MUSIC DISC & DOWNLOAD REVIEWS

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Mark Fleischmann  |  Jan 11, 2006  |  First Published: Jul 11, 2005  |  0 comments
A trembling flute figure drifts into the air and hangs there, sensuously falling and rising. It's one of the most celebrated moments in orchestral music, and the free, blissful, agile development that follows does not disappoint. Nor does Telarc's multichannel recording of this sumptuous work.
Steve Guttenberg  |  Dec 02, 2005  |  0 comments
Brothers in Arms was a monster seller of the 1980s and yielded Dire Straits' MTV anthem, "Money for Nothing." Beyond the pop successes, the band's music was coveted by audiophiles for its sweet sound; back in the day, I wore out countless Brothers in Arms LPs at my job selling high-end audio gear. Reconnecting with the music in this new 20th Anniversary Edition, remastered to DualDisc, was a total pleasure.
Brett Milano  |  Mar 02, 2011  |  0 comments
 
Mercury
Music ••1/2 Sound ••

 

Mike Mettler  |  Dec 14, 2016  |  1 comments
Welcome back, my friends… well, you know the rest. That opening line—made famous in “Karn Evil 9 – 1st Impression, Part 2” from 1973’s Brain Salad Surgery—certainly applies to the re-emergence of the remastered catalog for Emerson, Lake & Palmer, the groundbreaking British progressive trio that defined adventurous recording and outrageous live performance during their 1970s heyday. Actually, ELP vocalist/multi-instrumentalist Greg Lake prefers using the word original instead of progressive to describe the band’s signature sound—and the man does have a point.
Mike Mettler  |  Mar 19, 2014  |  0 comments
Performance
Sound
Eric Clapton was at the crossroads of Personal Hell Avenue and Professional Conundrum Street as the calendar turned to 1974. His crippling heroin addiction derailed the creative momentum he achieved with Derek and the Dominos and Layla in 1970, and it took him a few long, painful years to emerge from the haze and return to chasing down his one true muse with guitar (and not needle) in hand. The jam-packed Give Me Strength: The ’74/’75 Recordings box set charts his sonic recovery.
Mike Mettler  |  May 31, 2010  |  0 comments

Here's the thing about Tom Petty and the Heartbreakers' stunning new album, Mojo: While you've never quite heard the band play this way before on record, the songs sound like you've known them all your life.

Mark Smotroff  |  Apr 18, 2012  |  0 comments

Record Store Day can be an exhilarating - and, depending on where you shop, occasionally exasperating - experience. Always a lot of fun, you can raise your odds of getting the good stuff you want on RSD by doing a little planning ahead and preparing a shopping/wish list. Really.  

Michael Berk  |  Jun 08, 2012  |  0 comments

Last night we dropped by the 7.1-equipped 3D theater in Dolby's midtown offices for a sneak peek at Francois and Pierre Lamoureux's Pat Metheny: The Orchestrion Project, the forthcoming theatrical 3D film of jazz legened Pat Metheny's latest "solo" outing with his mechanical orchestra.

Mike Mettler  |  Mar 29, 2016  |  1 comments
Performance
Sound
Revisionist history is just as much a part of rock & roll as guitars, cars, and odes to love and lust are. Some albums initially looked upon as noble but failed experiments more often than not semi-mysteriously improve with age and hindsight when viewed through the prism of time, wherein listeners finally catch up to the scope of the artists’ originally over-their-heads intentions.
Parke Puterbaugh  |  Feb 26, 2009  |  0 comments
Domino/Epic
Music½ Sound •••
Don't get me wrong: I have nothing against dance music, party tunes, or any other escapist entertainment.
Mike Mettler  |  Oct 15, 2014  |  3 comments
“Turn off your mind, relax, and float downstream.” John Lennon was referencing a theme from the Tibetan Book of the Dead by way of Timothy Leary’s book The Psychedelic Experience, but there really was no other way to start “Tomorrow Never Knows,” the pivotal track that ends Side 2 of The Beatles’ groundbreaking August 1966 album release, Revolver. And “Tomorrow”—originally identified on the recording sheet for “Job No. 3009” in Abbey Road Studio Three as “Mark I” when sessions commenced on April 6, 1966—is rife with studio innovations and flourishes only The Beatles and their revolutionary team of Abbey Road engineers could inaugurate as the methodology so many future artists would embrace: Inventing Artificial Double Tracking, a.k.a. ADT, to simulate the natural double-tracking of instruments and vocals (thank you, Ken Townsend).
Michael Berk  |  Oct 19, 2012  |  0 comments

Back in June we got to check out the premiere of guitar legend Pat Metheny's unique new concert film, The Orchestrion Project, featuring Pat performing "solo" - with an orchestra of robots, captured in glorious 7.1 (and 3D) by director/producer brothers Pierre and François Lamoreux. 

Well, the film's come to Blu-ray - and not just in Dolby TrueHD 7.1, but with the company's new Advanced 96k Upsampling feature, to deliver lossless audio - no extra hardware required - of the highest possible quality along with the pristine visuals. And we've got a couple of copies to give away.

Jaan Uhelszki  |  May 28, 2009  |  0 comments
Review
Reprise
Music ••• Sound ••••½
It's been 5 years since Green Day sounded the alarm wit
Brett Milano  |  Nov 24, 2008  |  0 comments
Black Frog/Geffen
Music •••½ Sound •••½
It's a pretty decent album.
Michael Berk  |  Feb 14, 2013  |  0 comments

We all love music and great sound (I'm pretty sure you wouldn't be reading this if you didn't). And I'm pretty sure both you and your beloved can appreciate a great bargain - so why not put all three together this long post-Valentine's day weekend? Well, we've partnered with our friends over at HDtracks to bring you a sampler of some of their best-sounding high-resolution files.

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