Soundbar: What a word. I like it. It implies that audio-for-video can be simplified into an unprepossessing horizontal object. The Boston Acoustics TVee Model Two assumes that you'd rather have one speaker (and sub) than five (and sub). It also assumes you have a certain impatience with cables, and therefore sweetens the deal with a wireless link between soundbar and sub--though it still requires two power cords and two analog channels worth of cable between the soundbar and your signal sources. And it assumes you'll accept not 5.1 but 2.1 honest channels in its 1.1 sleek objects. No virtual-surround pretensions here.
Like a master linguist conjugating a verb, Harman International has a way of reusing original ideas to good advantage in different settings. So, it's not exactly a surprise to find a family resemblance between Infinity's high-end Cascade speaker line, circa 2006, and the TSS-800 set, circa 2007. They share a unique extruded-aluminum form that's tapered at both the top and bottom, for starters.
If I didn't know better, I'd suspect some kind of hands-across-the-water design coordination in this month's Spotlight System. When the people at Aperion Audio hit upon the handsome cherry veneer finish that graces the Intimus 533 Cinema HD speaker system, the last thing on their mind was the amber display, a longstanding traditional trait, incidentally, of Yamaha receivers. Nonetheless, a harmony did arise between the two golden hues. Of course, the speakers also come in a high-gloss, piano-black finish, but then, the receiver has a black chassis. This merely proves my point, doesn't it?
A majority of viewers who watch video outside traditional TV distribution prefer professionally generated content to amateur fodder, according to a recent survey. That, in a nutshell, is why the Writers Guild of America went on strike. They want compensation for the use of their work in new-media applications.
What your money buys in budget, moderate, and high-end surround receivers.
At the heart of a typical home theater system is the surround receiver. True, the video display might be the emotional heart of your system—but only if you're willing to settle for tinny sound. You might also go bleeding-edge and ditch the surround receiver for high-end separates, namely a preamp/processor and multichannel amp. In that case, I salute you. But I aim today's homily at the average Joe or Jack or Jill who wants the best surround sound available from a one-box receiver.
Universal Pictures and Vudu made high-definition history with The Bourne Ultimatum on December 11. The Matt Damon vehicle is the first major movie to be released at the same moment online, on DVD, and on HD DVD. The online version will be in high-def, placing it in direct competition with the HD DVD.
Hopes for a disc that would play in either HD DVD or Blu-ray players died a few weeks ago when Warner suspended plans to market what it had called a Total HD disc.
Here's the good news: The DVD Forum has approved a new triple-layer HD DVD with capacity of 51 gigabytes. Now here's the bad news: It remains uncertain whether the new disc will play on existing HD DVD hardware.
Not all owners of analog television sets are planning to make the transition to digital broadcasting, according to a survey by the Consumer Electronics Association. Twenty-two of them plan to just let their TVs go dark and find something else to do.