Performance Features Ergonomics Value PRICE $500 AT A GLANCE Plus Transfer analog sources to high-resolution digital including DSD Phono preamp with variable EQ settings Built-in headphone amplifier Minus No input for low-output moving-coil cartridges No software-based vinyl noise reduction THE VERDICT The Korg DS-DAC-10R lets you move your music from LP records into state-of-the-art high-resolution PCM or DSD files, all while retaining their essential vinyl character. Ten years ago, who would have figured that almost every major new music release would also get issued on vinyl? Every day more and more people are learning to appreciate the appeal of vinyl records, but sadly the lack of portability means that for most of us it’s a stay-at-home listening experience. That can be frustrating in a world where we’ve become so accustomed to digesting our music on the go, so lots of new vinyl records come bundled with a lossy-compressed Digital Copy as a free download. Of course, at that point you’re no longer getting the vinyl experience at all, so really, what’s the point? But, what if you could capture some of that analog goodness in a portable hi-res audio version that you can take with you, instead of those crappy MP3 files we’ve endured for so long? That’s the idea behind the DS-DAC-10R, a handy little box developed by the pro-audio mavens at Korg and distributed by Essence.
We all love music and great sound (I'm pretty sure you wouldn't be reading this if you didn't). And I'm pretty sure both you and your beloved can appreciate a great bargain - so why not put all three together this long post-Valentine's day weekend? Well, we've partnered with our friends over at HDtracks to bring you a sampler of some of their best-sounding high-resolution files.
Record Store Day&nbsp;can be an exhilarating - and, depending on where you shop, occasionally exasperating - experience. Always a lot of fun, you can raise your odds of getting the good stuff you want on RSD by doing a little planning ahead and preparing a shopping/wish list. Really. &nbsp;
We bring you, at last, the full version of our talk with Henry Rollins that ran in the September print and iPad editions of Sound+Vision. Enjoy!
Back in September 2002, I interviewed Michael Tilson Thomas about the launch of a bold new project with the San Francisco Symphony: a complete cycle of the Mahler symphonies to be released on hybrid multichannel SACD via the orchestra’s fledgling in-house label, SFS Media. At the time, Thomas already had clearly formed ideas about the sound he wanted: