb in the high end of anything, the less, at least in one sense, you will get. You will find, I believe, few gargoyles on buildings designed by I.M. Pei, and even fewer rear-seat DVD screens in Paganis.
You can’t get much plainer than Outlaw’s new Model 975 preamp/processor. With its unadorned black chassis and fascia and plain white lettering, the 975’s un-cosmetics speak of a component conceived to do a job, completely and effectively, and to otherwise stay the hell out of the way.
I encountered no glitches or surprises while testing the Sunfire Theater Grand Receiver 3. Power output was consistently among the highest I have measured from a multichannel receiver, and its 165 watts (22.2 dBW) per channel with 5 channels driven represents a clear benchmark for the category (3 to 4 dB greater than flagship receivers from many other manufacturers achieve).