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Darryl Wilkinson Posted: Feb 18, 2015 0 comments
I can’t claim that I haven’t been guilty of the same practice in the past, but sometimes I get very, very tired of reading article after article in the tech press about the latest thingamabob that promises to revolutionize the way we do something—even to the point of changing our lives forever. Of course, as journalists and writers, we need readers; and, unfortunately in most cases, sensationalism gets the eyeballs we crave. Kickstarter and Indiegogo have been a boon for us. We get to report on lots of crazy ideas that’ll never make it to market but sound awesome. “New HDMI cable promises to cure cancer and is Dolby Atmos-ready!”

So I’m a bit jaded. As a result, it’s probably unfair to a company whose people have worked very diligently to come up with a new slant on a device category that’s been problematic from the early days of the consumer electronics industry, but I’m a bit underwhelmed by

Bob Ankosko Posted: Feb 17, 2015 1 comments
One thing you want to get absolutely right when assembling a home theater rig is the speakers. Pick the wrong ones and music will sound dull and movie soundtracks will lack dimension and excitement. Sure, you can fiddle with crossover and EQ settings and move speakers around but it’s not going to help. A bad speaker is a bad speaker.

At Sound & Vision, we’re constantly on the lookout for speakers that rise above the pack and possess that magical quality of bringing music and movies to life. If space is at a premium, here are 10 compact speaker systems you can’t go wrong with, broken into three price categories: $1,000 or Less, $1,000 to $2,000, and $2,000 and up.

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Thomas J. Norton Posted: Feb 17, 2015 3 comments
The communication advancements of the past few years have made it possible to do some types of work—such as evaluating AV gear and writing about it—from almost anywhere. So I’ve picked up stakes and moved from sunny Southern California to a far less crowded burgh along the Florida panhandle’s Gulf coast.

It wasn’t an easy decision, and a major move after 14 years in one place is worse than having major dental surgery (and far more costly!).

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Leslie Shapiro Posted: Feb 16, 2015 3 comments
I was recently working in an anechoic chamber for a few days and the ambience in there (actually, the lack of any) really got me thinking about ambient sounds. Anechoic chambers aren't just silent—it's the absence of any return energy that makes them so unnatural, and after a few hours, downright uncomfortable. You become aware of sounds your own body makes, especially your heart beat in your ears. It’s such an unusual space because it doesn’t really occur in the natural world. Standing on the sandy plain of a desert comes close, but even there, one would hear the movement of air over the ground, and distant ambience. A true anechoic experience almost never happens in our daily lives.

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Lauren Dragan Posted: Feb 16, 2015 Published: Feb 15, 2015 0 comments
Editor’s Note: This review was first published on 1/31/15, based on what proved to be a defective sample, and revised on 2/15/15.

Speaker company RBH has expanded their headphone lineup with new Bluetooth in-ears, the EP-SB. Lightweight and sweat resistant, RBH want the EP-SB to be your go-to headphones for on-the-go and at the gym. I got my hands on one of the first pairs available (literally!), and put them through their paces. How did they hold up? Lace up your sneaks and meet me after the jump.

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John Sciacca Posted: Feb 13, 2015 5 comments
Smart door locks have become a new automation frontier lately, and for good reason. With a smart lock you can remotely let someone into your home, monitor who is coming and going with the use of different digital key codes, don’t need a physical key to enter, and can make sure the door relocks automatically or at night before you go to bed. I’ve got three of them in my home and they have definitely been a lifestyle improvement.

However all of these smart door locks have one major weakness in common...

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Geoffrey Morrison Posted: Feb 13, 2015 21 comments
So much anger. So much bullying. Over something that’s basically an iPod.

Look, if you don't want to buy it, don't buy it. If you do, do.

But why has this thing lit off such fervor on both sides of the debate?

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Mark Fleischmann Posted: Feb 12, 2015 3 comments

Audio Performance
Video Performance
PRICE $3,000

Dolby Atmos-capable
New Dolby Surround upmixer
D3 amplification
Confusing back-panel nomenclature
No HDCP 2.2 digital rights management

This Class D receiver is just the kind of nine-channel powerhouse needed for Dolby Atmos 5.2.4—and the built-in USB DAC is a cool bonus.

You probably know by now that Dolby Atmos is the next generation of surround sound in both theaters and home theaters. This object-oriented technology lets movie mixers place any sound, almost anywhere they want, in an immersive dome-like soundfield, with height effects that transcend the flat horizontal plane of 5.1- or 7.1-channel surround. With the first generation of Atmos gear now arriving, the technology has been covered in print evaluations of Denon and Definitive Technology products (by ace reviewer Daniel Kumin), on the Web (by editor-in-chief Rob Sabin, video editor Tom Norton, and columnists Ken Pohlmann and John Sciacca), and in my own Test Report in this issue on the Pioneer Elite SP-EBS73-LR Atmos-enabled speaker system.

Mark Fleischmann Posted: Feb 12, 2015 0 comments

Build Quality
PRICE $2,500

Dolby Atmos–enabled monitors
Laser-like focus from coaxial driver array
Just-average subwoofer performance

Andrew Jones’ excellent Atmos-enabled speakers are equally at home in a 5.1-channel footprint as they are transforming surround sound as we know it.

Dolby Atmos bids to change the landscape of surround sound at home. One thing it has already changed is my mind.

I am that 5.1 guy. I’ve spent much of my tech-writing career promoting the standard 5.1-channel speaker configuration and defending it against all comers. This has pitted me against two-channel loyalists who mistakenly believe there is no such thing as a surround audiophile. But I’ve also opposed what I deem to be useless additions to 5.1.

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Mike Mettler Posted: Feb 11, 2015 2 comments
Don Felder has found his groove. The former lead guitarist of the Eagles is now flourishing as a solo artist, having found his sea legs on record with the broad reach of Road to Forever (INgrooves/Forever Road Music) — only his second solo album in 30-odd years, following 1983’s Airborne — and a quite muscular live set, which features Eagles favorites and deep cuts alike, ranging from “Life in the Fast Lane” to “Those Shoes,” all interspersed between powerful readings of solo favorites like “You Don’t Have Me” and “Heavy Metal.” Before heading out on his winter solo tour, Felder, 67, and I got together to discuss his thoughts on sound quality, the very mystique of California itself, and how he came to create the acoustic intro that turned the already indelible “Hotel California” into a revamped classic. Ah, such a lovely place.


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