Snell Acoustics Signature Series C7 speaker
The Short Form
|$4,500 each / SNELLACOUSTICS.COM / 978-538-6262|
|Snell's C7 tower speakers deliver the audiophile goods - along with enough low bass that you can live without a subwoofer|
|• World-class tonal accuracy, definition, and transparency • Almost literally full-range sound • Gorgeous, master-craftsman woodworking|
|• (2) 8-inch cone woofers, (2) 4-inch cone midrange drivers, 1-inch silk-dome tweeter, and 1-inch soft-dome tweeter (rear-firing). • Tweeter Level, Rear Tweeter, Boundary Compensation mini-switch controls (rear panel) • 47¼ x 16 x 9½ in; 95 lb|
The Signature Series Type C7 may be three steps down from the flagship Illusion in Snell's current full-range family, but it's no lightweight. Dual 8-inch woofers and a solidly machined D'Appolito mid-high-frequency array, all packaged in a beautifully finished tower nearly 4 feet tall, make for an imposing presence. My evaluation pair was modestly finished in black, but close inspection revealed the usual superb Snell woodworking touches such as matched, mirror-image veneers and meticulous, hand-rubbed finishing. While my C7s appeared coolly competent in black , I'm sure that the same speaker in any of Snell's standard or special-order hardwoods would look spectacular.
Once you unbox and place the C7s, each weighing in at 95 pounds (I had help!), you'll have some decisions to make. Like nearly all Snells, the towers have several user-selectable setup switches. You can adjust the front tweeter level using Cut, Normal, or Boost settings, switch Boundary Compensation to Normal or Boundary ( this invokes a mid bass-cut to curb "woofiness" with close-to-wall placements), and turn the rear-firing tweeter on or off. (A feature dating back to Snell's original Type A, the rear-firing tweeter helps the speaker deliver smoother, full-hemisphere power response at high frequencies.)
From long experience I had a pretty good idea how I'd want these settings adjusted after hooking the C7s up to my 200-watt-per-channel amp. But I did my due diligence anyway, listening, moving, and adjusting before settling on a front tweeter-cut, Boundary-on, and rear -tweeter-enabled configuration.