CES 2012

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Darryl Wilkinson  |  Jan 11, 2012  |  0 comments
HiFiMAN invited numerous journalists to a press conference this morning, fed them a standard hotel buffet breakfast, and then explained why the company uses planar drivers in their over-the-ear headphones. EiC Rob Sabin shows why he will never be able to have a second career as a fashion model in the picture above - but the smile on his face does indicate the fact that the HE-400 over-the-ear headphones ($399) sounded pretty darn good. One benefit of the planar driver is that it does not require high voltages as an electrostatic driver would, which means its easier to drive with portable audio devices.

Darryl Wilkinson  |  Jan 11, 2012  |  0 comments
“People have been conditioned to accept poor quality sound, and we are here to change that,” claims Dean Kurnell, President of ClarityOne Audio. (Actually, we at HT Mag are here to change that, but we appreciate the help...) The company’s PureSound processor is designed to eliminate the distortion in analog speakers caused by magnetic field build-up that “occurs in traditional crossovers where only a single wire coil is used.” The patented technology is supposed to provide the most direct route possible for the signal while minimizing distortion between input and output.

The company’s first products to feature the PureSound processor are a series of earbuds and over-the-ear headphones. The PureSound technology allows ClarityOne to use 8 ohm voice coils in their models. Most other manufacturers, according to ClarityOne, use voice coils with a much higher resistance - including some that are more than 32 ohms - in order to mask distortion. In addition to providing better sound, having a lower-resistance voice coil means the player driving the earbuds/headphones doesn’t have to work as hard so the batteries’ charge lasts longer.

Prices are expected to start at $109 MSRP.

Darryl Wilkinson  |  Jan 11, 2012  |  0 comments
Even the most dialed-in, industry-savvy tech writer misses a thing or two along the way, and Sonic Emotion is a company that’s been totally off my radar. (In my defense, they’re only now trying to break into the U.S. consumer market.) The company’s technology, Sonic Emotion Absolute 3D, is supposed provide “all listeners an immersive 3D sound experience from a single device - regardless of their positioning in the room, device location and room dimensions - using any input format...” Despite the fact that that is indeed quite a claim, during a demo this afternoon the folks at Sonic Emotion quickly proved they’re more than just talk. Using an AudioSource S3D60 and a variety of demo material, the presenter quickly convinced the group of us jaded press people that the technology actually does provide a very impressive 3D sonic expansion of two-channel sources from a single box. According to Sonic Emotion, the technology is not room-dependent (as some other simulated surround devices are). The effect was quite good, and it was stable regardless of where I stood in the demo area. Look for more products incorporating Sonic Emotion technology coming later this year.

Darryl Wilkinson  |  Jan 11, 2012  |  0 comments
I don’t know what this means, but considering its prominence on the Nyko booth wall this must be something very profound.

Tom Norton  |  Jan 11, 2012  |  0 comments
When have you last seen a Home Theater in a Box that uses vacuum tubes in its AV receiver section? Samsung has one in its 6730W home theater system&$151;flat panel available separately! It sounded warmer and more pleasant than it had any right to in an open space, though of course tubes alone are no panacea. No price available as yet, but it's the first HTiB I've found at least interesting. The tubes are in the receiver's input stages; the output is solid state. Samsung is also offering some one-piece, two-channel iPod (and Android) docs with vacuum tube inputs.
Tom Norton  |  Jan 11, 2012  |  0 comments
Here is Samsung’s story about its use of vacuum tubes in an HTIB.
Tom Norton  |  Jan 11, 2012  |  0 comments
Here's a closeup of the two tubes (or at least the only ones that are visible) in Samsung's tube-input HTiB.
Scott Wilkinson  |  Jan 11, 2012  |  0 comments
At 70 inches, the UW70 is the largest LCD TV Westinghouse has ever introduced. With LED edgelighting, 120Hz refresh rate, and frame interpolation, it should be available in the second quarter of this year for—get this—$2300 or less!
Scott Wilkinson  |  Jan 11, 2012  |  0 comments
The 46-inch, LED-edgelit UW46 from Westinghouse incorporates 120Hz operation but no frame interpolation and sports a super-slim, silver-edged bezel. It should be available this quarter for $700. The company says that 46-inchers were the best-selling large-size TVs in 2011, a trend I expect to continue at this price.
Tom Norton  |  Jan 11, 2012  |  0 comments
And I just bought a Macbook Air!
Scott Wilkinson  |  Jan 11, 2012  |  0 comments
Westinghouse's first foray into 3D, the 47-inch W473D uses conventional CCFL backlighting and passive-polarized glasses. It should be available in the second quarter of this year for $900. The prototype pictured here exhibited severe crosstalk/ghosting, so I'd say the company has some work to do before it's ready for prime time—and even then, it might not fly that well at big-box stores, where 3D is not in much demand.
Scott Wilkinson  |  Jan 11, 2012  |  0 comments
I've long been impressed with Westinghouse flat panels—surprising, perhaps, but true nonetheless. Among the company's introductions at this CES is the 55-inch EW55, an LED-edgelit model with 120Hz operation and frame interpolation as well as a new brushed-metal black bezel. It should be available in the next couple of months for $1000.
Scott Wilkinson  |  Jan 11, 2012  |  0 comments
Also being demonstrated in the SRS suite at the Trump was StudioSound, which combines PureSound (described in a recent post) and NviroSound (discussed in yet another recent post). The demo consisted of the custom-created short The Escape played on a JVC TV's internal sound system as well as a Samsung soundbar. The spatial depth was not very pronounced on the JVC's internal system, but it was much more apparent and convincing from the soundbar.
Scott Wilkinson  |  Jan 11, 2012  |  0 comments
Just over a year ago, I wrote about the Advanced Rendering Lab (ARL) at SRS Labs, makers of various sound-enhancement algorithms found in many consumer-electronics products. Among other things, the ARL is used to develop a technology called Multi-Dimensional Audio (MDA), which was in its infancy back then. At CES this year, it was clear that MDA has evolved quite a bit.
Scott Wilkinson  |  Jan 11, 2012  |  0 comments
SRS Labs is well known for various sound-enhancement and surround-simulation algorithms found in many consumer-electronics products, such as TVs, AVRs, and soundbars. Among the new items being demonstrated at CES is PureSound, a suite of bass-enhancement and equalization algorithms intended to improve the quality of a TV's internal sound system.

The screen shot above shows the frequency response of a TV before (black) and after (green) applying PureSound, and the improvement in sound I heard was dramatic—much more bass and a fuller, richer sound with less ringing than without the processing. The first application will give manufacturers the ability to improve their TVs' sound, but SRS envisions the day when consumers will be able to auto-tune the TV to their room, much like auto-setup systems in AVRs do now.

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