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Daniel Kumin Posted: Jun 05, 2001 0 comments
At some future date, someone, somewhere, will come up with a bigger, heavier, more powerful, and more fully featured A/V receiver than the one reviewed here. But until then we'll just have to make do with Denon's AVR-5800 - all 62 pounds, 1,190 watts, and seven THX Ultra-certified channels of it.

Daniel Kumin Posted: Apr 30, 2005 0 comments
Don't buy this receiver if you have a bad back, a rickety rack, or a bulging credit limit. Because Denon's latest flagship, the AVR-5805, is as tall as many receivers are deep, as deep as many are wide, as heavy as a pair of many other flagship models - and as expensive as a two-year-old Kia.
Daniel Kumin Posted: Feb 18, 2009 0 comments
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Daniel Kumin Posted: Sep 29, 2016 6 comments

Audio Performance
Features
Ergonomics
Value
PRICE $1,499

AT A GLANCE
Plus
Very solid amplifier performance
DTS:X, Dolby Atmos on board with seven-channel power and nine-channel processing
Good streaming-audio client performance and ergonomics
Minus
Ho-hum remote
Firmware/feature upgrade process is clumsy

THE VERDICT
Denon’s latest-generation upper-echelon AVR does all of the most current modes, sources, and processings very competently indeed, with ample audio power and fully up-to-date video abilities.

Full disclosure: Denon holds a special place in my hi-fi heart, because the brand’s former parent company, Nippon Columbia, brought me to Japan for my first time, on a sort of mini–press junket cooked up by the firm’s U.S. marketing guru. When I say mini, I mean it: It was just myself; Ken, the marketing guy; colleague Ken Pohlmann; and the late consumer electronics editor Bill Wolfe, whom I already knew well through long associations at titles like Video, Car Stereo Review, and (Plain Ol’) Stereo Review (S&V’s precursor).

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Daniel Kumin Posted: Nov 19, 2014 6 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $1,999

AT A GLANCE
Plus
Dolby Atmos surround
4K-ready/upscaling with HDMI 2.0
Nine channels of flexible power
Top-tier Audyssey room/speaker correction
Minus
No HDCP 2.2 for future UHD content
Fairly basic supplied remote
Some mode-selection options a bit cumbersome

THE VERDICT
Outstanding audio capabilities and thoughtful ergonomics underpin our first Dolby Atmos–capable A/V receiver.

It’s been several years since I’ve had the opportunity to “do” a big Denon A/V receiver. So when a sample arrived of the company’s behemoth AVR-X5200W, one of the very first receivers ready to decode and distribute Dolby Atmos in a home theater setting, I was ready to begin. Atmos is the San Franciscans’ latest, “object-based,” scalable-multichannel surround format.

Daniel Kumin Posted: Sep 21, 2003 0 comments
Photos by Tony Cordoza My old man told me I'd get nowhere trying to be all things to all people, but Denon appears to have done pretty well by flouting this adage with its new DVD-2900. (I always knew Dad was full of it.) It plays optical discs in just about every current video or audio flavor.
The Short Form
$1,199 / USA.DENON.COM / 201-762-6665
Snapshot
Daniel Kumin Posted: May 07, 2010 0 comments

Earthquake Sound's origins are deep in the world of 12-volt (that's car stereo to you and me), where they take their bass, and their SPLs, very seriously. So while I was a bit dismayed by the size of the carefully shrink-wrapped pallet that its Titan Telesto-based speaker system arrived on - it could easily have contained a whole-house stand-by-generator - I was not particularly surprised.

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Daniel Kumin Posted: Dec 23, 2015 0 comments

Debut F5 Speaker System
Performance
Build Quality
Value

S10EQ Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,470 as reviewed

AT A GLANCE
Plus
Superb sonics, neutral tonal balance
Decently finished, simple look
Unapproachable value
Minus
Some off-axis center-channel tonal shift
Audible thump on sub’s auto turn-off

THE VERDICT
Elac’s Debut series reintroduces a near-forgotten brand with a design by a well-known name—Andrew Jones—and a value/performance factor to be reckoned with.

As longtime S&V readers have doubtless come to understand, I believe that cheap, as Gordon Gekko definitely did not say, is good. Any $10,000 pair of loudspeakers makes me vaguely uneasy, while a $50,000 pair leaves me ready to join the Che Guevara Brigade and start lining up oligarchs. So the arrival of a new family of cheap—err, high-value—serious loudspeakers from Elac U.S., designed by tech’lebrity engineer Andrew Jones, caused a certain amount of excitement hereabouts. (For more on Elac and Jones, see “Man on a Mission”.)

Daniel Kumin Posted: Jun 23, 2015 23 comments

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $2,499

AT A GLANCE
Plus
Dirac Live speaker/room EQ
Highly flexible setup and automation options
Division I sound quality
Async-USB DAC input for streaming playback
Minus
Only one Dirac curve-set at a time can be loaded
Requires personal computer for setup; no onboard auto calibration

THE VERDICT
A noteworthy addition to the high-end preamp/processor ranks, with Dirac Live a fascinating, must-hear plus.

Talar du svenska? Emotiva does. Enough Swedish, at any rate, for the Tennessee tenderer of direct-to-consumer A/V gear to bake Swedish firm Dirac’s speaker/room-correction DSP into its new preamp/processor, the long-awaited XMC-1.

If you’ll forgive a Miller analogy, Dirac is to Uppsala University as Audyssey is to USC: Dirac, too, evolved out of original academic electroacoustics research—although USC’s weather is better, and I’m pretty sure the Trojans could take the Swedes on the gridiron.

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The Short Form
$4,650 / DYNAUDIO.COM / 630-238-4200
Snapshot
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