Projection Screen Reviews

PRICE $2,773 (varies with size and configuration)

AT A GLANCE
Plus
Places center dialogue where it belongs
Good sound transparency
Minus
Light easily passes through it
Needs a bright projector to look its best

THE VERDICT
Acoustically transparent screens aren’t for everyone. None of them is totally transparent to sound, and all of them—this Seymour no less so than others—allow some light from the projector to pass through. But if your system demands such a screen, the Seymour is well worth a close look.

At the 2013 CEDIA Expo, many of the home theater demos used acoustically transparent screens. And a number of them—including those from Wisdom Audio, Datasat, and Digital Projection—used screens from Seymour-Screen Excellence.

PRICE $3,242 (as tested)

AT A GLANCE
Plus
Superb uniformity and detail rendition
Precise color tracking and accurate saturation
Minimal reduction in audio fidelity
Minus
Woven design involves inherent light loss
Beer budgeteers may find it champagne-priced

THE VERDICT
Stewart's remarkable new Harmony G2 is a reference-level Acoustically Transparent offering for systems with speakers installed behind the screen.

A myriad of boulevards dissects a tract of former citrus groves, referred to long ago as Hollywoodland. Of these thoroughfares, singularly, there is Hollywood Boulevard, known the world over for a century of broken dreams. As lore recounts, and contemporary tales of woe reveal, there is little left to ponder beyond what should have been after most fame-bound aspirants leave.

Stewart Filmscreen Reflections Active 170 3D
Price: Varies by size, type (see review) At A Glance: Higher gain than popular StudioTek 130 G3 • Good off-axis performance and color uniformity • Noticeable hot spot

Da-Lite High Power
Price: Varies by size, type (see review) At A Glance: High Gain • Picture darkens visibly off-axis • Hotspotting virtually undetectable

We’ve come a long way from the days when screens were an afterthought. I imagine there are still a few enthusiasts who cut their projection teeth on a sheet or a bare white wall, or even an old, beaded, home-movie screen. Today we know better. The screen is a vital part of the projection setup.

Screens now come in a wide variety of sizes and characteristics. Their physical construction—fixed frame, retractable, flat or curved, masked or unmasked, perforated or not—is a subject for another day. There are also rear-projection screens. Here, however, we’re primarily concerned with the characteristics of the screen material itself, as used in front-projection setups, the type most commonly found in theaters, both commercial and home.

PRICE $1,484 (material only, as tested)

AT A GLANCE
Plus
Excellent Image Uniformity
Dramatic reduction in artifacts over previous generation
Exceptional build quality and ease of installation
Minus
Minor artifacts on images with vertical camera motion

THE VERDICT
With dramatically improved performance over the previous generation StudioTek 130 material, Stewart Filmscreen's new ST130 G4 establishes a new reference standard for a gain screen.

I often feel that the screen is the most overlooked component of a video projection system. That's because the screen material itself lacks "wow" factor, and it typically doesn't get tagged with the sexy marketing buzzwords associated with other home theater gear. But selecting the right screen for a video system is crucial since the screen ultimately will serve to either enhance or reduce your projector's performance.