Aimee Giron

Video: 4
Audio: 3
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Trust the Man, Fox’s latest depiction of love in modern times, seems more of an anti-romance in that it focuses on the mundane realities of coupledom. Julianne Moore and David Duchovny are Rebecca and Tom, the film’s key married couple, and they’re headed for the inevitability of divorce. As an ambitious Broadway actress, Rebecca’s workaholic tendencies force her stay-at-home husband to stray into the dangers of infidelity. On the other side of town, Elaine (Maggie Gyllenhaal), now ready for marriage, struggles with her noncommittal boyfriend of seven years, Tobey (Billy Crudup). While Trust attempts to distinguish itself by focusing on reality over romance, the film is simply annoying, flat, and boring.

Video: 3
Audio: 4
Extras: 3
Anne Hathaway trades in her Brokeback boots for a pair of Pradas in Fox’s release la mode, The Devil Wears Prada. Andy Sachs (Hathaway) maneuvers through the stiletto-infested waters of Runway magazine as the newest assistant to editor-in-chief Miranda Priestly. While Andy maintains she’s only in it for the fringe benefits, she soon discovers she’s just a manipulation away from becoming a dragon lady herself. Hathaway has come a long way from her pretty princess role, but she’s still got a thing or two to learn from the ever-talented Meryl Streep, whose performance as the venerable Priestly screams Oscar, or so the rumor mill says.

Video: 4
Audio: 4
Extras: 3
Imagine you’ve just fallen into some bad luck, and suddenly the city’s two biggest crime bosses are looking for you. By the way, they’re also at war with each other. Not only do they each claim that you owe them obscenely large amounts of money, they decide you’re going to pay them back in a most unexpected way. Slevin Kelevra (Josh Harnett) finds himself in one such dilemma, but his misfortune is really a case of mistaken identity. The real twist, however, is who gets the payback.

Video: 3
Audio: 4
Extras: 1
If you think you hate your day job, wait until you meet Yuri Orlov. Based on actual events, Lord of War follows the illustrious career of this quietly charismatic arms dealer as he travels the world hocking his explosive wares. Take caution, however; writer/director Andrew Niccol's got a moral agenda up his celluloid sleeve, and Cage does an excellent job delivering his message. Orlov may never have pulled a trigger on his own accord, but he is nevertheless a warlord—or rather, a lord of war, as one character prefers it.