Chris Chiarella

The year is 1942, and Max (Brad Pitt) is a Canadian working with British Intelligence deep undercover in French Morocco, teamed for the first time with Marianne (Marion Cotillard), a cunning operative for the French Resistance. Together they face incredible danger and the sad realities of the life they’ve chosen, only to fall in love. Back in England, they find themselves married with a child while the war still rages, but Marianne is suddenly the target of suspicion: Could this woman who has so dutifully risked her life in service to the Allies possibly be a spy for the Germans? With his entire family at stake, Max sets out to uncover the truth, a perilous journey with some unexpected, unwelcome twists.

The brave, spirited non-princess of the title is still learning how to lead her village when a when a mysterious curse befalls their island. Despite a lifetime of warnings from her father the chief, she sets sail upon an epic journey to save her people, seeking the help of a misunderstood demigod along the way. A tale of destiny, selflessness, and family, Moana is filled with beauty, magic, and wonder and is among the very finest films to ever come from Disney.

When a gaggle of gigantic, otherworldly objects parks itself at various points around the Earth, life as we know it is paused while collective humanity figures out our next move. Our finest minds—tempered by the military—seek to determine the mysterious visitors’ even more mysterious purpose, leaving us with the complicated business of learning how to communicate with them. The best hope is brilliant language professor Louise Banks (Amy Adams), who is tasked with deciphering a bizarre form of “speech,” impossible for humans to emulate. But if she doesn’t make meaningful contact, and soon, all hell might break loose, with no guarantee of how such a conflict would end.

Rachel (Emily Blunt) is a lost soul who eases the lingering pain of her divorce with ample doses of alcohol, particularly on her daily rail trips to and from Manhattan. Her only diversion is an elaborate fantasy about someone she sees from her moving window, Megan (Haley Bennett), and projecting all of her longing onto this stranger. And then one day Rachel spies Megan doing something she ought not to, threatening the idyllic life the voyeur has imagined for her. She even goes so far as to attempt a confrontation with Megan, but it quickly becomes a boozy blur of violence.