Sort By: Post Date | Title | Publish Date
Filed under
Mike Mettler Posted: Jun 21, 2011 0 comments

The Big Man has left the building.

Clarence Clemons, the powerful tenor saxophonist of the E Street Band and onstage foil for Bruce Springsteen for 40 years, died Saturday at age 69 due to complications from a recent stroke.

Mike Mettler Posted: May 29, 2011 0 comments

node (blog_post) - Euismod lobortis capto sino pagus. Tation caecus gravis esca paratus et elit. Quis jumentum minim defui tamen iriure praemitto vulpes paratus melior. Autem letalis metuo similis paratus ut persto singularis sudo. Blandit adipiscing suscipere quidem quis roto virtus. Iriure saepius quidne venio velit huic. Commoveo melior ille utrum diam gilvus natu vero caecus.

Filed under
Mike Mettler Posted: May 03, 2011 0 comments

The next leg of Jason Bonham's Led Zeppelin Experience tour is officially underway, and I highly recommend you check it out. Dates and info are here.

Mike Mettler Posted: Apr 25, 2011 0 comments

How much do I love reissues? Let me count the ways. Well, let me NOT do that, else I’ll never get around to the subject at hand…

Anyway, this is the first in a regular series of postings about cool reissues that are coming down the pike — or ones that have already come down the pike and may have passed you by.

Mike Mettler Posted: Apr 20, 2011 0 comments

"From the bottom of our hearts, thank you everyone. I can't wait to answer the 'Is rock and roll dead' question now..." So tweeted @foofighters at midday, and with good reason - the band's hard-charging, all-analog new album Wasting Light debuts at #1 this week with 235,000 copies sold here in the States.

Mike Mettler Posted: Apr 18, 2011 0 comments

Man, do I loooooove Record Store Day.

If there’s one thing to take away from this past Saturday’s RSD, it’s that there’s a strong and rabid group of record buyers willing to wait in line for hours and hours to willingly spend lots and lots of dough on physical product — and that’s incredibly encouraging in light of what many see as an ever-shrinking tactile music marketplace.

Bottom line: Give them a reason, and they will come. And spend.

Filed under
Mike Mettler Posted: Apr 15, 2011 0 comments

I spoke with producer Butch Vig at length about the all-analog approach he took to recording the Foo Fighters’ kick-ass new album Wasting Light (Roswell/RCA) in bandleader Dave Grohl’s garage.

Mike Mettler Posted: Apr 11, 2011 0 comments

“We’ve got about 6,000 songs to play for you tonight,” Geddy Lee said to raucous cheers during the first set break at Rush’s return to Madison Square Garden last night. Well, give or take some 5,974 other choices, the Canadian trio powered through 26 tracks at the NYC stop of the Time Machine 2011 tour. The set has remained the same since the two shows I saw last summer (Jones Beach in July, PNC Bank Arts Center in September), but hold your fire—the musicianship and vigor never waned.

Mike Mettler Posted: Apr 05, 2011 0 comments

“It’s a timeless record with so much detail,” says surround-sound remix guru Richard Chycki about Rush’s 1981 masterpiece, Moving Pictures. “I’m glad you’ve clued into all of the nuances.” Chycki is referring to what I said to him last week about the PCM 5.1 and DTS-HD Master Audio 5.1 mixes he did for MP’s 30th anniversary reissue. Today marks the release of the CD+DVD version, something certainly worth getting if you’re not equipped for Blu-ray — but the much preferred Holy Grail CD+BD version won’t be out until May 3.

Filed under
Mike Mettler Posted: Apr 04, 2011 0 comments

When Robbie Robertson met Jimi Hendrix in New York’s Greenwich Village in 1966, Hendrix (then going by the name of Jimmy James) was intent on learning about a subject crucial to his future as an artist. “He only wanted to talk about songwriting,” revealed Robertson. “Because I was playing with Bob Dylan then, he thought I might know something about those secrets.” What was the best advice Robertson shared with Jimi? “If everybody is writing about one particular thing, then I would not go in that particular direction, because it’s crowded over there.

Pages

X