When it was released in 1998, <I>Elizabeth</I> (HD DVD) was nominated for a bushel of awards, but most of them went to a competing Elizabethan drama, <I>Shakespeare in Love</I>. The latter was more accessible, crowd-pleasing, and fun. <I>Elizabeth</I> on the other hand, was a dark take on the early years of Elizabeth I, with the emphasis on the international intrigue and court politics that both preceded and followed her accession to the throne.
Energy has long been one of my favorite speaker companies, not least because of my long term reference Energy Veritas v2.8 speakers, circa 1994 (an eon for an audiophile to favor anything). But the brand has fallen on hard times since its acquisition (along with Mirage) by the Klipsch Group. Hopefully better days are ahead. There are, apparently, some new Veritas models in the lineup, but you'd never know it from Klipsch's CES kiosk that features subwoofers and soundbars.
Epson launched several new projectors at CEDIA. The most exciting was the flagship PowerLite Pro Cinema 7500UB ($5000, December). Demonstrated with both standard 16:9 material and 2.35:1, the latter with the optional anamorphic lens ($6000) on a 101.5" wide, 2.35:1 Stewart Studiotek 130 screen, it looked superb--probably the best projector I saw at the show at its price or less, and competitive with some far more expensive designs. Blacks were excellent, too, particularly since this LCD design was demonstrated without any help from its dynamic iris.
Epson had this prototype of a new 1080p LCD projector on static display, but not on demonstration. The PowerLite Pro Cinema 1080p uses the company's newest D6 C2 Fine LCD panels. No price or availability date was announced.
Epson has become well known as a major producer of high quality, relatively affordable LCD projectors. Now, using its expertise as a premier imaging chip producer, it has produced an offshoot of LCOS, which differs in that it grows the active elements onto quartz rather than silicon. The result is a reflective LCD, or in Epson's words, RHTPS, for Reflective High Temperature Polysilicate.
Epson demonstrated its top of the line ProCinema 7500UB LCD projector at CEDIA. It looked excellent there, but after undergoing further refinements to smooth out some pre-production wrinkles, its finally ready for prime time, with one of the best-looking images at the show. With a claimed native contrast ratio of 6000:1, it didn't appear to need the help of a dynamic iris (though it has one) to produce convincingly deep and rich blacks. Worked great with an anamorphic lens, too, on a 101" wide Stewart Studiotek 130 projection screen. The projector uses an HQV REON processor, has a full color management system, red, green, and blue-only modes for setup, and a claimed tight color alignment of the three panels. The best part may be the $4199 price.
Epson made quite a splash at last year's CEDIA with a demo of its first LCOS projectors. The company actually refers to their version of this technology as 3LCD Reflective—essentially the same thing as LCOS, though I recall that they noted in 2010 that they were liquid crystal on quartz rather than on silicon.