Signals

There is much speculation that, thanks to Covid, the era of the Hollywood blockbuster is over. While some may rejoice, I'm not so sure.

When it was first introduced, digital audio was criticized as sounding “cold” or “sterile.” I vehemently disagreed. What some listeners heard as cold, I heard as a lack of distortion. Even after all these years, I suppose that's something we can still debate. But digital audio is indeed cold and sterile. Not the sound quality - the fact that it isn't nearly as funky, quirky, and weird as analog audio. Which brings us to George Peckham.

2020 was not a particularly good year. In fact it was a horrible year. Normally, at year's end, we're supposed to reminisce about the year. But I think we'd all rather forget that 2020 ever happened. Let's ignore it, and instead skip back all the way to 1984, to a story about a Christian rock band, an LP record, and a very mysterious inner groove.

You are in a real pickle. You've borrowed money for your project, and persuaded other people to invest their money as well. Everyone expects a return. The product is finished and ready to launch. Then there is a delay. Then another delay. And another. Everyone is getting antsy. What should you do?

Alert readers will recall that in my previous blog I questioned whether Big Tech/Big Data had monopolistic motives. And lo and behold, last week the DOJ went full antitrust nuclear. First I inspire Superman to build a computer, and now I cause the U.S. Government and eleven state Attorneys General to file suit against Google. Never, ever, underestimate the power of Sound & Vision magazine.

A few months ago, we considered the playlist used to tune the bespoke sound system in the Rolls Royce Phantom, a car that sells for a tidy $500,000. We discussed playlists generally and why they are so important. But is the Rolls Royce Phantom playlist a good one, and truly worthy of the marque?