Surround Processor Reviews

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Michael Fremer  |  Apr 04, 2011

Performance
Features
Ergonomics
Value
Price: $2,700 At A Glance: Receiver priced, separates performance and power • Next-gen Internet connectivity and versatility • Sophisticated sonics, simplified setup

Everybody’s Been Burned

Are you weighed down by a boat anchor of an expensive, powerful, but obsolete A/V receiver that doesn’t have HDMI inputs or processing for the latest lossless audio formats? You’re not alone. Everybody’s been burned by fast-moving technological change. You could unload your boat anchor for a few hundred dollars on eBay or AudiogoN and start over. But should you? Consider that today’s cost-conscious race-to-the-bottom A/V receivers and even some separates seem to be getting cheaper but worse sounding, not better. But if Marantz’s AV7005 surround processor and MM7055 amplifier are as good as the hype suggests, this could be the way to go. And in case of future obsolescence, at least now you’re into separates, which makes upgrades a less pricey proposition.

Michael Fremer  |  Oct 13, 2008
An Antidote to the AVR

With flagship A/V receivers approaching apartment building size and black-hole heft, there’s a great deal to be said about separating the brains of the operation from the brawn. If you choose separates, it means you never have to borrow a construction crane to hoist a feature-laden, mega-watt seven- or eight-channel receiver onto a tall equipment rack.

David Vaughn  |  Feb 20, 2013

AV8801 Surround Processor
Audio Performance
Video Performance
Features
Ergonomics
Value
 
MM8077 Amplifier
Performance
Features
Ergonomics
Value
Price: AV8801, $3,599; MM8077, $2,399 At a Glance: Up to 11.2-channel playback with Audyssey DSX and DTS Neo:X Audyssey MultEQ XT32 and Sub EQ HT Apple AirPlay support

As A/V enthusiasts, we are constantly on the lookout for the best audio and video we can find, and when we reach that state of nirvana, we enjoy our equipment until the next CES or CEDIA when we then hear about something new and begin to worry that our system will soon be second best. Writing for Home Theater makes me an unwilling accomplice in this never-ending cycle of upgrade-itis, but truth be told, I’m just as affected by this as the rest of you. Thankfully, I’m able to get my fix by having lots of equipment moving through my rack, but every now and then, I fall in love with a piece and don’t want it to leave my possession.

David Vaughn  |  May 21, 2015

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $3,999

AT A GLANCE
Plus
11.1 channels with Audyssey MultEQ XT processing
Dolby Atmos, Auro-3D, and DTS:X surround
Full 4K video processing upgradable to HDCP 2.2
Minus
Limited range for remote sensor

THE VERDICT
Noticeably improved sound quality over its predecessor plus Atmos, Auro-3D, and DTS:X surround processing make the Marantz AV8802 a top-notch upgrade.

It’s been a little more than two years since I reviewed the Marantz AV8801 surround processor, and I liked that model so much, it never left my system. At the time, I thought it was the best-sounding pre/pro I had ever owned, and I had no real desire to upgrade anytime soon. That all changed last fall when Dolby announced that Atmos for the home was on its way. I started thinking how I could finagle four extra speakers into my room—because for some reason, I have this overwhelming desire to stay on the cutting edge of home theater technology, regardless of the personal expense.

David Vaughn  |  Nov 07, 2018

Performance
Features
Ergonomics
Value
PRICE $4,499

AT A GLANCE
Plus
Supports Dolby Atmos, DTS:X, and Auro-3D formats
13 processing channels and 15 audio outputs
Clean, highly detailed sound
Minus
Very narrow remote sensor

THE VERDICT
Marantz’s new flagship surround processor makes the most of the Dolby Atmos, DTS:X, and Auro-3D formats while providing a notable sound quality improvement over its predecessor.

I remember my first flagship A/V receiver like it was yesterday. It was the year 2000, and Onkyo’s TX-DS989, which sold for a cool $3,200 and featured seven channels of built-in amplification plus support for the latest, greatest THX Surround EX and DTS-ES codecs was every home theater enthusiast’s dream. With rear surround speakers now added to the mix, a home theater could actually match the arrays found in cinemas.

Kris Deering  |  Oct 21, 2020

Performance
Features
Ergonomics
Value
PRICE $3,999

AT A GLANCE
Plus
16-channel processing and output
Extensive customization options
Dolby Atmos, DTS:X, Auro-3D support
Dirac Live with Bass Control sub integration
Minus
Setup may intimidate casual users
No onscreen display

THE VERDICT
With support for all key immersive audio formats, 16-channel output, and Dirac Live room correction, the Monolith HTP-1 surround sound processor punches well above its price class.

It's been interesting to watch the evolution of Monoprice in the home theater market following the introduction of its Monolith product line. Monolith encompasses a broad range of components, including speakers, subwoofers, and amplifiers, all produced in partnership with big names in A/V product design and development, and all offering impressive performance at a strikingly low cost. The company's latest market disruptor is the Monolith HTP-1 surround sound processor, a stunning freshman effort that includes features typically seen only on components that cost significantly more than the $3,999 HTP-1.

Thomas J. Norton  |  May 15, 2019

Performance
Features
Ergonomics
Value
PRICE $6,000

AT A GLANCE
Plus
Exceptional flexibility
First-rate build quality
Superb sound
Minus
Complex ergonomics
Inadequate owner's manual

THE VERDICT
This NAD preamp-processor can accommodate nearly every system requirement and then some. While pricey, it's hard to imagine a better-sounding hub for your home theater.

NAD (New Acoustic Dimensions) gained considerable attention soon after its founding in 1972 by offering impressive sound quality at fair prices. Today, most of NAD's more affordable products still proudly bear the unique, workpants cosmetics of its early days. But that definitely doesn't apply to the upscale Masters series, which includes the M17 V2 surround preamp-processor. As with all current NAD products, the M17 V2 is manufactured in China but designed in Canada, where the company is headquartered.

Steve Guttenberg  |  Jan 26, 2007
They want to take you higher.

The component that put NAD on the map in the mid 1970s—the 3020 integrated stereo amplifier—didn't look like a giant killer. Finished in an indeterminate shade of grayish-brown and devoid of gee-whiz features, the 3020 nevertheless became one of the best-selling audiophile amplifiers of all time—and not just because it sounded better than anything going for two or three times its humble MSRP. The 3020 had that special something that made it, well, lovable. Over the decades, the engineers squeezed a bit of the 3020's magic into every NAD product, but they've pulled out all the stops with the new Masters Series components. They had to, as the ultimate NADs are competing with the likes of Anthem, Arcam, B&K, and Rotel. They're playing with the big boys now.

Fred Manteghian  |  Feb 06, 2014

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $1,095

AT A GLANCE
Plus
Fulfills your innermost audiophile aspirations
Simple operation
Excellent proprietary room EQ
Minus
Kiss your sweet analog sources goodbye
Feature-wise, it’s missing a lot more than the kitchen sink

THE VERDICT
You’ll easily get through your diet of high-def viewing and listening with this great-sounding surround processor that works without a hitch.

I couldn’t make the John Mayer concert in Hartford a few weeks ago, but I heard it was great. Best I can do is throw the Born and Raised CD into the tray and set the AVP-18 surround processor to one of the DSP modes that turns a studio album into a concert event in your living room. Let’s see, he was at the open-air under-cover Comcast theater which has really great sound from most seats, so nothing slap-echo-happy like the over-the-top Stadium or Theater modes. Ahh, Rock has just the right amount of reverb tail.

Daniel Kumin  |  Sep 28, 2017

Audio Performance
Features
Ergonomics
Value
PRICE $2,399

AT A GLANCE
Plus
Unimpeachable audio and basic video quality
Generally good ergonomic design
Eminently useful pop-up Quick Menu
Minus
No aptX for Bluetooth
Local-streaming audio doesn’t display file type/sampling info
Fairly downscaled remote

THE VERDICT
Onkyo’s latest A/V preamp/processor adds the Dolby Atmos/DTS:X and 4K/HDR capabilities needed to bring the brand’s pre/pro current, while maintaining very solid value in the field.

The A/V preamp/processors from Onkyo (and sister brand Integra) have been through five or six generations over the years, and I think I’ve tested or at least used just about all of them. And for that decade-plus span, my overall reaction to them has remained pretty consistent: all the A/V-system quarterbacking any rational being needs at a fair price. Onkyo’s latest iteration, the PR-RZ5100 network A/V controller, seems unlikely to change that conclusion while updating the series to 11.2-channel, 4K/HDR status.

Daniel Kumin  |  Sep 02, 2006

Outlaw Audio helped pioneer the direct web-to-consumer channel for audio/video electronics and is among the most successful in that small but growing arena. Its latest introductions include an aggressively priced preamp/processor and compact 7-channel power amp that ask the question: Is an A/V receiver your only sensible choice with less than a couple grand in hand?

David Vaughn  |  Jan 08, 2013

Outlaw Model 975 Surround Processor
Audio Performance
Video Performance
Features
Ergonomics
Value
 
Price: $549 At A Glance: Audiophile audio quality • Excellent customer service • Meets or exceeds performance of processors costing multiples of its price

Remember the days when being the middleman of a business transaction reaped all kinds of rewards? Times have certainly changed in this regard with the invention of the Internet. The traditional distribution channels for electronics have been reshaped, and businesses that can't adapt—Circuit City, The Good Guys, and many specialty A/V retailers—are either extinct or on the express train to bankruptcy court. I'm talking about you, Best Buy.

How consumers buy electronics has evolved to where Amazon.com is king of the world, but there are some companies out there that are adapting in a different way. Outlaw Audio is a great example of this.

Chris Lewis  |  May 12, 2003  |  First Published: May 13, 2003
Parasound's 7.5-channel surround controller has finally landed.

While it may always get second billing in the parade of human emotions, don't forget about anticipation's potent influence. This is the force that has been linked to Parasound's Halo C1 pre/pro ever since its trade-show debut a few years back, and it has only gained momentum with each successive instance of display without delivery. While some critics speculated that Lucas-like patterns of prolonged hype were at work, most people figured that Parasound simply wanted the C1 to be right before they finally let it go. Once you dig into it, you'll see why that took some time.

Kris Deering  |  May 31, 2012

Halo P 7 Multichannel Preamplifier
Performance
Features
Ergonomics
Value
 
A 51 Multichannel Amplifier
Performance
Features
Ergonomics
Value
 
JC 1 Single-Channel Amplifier
Performance
Features
Ergonomics
Value
Price: P 7: $2,000, A 51: $4,500, JC 1: $4,500 At A Glance: Analog-audio-only preamp supports up to seven channels • Flexible hookup options • Halo amps deliver staggering performance

One of the few lessons that was ingrained into me during my time in the Navy was, “Keep it simple.” I admit it wasn’t phrased quite so politically correctly, but the point is still the same. It’s a motto I apply to just about everything I do in my daily life, and when I received the Parasound Halo P 7 multichannel preamplifier ($2,000) for review, it appeared that Parasound sticks to the same philosophy. The strictly analog preamp shrugs off digitaldecoding duties to your source components, shunning any dirty digital processing while providing a high-end, multichannel, analog preamp stage to feed into your amps. With the right front-end source components, this makes for a spectacular two-channel and multichannel listening experience.

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