Thomas J. Norton

Thomas J. Norton  |  Apr 05, 2010  |  0 comments
Comin’ at Ya!

Remember the TV commercial that showed a Sony TV perched on the edge of the Grand Canyon? The set displayed an image of the canyon, and a family gathered around and eagerly watched… the TV.

Thomas J. Norton  |  Mar 22, 2010  |  0 comments
Price: $8,000 At A Glance: Superior black level and shadow detail • Accurate color • Brightness to spare

Setting the Bar Higher

Since the launch of JVC’s DLA-RS1 projector more than three years ago, consumers have anticipated each of the company’s new DLA designs. In some respects, such as resolution and brightness, JVC’s projectors have run neck and neck with their competition. However, they haven’t broken new ground. But with regard to producing inky black levels, without the help of a dynamic iris, they arguably have no equals.

Thomas J. Norton  |  Mar 22, 2010  |  1 comments
Price: $5,999 At A Glance: Good black level • Excellent detail • Vibrant color • Uneven screen illumination

LEDs on the Edge

You might not be familiar with the NuVision brand. You won’t find it at Best Buy. Costco has never heard of it. And a Wal-Mart associate would likely scratch his or her head and send you to the on-site optometrist.

Thomas J. Norton  |  Mar 12, 2010  |  7 comments

With the analog audio section of this multi-part tome largely out of the way (though a listen to the audio from the Special Edition Oppo BDP-83 is still to come), I turned to video. All of the testing was done with duplicate copies of high quality Blu-ray discs. The players were compared directly, two at a time, with the disc in one of the players running roughly 12 seconds behind the other. Making allowances for a switching delay of about 5 seconds (which the players needed to re-sync with the display following the switch) this staggered cueing let me watch the same few seconds of program material first on one player and then on the other.

Thomas J. Norton  |  Mar 08, 2010  |  0 comments
Price: $2,295 At A Glance: Excellent video processing • Stunning resolution • Poor shadow detail

While Mitsubishi might have a larger footprint in your memory with its big-screen TVs and flat panels, the company is focused on front projection. In fact, its Website shows 26 projector models, including four home theater designs.

Mitsubishi projectors are not your father’s Mitsubishi, and by that I mean video displays, not cars. Its projectors are marketed by the company’s Presentation Products division, which is separate from the division that sells flat-panel and rear-projection TVs.

Thomas J. Norton  |  Mar 08, 2010  |  0 comments
Price: $3,000 At A Glance: Deep blacks • Accurate color • Superb image depth

Sony’s new BRAVIA VPL-HW15 is a reworking of last year’s VPL-HW10. At a modest $3,000 (modest as projectors go, that is), the VPL-HW15 offers a useful lineup of features and a picture that I didn’t expect at this price. With exceptional color, barely short of state-of-the-art blacks, and vivid, almost 3-D images on the best program material, it…. OK, I’m in danger of giving away the store up front. Read more to get the details.

Description
The VPL-HW15’s gently curved top echoes the look of Sony’s higher-end VPL-VW85, while the lens that recesses into a sculpted front panel does not. The controls and inputs are located on the side.

Thomas J. Norton  |  Mar 01, 2010  |  0 comments
Price: $3,699 At A Glance: Excellent video processing • Superior adjustability • Blacks to die for

Epson’s broad lineup of PowerLite home theater projectors can be a bit confusing, but the important point is that it splits into two parallel lines. At the top are the Pro Cinema models, and just below them are the Home Cinema designs. They track each other closely in performance, but the Pro Cinema versions offer a few extra features. These include an aspect-ratio setting for anamorphic projection on a 2.35:1 screen (the anamorphic lens required to use this is not included, and I didn’t test this feature). They also include ISFccc Day and Night modes, a spare lamp, a longer warranty, and a black case (the Home Cinema versions are white). At the top of the line, and our subject here, is the Pro Cinema 9500 UB.

Description
In appearance, the PowerLite Pro Cinema 9500 UB—one of the few projectors that is currently THX certified—closely resembles last year’s Epson flagship, the Pro Cinema 7500 UB. Its Fujinon zoom lens has a throw-distance range of 9.8 to 20.9 feet for a 100-inch (diagonal) 16:9 screen. The horizontal and vertical lens-shift controls, located at the top front of the case, have convenient mid-setting detents that make it easy to find the neutral settings. Lens shift, zoom, and focus are all manual.

Thomas J. Norton  |  Mar 01, 2010  |  0 comments
I vividly recall those freeway signs that once littered the sides of the clogged Los Angeles freeways. “If You Lived in Nutty Oaks, You Could Be Home by Now,” they trumpeted.
Thomas J. Norton  |  Feb 26, 2010  |  0 comments
Panasonic's traveling road show for its new 2010 product line came to Los Angeles this week, and we were there. Most of the products shown or described at the event were first announced at last January's CES, where the featured attraction was 3D, with other new products taking second billing—if not in Panasonic's eyes, then in the eyes of most attendees. It was not that the new products were uninteresting; far from it. But 3D was king of the video mountain at CES 2010.
Thomas J. Norton  |  Feb 02, 2010  |  11 comments

Finally we get to the meat of the subject. In this installment I'll give my impressions of the sound quality of the players under test, as heard from their analog outputs with 2-channel CDs.

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