Jobs Speaks, EMI Rethinks

Just in case you've been living in a cave for the past week--or perhaps just live a normal healthy life, in which case I envy you--then you've heard about the Steve Jobs DRM manifesto. Jobs wants to have his DRM and denounce it too. His adroit repositioning of himself in the public eye bodes well for the continued vigor of iPod sales. The first and most amusing reaction came from the Recording Industry Antichrist of America, which enthused: "Apple's offer to license FairPlay to other technology companies is a welcome breakthrough and would be a real victory for fans, artists and labels." It would also mollify various European regulators who object to the binding of iTunes downloads to iPods. Only problem is, Apple offered to do no such thing. The emailed missive has not appeared on the RIAA site. More relevant, perhaps, was EMI's announcement that a large percentage of its catalogue would become available via no-DRM MP3 downloads. Apparently the Norah Jones experiment was a success. Warning: While MP3 is immune to DRM, it is not immune to watermarking that would embed purchase information in the track metadata. If a download with your name on it ends up in the P2P moshpit, you could be in big trouble.

COMMENTS
Adam Sohmer's picture

Though most people with ears agree that MP3 don't sound nearly as good as lossless formats, let alone a well-mastered CD (are they still being made?), the fact is that eMusic has been doing well by offering lossy files to consumers like me who prefer the freedom of playing a file on any damn device we like.

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