Thomas J. Norton

As with the Thiels, we mentioned these Sony speakers earlier in this report. But also like the Thiels, they deserve another mention. No other speakert impressed me as much as this one did at the show. I'm enough of a show veteran to realize just how much the room, associated components, and program material can effect the sound of a system, but under the conditions in the Sony room, in a 2-channel setup (four of the speakers were also being used in a surround system in a different room) they impressed me about as much as any speaker ever has at a trade show. The sound was punchy, dynamic, and full-bodied without being overblown. And they made both modern and classical music sound real—few speakers can do as well on both.

The SS-AR1's (I sense an homage in that name) have been on the market in Japan since 2006, but have recently been upgraded in the voicing and crossover department.

But will we ever see them for sale here in the states? Possibly, but this show appeared to be a trial run to judge dealer interest. That's been a problem with Sony speakers in the past, and there have been some very good ones. High-end dealers are reluctant to take on Sony speakers, and Sony dealers are reluctant to take on speakers this expensive—currently about $27,000/pair in Japan.

Associated equipment included Pass Laboratories monoblock solid state amps and an EMM Labs (Meitner) Reference SACD/CED player.

The STR-DA9000ES is Sony's entry in what has become a new trend in home theater: receivers that seriously challenge separate components. That challenge is extended not only in features and performance, but in size as well. Many of these new behemoths equal the sheer bulk of more than a few preamplifier-processor and amplifier combinations.

Out with the Cineza. In with the BRAVIA.

Until recently, Sony's popular LCD video projectors carried the Cineza brand name. Apart from the fact that I always wanted to say, "bless you" whenever someone said Cineza, it was perfectly fine name. But Sony has now extended the "BRAVIA" moniker, once used to designate only its flat panel displays, across its line of displays.

Price: $3,700 At A Glance: Deep blacks • Accurate 2D color • Outstanding brightness

Sony’s VPL-HW projectors go back a few years, with steady model-to-model refinements. Last year it was the VPL-HW20; this year it’s the VPL-HW30ES. Note that the HW30 now carries Sony’s premier ES designation. But there’s more than that to account for its price premium over the VLP-HW20. Not only does the new model build on its predecessor’s already excellent 2D performance, but it’s also 3D-ready, using active shutter glasses you can purchase separately along with an external 3D emitter. Or if you prefer your projector to be 3D-capable right out of the box, you can purchase it with two pair of model TDG-PJ1 glasses and the TMR-PJ1 emitter included as the VPL-HW30AES for $4,000.