This one's been 36 years in the making - or you could call it 100 years ahead of schedule, depending on how you look at it. I'm talking about the DTS-HD Master Audio 96-kHz/24-bit 5.1 Blu-ray version of it's-about-time Rock and Roll Hall of Fame inductee Rush's 1976 epic 2112 (Anthem/Mercury).
“Jeff has incredible studio I.Q. Ask anyone who makes music: he’s one of the great record producers, period.” So says Tom Petty, and? if anyone should know, it’s him, having worked with Jeff Lynne as a producer on sonic blockbusters like his own Full Moon Fever and the Traveling Wilburys’ Volume? 1.
Original Studio Album Remasters Stereo Vinyl Box Set
The Holy Vinyl Grail, Part 1 officially arrived in stores November 13. I was blessed to get the Beatles' original studio album remasters stereo vinyl box delivered to me a full month early, and I still feel that I haven't spent enough time with the 14 albums contained therein.
“We were all vinyl junkies,” said Robert Plant at a packed press conference immediately following the screening of Led Zeppelin’s new live concert film Celebration Day at the Museum of Modern Art in New York on October 9.
Duke Ellington knew how to swing. Ellington (1899–1974) was one of the most prolific and influential songwriters of the 20th Century, a purveyor of what he liked to call American Music (he eschewed being labeled as “just” a jazz artist). You know him, even if you don’t think you know him: “Take the ‘A’ Train,” “Mood Indigo,” and “It Don’t Mean a Thing (If It Ain’t Got That Swing)” are but slivers of his deep (and deep-felt) compositional and performing catalog.
One particular set of highly attuned ears that were influenced by Ellington’s magic happen to belong to Joe Jackson. Yes, that Joe Jackson, he of the skinny-tie New Wave scene of the late ’70s who began reinventing himself at the dawn of the ’80s and never looked back. “I was always ready to move on,” Jackson, 58, said matter-of-factly over lunch in midtown Manhattan this past spring. (Well, to clarify, I had lunch; Jackson was content with “just water.”) “It never occurred to me that listeners may not have been ready to hear it. I thought the whole idea of being an artist was to do something different than everyone else.”
When live sound is as good as it was at Peter Gabriel’s show at the Wells Fargo Center in Philadelphia on September 21, I felt like I had to pinch myself to believe it. I mean, was I really hearing what I was hearing?
“Anything that we sit down in, we’re good at.” This is Steven Wilson, 5.1 mixmaster nonpareil, discussing two of the gold medals that Great Britain won in the Summer Olympics — one in cycling, the other in rowing. If there were Olympic medals given for achievement in surround-sound mixing, then Wilson would own more golden hardware than Michael Phelps has collected a dozen times over.