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Mike Mettler

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Mike Mettler Posted: Feb 25, 2014 0 comments
Performance
Sound
“On the surround mix, it sounds just like you’re in the room with Steve Howe while he’s playing those guitar harmonics.” Steven Wilson is describing the clarity of the gorgeous acoustic intro to “And You and I,” the second track on Yes’ groundbreaking 1972 LP, Close to the Edge. (Said intro is keenly accented by Rick Wakeman’s understated organ fills that lightly season the rear channels.)
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Mike Mettler Posted: Feb 19, 2014 0 comments
Jack Robinson / Universal Music Archives

Performance
Sound

Pete Townshend was on a spiritual mission, determined to produce a rock opera that would reflect his own path to enlightenment. His band mates in The Who were initially wary, but once they understood the multifaceted story of a deaf, dumb, and blind kid who sure played a mean pinball, there was no turning back from climbing the mountain. The epic sprawl of 1969’s Tommy catapulted The Who forever into the rock ’n’ roll stratosphere. And now Tommy gets a fuller archival due on this four-disc 45th anniversary Super Deluxe box set, achieving yet another new-vibration milestone on Blu-ray. (More on that disc’s groundbreaking surround mix in a moment.)

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Mike Mettler Posted: Feb 12, 2014 0 comments
“We would have done surround sound at the time if it had been available.” Original Moody Blues keyboardist Mike Pinder is discussing the always-enveloping signature orchestral sound of the band he was a part of for its first 15 years. Much of the Moodies’ core "Classic Seven" catalog has since seen a series of 5.1 releases in the interim, and Pinder’s innovative usage of the mellotron helped take many of those mixes (“Higher and Higher,” “Watching and Waiting,” “Legend of a Mind”) to the threshold of aural perfection.
Mike Mettler Posted: Jan 30, 2014 0 comments
Legacy. Some artists embrace it, some resist it. Early-period Genesis guitarist Steve Hackett decided to go the extra mile to dance on the volcano of his past, charging firth, er, forth to majestically recast the arrangements of a top-drawer selection of his ’70s output with the British prog giants.
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Mike Mettler Posted: Jan 29, 2014 8 comments
“I want to hear what the band heard during playback in the studio. And I want to respect the sound that the engineers and producers tried so hard to capture.” It’s a mantra engineer Steve Hoffman follows whenever he remasters classic, iconic albums, and perhaps those words should be etched between the monitors perched above the mixing consoles in every mastering studio across the globe. One recent labor of reissued love is near and dear to Hoffman's audiophile heart – namely, The Audio Fidelity Collection limited-edition box set that houses four classic Deep Purple albums he remastered: In Rock (1970), Fireball (1971), Machine Head (1972), and Who Do We Think We Are (1973).
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Mike Mettler Posted: Jan 15, 2014 1 comments
“Music is astounding, isn’t it?” Graham Nash is genuinely enamored with the wonders of sound. There’s always a special twinkle in his eye whenever we get together to talk about the indelible music he’s made since the early 1960s, the new music he’s planning to make next, and how he plans to have it all, both new and old, sound even better. Nash, 71, and I met at the Broadway HQ of Random House publishing arm Crown Archetype in New York City to dive deep into his quite revelatory autobiography, Wild Tales. In addition to discussing all of the shadows, shades, and sweet sonic details to be found within Tales, we also delved into why he’s been working “under the headphones” on a Crosby, Stills, Nash & Young project that may very well become the first official hi-res Pono release. Carry on...
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Mike Mettler Posted: Jan 09, 2014 0 comments
"We knew this was a bunch of people who love music," said an appreciative Stevie Nicks about the Monstrous crowd at Fleetwood Mac's muscular 75-minute set, which capped Monster's 2014 Retailer Awards at the Paris Ballroom in the Paris Hotel in Las Vegas on January 8. The mighty Mac were the headliners for a night that saw Monster celebrate its 35th anniversary with style and class.
Mike Mettler Posted: Jan 02, 2014 1 comments
Performance
Sound
Finally seeing a stateside release after being available internationally for over a year, Privateering, Mark Knopfler’s seventh solo offering (and first double album of all-original material) is a showcase of Americana, as innately authentic as anything produced by any artist born on U.S. soil. Somewhere, Chet Atkins, Johnny Cash, John Lee Hooker, and Muddy Waters are all picking, grinning, and haw-haw-hawing their collective approval. (Me, I suspect Knopfler was spiritually born on the Mississippi Delta and then transplanted to the moors of his native Scotland.)
Mike Mettler Posted: Jan 02, 2014 0 comments
Performance
Sound
Pressure: It can get to anyone. Just ask the four members of the Followill clan, a.k.a. Nashville’s first family of deep-roots rock, Kings of Leon. The three brothers (Caleb, Jared, and Nathan) and one cousin (Matthew) comprising KoL were anointed rock saviors when they burst onto the scene with the guitar-driven Southern-fried primal-blues mash of 2003’s Youth & Young Manhood. And their arena-rocking prowess was cemented with the one-two punch of the yearning “Sex on Fire” and the anthemic “Use Somebody” on 2008’s best-selling Only by the Night.
Mike Mettler Posted: Dec 24, 2013 0 comments
Performance
Sound
Besides knocking the psychedelic movement off of its puffy cloud at the end of the ’60s with the seminal roots-based rustic albums Music From Big Pink (1968) and The Band (1969), The Band was also known for being a supernaturally gifted live act, having honed its stagecraft through many arduous but rewarding years on the road. Highlights from a magical four-night stand at New York’s Academy of Music were set in stone—or rather, on wax and disc—with 1972’s Rock of Ages. The album was a critically acclaimed best seller and a triumph in the eyes of everyone it touched. Well, almost everyone.

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