PREMIERE DESIGN

Sort By: Post Date | Title | Publish Date
Filed under
Scott Wilkinson Posted: Dec 04, 2009 4 comments

In my never-ending quest for the ultimate in performance, design, and/or price, I came across the GA Star from a British company heretofore unknown to me&#151;<A href="http://www.goldacoustics.com">Gold Acoustics</A>. This unique speaker is unlike any other I've seen, and while it certainly looks shiny, I can't help wondering if it delivers the sonic goods.

Filed under
Scott Wilkinson Posted: Jan 24, 2011 1 comments
One of the biggest audio sensations at CES wasn't a megabucks speaker—it was the Triton Two tower from GoldenEar Technology. The company was recently started by Sandy Gross and Don Givogue, who had been partners at Definitive Technology (Gross also co-founded Polk), to raise the bar on speaker performance and value. They seem to have hit a home run with the Triton Two, which is available in a stereo pair or as part of the TritonCinema multichannel system for a price that will surprise you.
Filed under
Scott Wilkinson Posted: Mar 07, 2011 0 comments
Normally, I profile extreme products in this blog. But when I saw these photos of Goldmund's new showroom in Seoul, South Korea, I had to share them with you.
Filed under
Scott Wilkinson Posted: Oct 15, 2010 13 comments
I have seen the future of television, and it is Google TV. On Wednesday, I attended a demo of the much-ballyhooed service as well as a new suite of products from Logitech that brings it to consumers in a simple yet sophisticated way, and I was highly impressed
Filed under
Scott Wilkinson Posted: Aug 25, 2009 5 comments

Living with a pair of La Sph&#232;re speakers from French maker <A href="http://www.cabasse.com/en/">Cabasse</A> might be a bit creepy&#151;they look like giant eyeballs staring at you&#151;but if you can get past that, you're in for a sonic treat. As Michael Fremer concluded in his <A href="http://www.stereophile.com/audaciousaudio/608cab/">Stereophile review</A>, "...La Sph&#232;re sets new standards, both measurable and audible, for accuracy in the reproduction of music."

Filed under
Scott Wilkinson Posted: Jul 19, 2010 4 comments

Scandinavian design is often highly unusual. Case in point—the Helsinki 1.5 speaker from Finnish Gradient, which made the cover of the August 2010 issue of Stereophile.

Filed under
Scott Wilkinson Posted: Nov 15, 2009 Published: Nov 16, 2009 11 comments

<A href="http://www.bowers-wilkins.com">B&W</A> makes some of the best-sounding speakers in the world, so when the company set its sights on the iPod market, something special was sure to surface. First introduced in 2007, the Zeppelin melds exquisite design and sound quality into a stunning, single-piece iPod dock/audio system that seems to define the state of the art in this burgeoning field.

Filed under
Scott Wilkinson Posted: Mar 22, 2011 2 comments

In this blog, I've written about speakers with glass enclosures, such as several models from Perfect8, and even speakers with glass diaphragms, such as the Hario Harion. But I've never before seen glass speakers like those from Greensound Technology, in which a single, freestanding sheet of glass serves as the (almost) full-range diaphragm.

Filed under
Scott Wilkinson Posted: May 02, 2011 0 comments
Since 1985, Danish Gryphon Audio Designs has been well-regarded for its high-end audio electronics. But in the last decade, the company has expanded its portfolio to include speakers as well, foremost among which is the mighty Poseidon.
Filed under
Scott Wilkinson Posted: Mar 18, 2010 7 comments

Among the myriad speakers introduced at CES 2010 was the Grand Master, the new flagship of Canadian maker <A href="http://www.hansenaudio.com">Hansen Audio</A>. A behemoth standing over six feet tall and weighing 650 pounds, it's packed with proprietary technology that promises exquisite sound.

Filed under
Scott Wilkinson Posted: May 24, 2010 1 comments

I don't typically cover so-called multimedia speakers in this blog, but when I came across an ad for the GLA-55 from <A href="http://www.harmankardon.com">Harman Kardon</A> in an upscale magazine, I was intrigued. The cabinet looks like it was chiseled from rock crystal, and its beauty turns out to extend well below the surface.

Filed under
Bob Ankosko Posted: Nov 27, 2012 4 comments
Barrister-turned-speaker-maker David Hart had the human ear in mind when he designed this unique speaker—but I see a giant molar turned on its side. I’ll let you decide what to make of it and whether it’s worth the asking price of $64,000 per pair in bronze, $300,000 in silver, or upwards of $5 million in gold (shown). Why so expensive? Remarkably, the 28-inch-tall cabinet is cast in solid bronze, silver, or gold, which explains the 110-pound weight (in bronze). Add to that the 200 hours it takes to cast and hand-finish each pair at Hart’s factory on Isle of Wight.
Filed under
Scott Wilkinson Posted: Feb 19, 2010 6 comments

Data compression is probably the single most important factor in the meteoric success of digital audio, especially when it comes to online downloads and portable players like the iPod. Lossy compression formats such as MP3 discard as much as 90 percent of the original data&#151;hence the term "lossy"&#151;so that music tracks can be quickly downloaded. In addition, such files require very little memory, allowing thousands of songs to be stored in a device no bigger than a matchbook.

Filed under
Scott Wilkinson Posted: Jul 27, 2009 5 comments

I've known <A href="http://www.sennheiserusa.com">Sennheiser</A> headphones for a long time. My first pair of studio 'phones was the HD 414 SL, a featherweight, open-back design that I still have 30 years later, albeit with new foam earpads. So it was with great interest that I read about the company's new flagship model, the HD 800.

Filed under
Rob Sabin Posted: Dec 20, 2011 4 comments
Eleven years ago, in the fall of 2000, the Sunday Arts & Leisure section of The New York Times published a long freelance article I wrote announcing the birth of digital cinema. Digital projection for large venues was mostly a dream at the time, but the technology existed and had been proven to provide satisfying images for the average moviegoer. Meanwhile, digital cinema’s biggest booster, filmmaker George Lucas, had just finished shooting Star Wars: Episode II—Attack of the Clones in 1080p/24-frame-per-second digital using a cutting-edge camera developed by Sony and Panavision. It was the first major motion picture to be shot entirely in video.

Pages

X