Shane Buettner

1971’s Harold and Maude, a cult classic before there was such a thing, undoubtedly remains the weirdest rom-com of all times (classifying this movie as such has me laughing out loud as I type!). Harold (Bud Cort) is an odd young man who lives with his wealthy, high-society widow of a mother and gets his kicks (and much-needed attention) from elaborately acting out his own death. Over and over. While Harold’s mom’s ideas for straightening him out are to put him in the military or marry him off, another of Harold’s hobbies, attending strangers’ funerals, leads him to Maude (Ruth Gordon), a daring older woman and the freest spirit you’ve ever seen. She lives in a renovated boxcar, fights the system in her own inimitable ways, ruffles a lot of feathers, and steals a hell of a lot of cars. She’s a gas and is absolutely as obsessed with life as weird Harold is with death. They fall in love.

Price: $9,950 At A Glance: Breathtaking picture and sound with all 5-inch silver discs • State-of-the-art audio performance with USB audio • No 3D

The Last Great Silver Disc Player?

The era of 5-inch silver disc players began in the 1980s, and it isn’t over yet. But even quality-driven, Blu-ray- and CD-playing dinosaurs like me are compelled to admit that there are fewer days ahead for the disc player than there are behind it. The Ayre Acoustics DX-5 Universal A/V Engine ($9,950) builds a bridge between yesterday and tomorrow. The DX-5 is a universal disc player. It plays CD, SACD, DVD-Video/Audio, and Blu-ray Discs. But it’s also a cutting-edge digital-to-analog converter for digital audio files from a variety of sources, up to 24-bit/192-kilohertz. Its supertrick analog audio outputs are stereo only, so the only people who need apply are extreme videophiles and two-channel audiophiles who want a reference-quality universal Blu-ray player and state-of-the-art playback of digital audio files. The DX-5 is loaded with crucial and daring proprietary technology, and it’s the best-sounding, most versatile digital source component I’ve had in my system. The price tag? Who cares. Don’t you want to know more?

Price: $7,995 At A Glance: State-of-the-art blacks and contrast • Reference-quality 2D and 3D performance • Painful setup and calibration to achieve best performance

The Agony and the Ecstasy

JVC’s projectors have been fixtures in HT’s Top Picks in recent years. This year, the anticipation of getting our hands on JVC’s newest projectors was even more acute. Not only has the line been completely redesigned for the first time in a couple of years, this is JVC’s first series of 3D projectors. The $7,995 DLA-X7 reviewed here is the middle child, between the $4,495 DLA-X3 (reviewed by Kris Deering on page 58) and the $11,995 flagship DLA-X9, which is essentially a DLA-X7 with hand-picked parts and 3D paraphernalia—two pair of active shutter glasses and a 3D sync transmitter—included. The DLA-X7 is THX approved for 2D and 3D. It carries over virtually all of the significant features from last year’s JVC models, while adding 3D capability. If you don’t believe I couldn’t wait to get my hands on this projector, check with JVC. Their corporate communications guru suffered an incessant onslaught of phone and voicemail messages through the holidays until the DLA-X7 was safely on my doorstep.

Price: $3,997 At A Glance: Forward Focused Bipolar Array provides spectacular soundstage, imaging, and focus • Built-in powered subs bring the bass slam for movies and music • Big speakers, big sound, small footprint

Bipolar, Refocused and Refined

Living bipolar isn’t an unfortunate state of mind at Definitive Technology; it’s a chosen philosophy. And stretching further, it’s perhaps even a reason for being. Founded in 1990, Definitive is a stalwart brand and a staggering success story in the CE business. Definitive has made compelling entries in the speaker market in recent years with speakers as diverse as its flat, sexy Mythos XTR-50 on-walls and its ultraslim, floorstanding Mythos STS. But the bipolar Super Towers, which include built-in powered subwoofers, are still the flagship line. To this day, much of Definitive’s brand identity is those tall, sleek, and big-sounding black towers. The reason you’re reading this review is that the bipolar Super Tower series has now been completely redesigned and reborn.