It’s always fascinating to see how important films age over time, especially those that elicited strong, visceral reactions from audiences and critics when initially released.
Forty years have hardly put a dent in Straw Dogs, the controversial 1971 film by director Sam Peckinpah (which spawned the faithful remake now showing in theaters). With its graphic depiction of violence, the movie remains as disturbing as ever.
Clinical depression isn’t exactly the stuff of Hollywood dreams. And in 2011, neither is Mel Gibson. His real-life drunken tirades have cost him dearly — and they make him an unlikely candidate for the necessarily sympathetic movie role of a severely depressed man who takes to talking through a beaver hand-puppet just to survive.
It’s never easy making a film of a great novel. For director Stanley Kubrick, Vladimir Nabokov’s Lolita presented not only the fairly typical challenge of translating a story built around characters’ internal thoughts and feelings but also, in 1962, the task of dealing with a taboo subject.
